Par WILDEMAN PETER. / Musique religieuse / Date parution : 2019-05-27/ Répertoire / Orgue

per organo. Par VASKS PETERIS. Peteris Vasks has written a large number of pieces for the organ, both original works and arrangements of his own pieces which had originally been written for strings. The Riga-based composer created his ideal sound image after listening to the famous organ of the Cathedral of Riga. The basic idea of the organ work 'Cantus ad pacem' is, as with almost all of his compositions, the personal understanding of nature: the beauty of nature, on the one hand, and the destruction of nature by man, on the other hand. Not presenting any great difficulties, Vasks' organ music displays an impressive variety of sounds, from the most intimate, restrained sounds to powerful chordal outbursts./ Répertoire / Orgue

per organo. Par VASKS PETERIS. Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Canto di forza' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man. Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions./ Répertoire / Orgue

Cradle Song-Vuggesang / Cradle Song for Organ solo by Peter Bruun (2016). The piece is based on Martin Luther's hymn 'Vom Himmel Hoch'. Dedicated to Vibeke Vanggaard. 'Peter Bruun's cradle song Vuggesang is an inventive and refreshingly unconventional set of variations on 'Vom Himmel Hoch'. There are some fascinating textures here and the whole thing is a far cry from a dutiful neo-classical perusal of stock partita motifs - the crystalline final variation which disappears into nothing in the final bars is especially striking. Numerous rhythmic complexities throughout the score will need thought but the piece will reward thediligent.' - Stephen Farr Choir & Organ Magazine 'Organ music makes up only a small part of Danish composer Peter Bruun’s (b. 1968) varied output. Nonetheless  Vuggesang (‘Cradle Song’) from 2016 is idiomatically and sympathetically written for the organ: a series of five variations on Luther’s hymn Vom Himmel hoch that affords variety of texture colour and mood. A clear head is needed to negotiate some of the rhythmic complexities but this is a fine work for the Christmas season that will reward performer and listener.' - Sunday by Sunday  

Peter Warlock's Four Cod-Pieces arranged for Organ by Malcolm Rudland. Duration: 6 minutes

Cette partition classique, Drei Fantasien for organ de Heider Werneréditée au 2ème semestre 2011 a été avant tout composée pour Orgue. Bien qu'ayant aucun Cd avec, elle vous apportera tout ce que vous recherchez. Les éditions Peters ont choisi de l'éditer sous la référence EP11298 / Orgue

L'organiste et compositeur Peter Morhard (date de naissance inconnu, est mort à Lunebourg en 1685) appartient à l'école d'orgue allemande du Nord. On sait peu sur sa vie, mais de 1662 jusqu'à sa mort, il a travaillé comme organiste à la Michaelskirche de Lunebourg. 10 arrangements chorals pour orgue par Morhard ont survécu et sont maintenant publiés dans une édition annotée et soigneusement edited urtext. / Orgue

Wie bereits in seiner Jazz-Partita über Lobe den Herren (Schott, ED 21913) kombiniert Peter Wittrich auch in dieser Komposition wieder Jazz-Elemente mit traditioneller Orgelschreibweise. Nun danket all ist mit seinem gemäßigten Schwierigkeitsgrad gleichermaßen für das Konzert und für den liturgischen Einsatz geeignet. Das Rock-Prélude und die Toccata in ?Funk', als erster und letzter Satz, sind typische Eingangs- bzw. Auszugssätze, mit denen ein feierlicher Rahmen gesetzt werden kann. Kontrastierend und eher meditativ in ihrer Grundstimmung verhalten sich der 2. Satz mit typischem Walking-Bass und Blues-Elementen sowie der 4. Satz, im typischen Groove des Jazz-Waltz auf einem Orgelpunkt über g. / Orgue

Für Orgelpositiv Und Cembalo. Par PLANYAVSKY PETER. “Nicht schnell, etwas distanziert” das erste Gespräch: beherrscht von Achtelbewegung in Fünfer-, Siebener-, Neuner-, Zehnergruppen. Das zweite Gespräch: die Orgel setzt etwa im achten Takt frei ein und spielt in der Art eines Kanons wörtlich dem Cembalo . . ./ Répertoire / Orgue

Par PLANYAVSKY PETER. Das virtuose Stück ist nach seinem australischen Entstehungsort benannt./ Répertoire / Orgue

Mand lion was commissioned for the 1982 Dublin International Organ Festival by RHM Foods. It was first performed on the 27th June 1982 by Pete Sweeney at St. Patrick’s Cathedral in Dublin.The piecetakes its name from the Greek word for ‘handkerchief' a word that is also used in iconography to refer to an Ikon ‘not made by hands’ which is equivalent to the idea of the shroud. Mand lion is a meditation uponIkons and upon the changing image of the face of Christ.Tavener recommends that this piece should be played freely and with great ‘sweep’.