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Organ
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Antonio de Cabezón: Ausgewahlte Werke 2 Tasteninstr.: Piano: Instrumental Album
Organ
[Sheet music]
Barenreiter
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to ...
(+)
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century.His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese and Spanishuniversities who are both leading scholars of the works of Cabezón and reflects the latest research findings.
34.50 GBP - Sold by Musicroom UK
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Antonio de Cabezón: Ausgewahlte Werke 1 Tasteninstr.: Piano: Instrumental Album
Organ
[Sheet music]
Barenreiter
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to ...
(+)
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century.His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese and Spanishuniversities who are both leading scholars of the works of Cabezón and reflects the latest research findings.
34.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Complete Organ Works - Volume 3: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia”...
(+)
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.
28.10 GBP - Sold by Musicroom UK
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COMPLETE ORGAN WORKS - VOLUME 3 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...
(+)
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
33.85 EUR - Sold by LMI-partitions
(Seller in french langage)
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Harald Genzmer: Prelude Aria and Finale GeWV 413: Organ: Instrumental Work
Organ
Schott
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always bee...
(+)
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Anton n Dvorák. This is a pity for Fibich though he died young made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher the boy went on to music school in Prague and then to the Leipzig Conservatoire where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich'smusical activities: as his dream of a post at the Conservatoire remained unfulfilled his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music piano pieces and orchestral works operas stage music and melodramas literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods Impressions and Reminiscences' Op. 41 written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight') written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139 entitled 'Lento' from his collection of piano pieces. The violinst Jan Kubel k played the melody from 1908 onwards with the title 'Poème' and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
17.99 GBP - Sold by Musicroom UK
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