SKU: AD.ADG203
ISBN 9781934163986. UPC: 663389120327. 9 x 12 inches.
Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound.Customer Comment About This Book:Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought.
SKU: CA.1805200
ISBN 9790007100209.
SKU: AY.FRD106
ISBN 9790302117506.
Paul J. Sifler, born in Ljubljana, Slovenia, immigrated to the United States at the age of 11, and following his studies at the Chicago Conservatory as music, led a long and prolific career as a composer and organist. The Despair and Agony of Dachau has been performed at the National Cathedral in Washington D.C. and in Sifler's native Ljubljana, performances which were preceded by a reading of Psalm 22. Phrases from the Psalm beginning My God, my God, why has Thou forsaken me? are used to depict the tragedy of the concentration camp at Dachau. Among the traumas represented are the furnaces, described by a mighty roar, the scurrying of rats and barking of dogs. This work was composed to provide a history lesson for the future, and to offer the fervent prayer that mankind will never again be involved in such an atrocity.
SKU: HL.49045269
ISBN 9790001163132. UPC: 841886029835. 9.0x12.0x0.14 inches.
The sonata premiered in 2016 is based on the Luther chorale Komm, Gott Schopfer, Heiliger Geist (Come, God Creator, Holy Spirit) and consists of three parts: 'The first movement transforms the first eight notes of the chorale melody into a virtuoso figurative movement, the second movement presents the complete chorale in a highly chromatic harmonization. The concluding fugue is treated in three development sections becoming successively more animated in rhythm and dynamics.' (Stefan Heucke).
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