SKU: CA.2706700
ISBN 9790007095550. Language: Latin.
In this edition of his Mass for women's choir, published here for the first time, compositional skill and a sense for interesting harmony are combined with a lyric gift. This highly romantic Mass will succeed in the repertoire for women's choir and organ.
SKU: CA.2706705
ISBN 9790007112943. Language: Latin.
In this edition of his Mass for women's choir, published here for the first time, compositional skill and a sense for interesting harmony are combined with a lyric gift. This highly romantic Mass will succeed in the repertoire for women's choir and organ. Score available separately - see item CA.2706700.
SKU: FZ.50529
12.5 x 14 cm inches.
Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard. Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult. Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise. Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'. This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.
SKU: HL.49045022
ISBN 9790001154277. UPC: 841886027794.
The formal structure of this organ chorale with solo clarinet follows a Jewish death prayer. The solo clarinet represents the chant of the traditional prayer leader while the organ plays the response of the congregation of the synagogue. The piece ends with a cadenza of the solo clarinet to which an optional organ improvisation can be added.Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality.
SKU: PL.9514OP
Composed in 1901, Psalm 137, By the Rivers of Babylonis Loeffler's only sacred choral composition. Scored for women's voices and instruments, it is offered here in a reduction for organ or piano accompaniment. The editorial suggestions for registration reflect the composer' original instrumental timbres. The instrumental parts may be purchased separately. As the composer's biographer, Ellen Knight, has written, the music is exquisitely lush and sensuous.
SKU: OU.9780193707948
ISBN 9780193707948. 12 x 8 inches.
This ground-breaking collection revives the music sung by girls and boys in the chapels of the Charity Institutions of Georgian London. It contains ten mostly short anthems for varied liturgical use by men and women composers, scored for one or two upper voices featuring solo, duet, semi-chorus and tutti combinations, with organ accompaniment.
SKU: HL.49044058
ISBN 9790001197854.
Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality. The registration for this edition was devised in the Church of the Resurrection in Furth. It is a model that may be adapted freely for other organs, perhaps substituting new and different sound features.Also available for clarinet and organ (KLB 99).
SKU: CA.5425749
ISBN 9790007226121. Language: Latin.
Johann Michael Haydn's oeuvre includes more than thirty works in Latin or German for two or three descants, composed for his dear choirboys of the Salzburg 'Kapellhaus'. The first setting of the ordinary in this series was the Missa Sancti Aloysii, composed in 1777. It was initially intended for the Commemoration of the Holy Innocents on 28 December, when the chapel boys celebrated their principal feast day. This exceptionally charming mass, characterized by a wonderfully effervescent joyfulness, is an insider's tip for anyone looking for new repertoire for three-part women's, girls' or boys' choir. By virtue of ist scoring, the mass is also eminently suitable for small-scale performances. Score and part available separately - see item CA.5425700.
SKU: BT.SCHBB5500283
Baritone, Female voices, Organ, Ensemble (parts). Yun, I.
SKU: AU.9781506414058
ISBN 9781506414058. 8.5 x 11 inches.
Composer William Rowan and text writer Mary Louise Bringle collaborated on a graceful hymn that has become a favorite in many congregations. Now Michael Burkhardt provides an alternative setting. Beginning with an impressionistic introduction for organ, each stanza then has its own accompaniment, over which women, men, and all (with soprano descant) sing the tune.
SKU: LO.10-4248L
ISBN 9781429129305.
Noted British composer Jonathan Willcocks offers this vibrant setting of a traditional English carol. Perfect for Christmas or Epiphany services, your singers are sure to enjoy the lovely interplay between men's and women's voices. This lively selection also incorporates an original choral motive as a unifying musical thread and is especially effective when performed with the optional organ accompaniment.
SKU: BT.PWM12911
SKU: CA.1036700
ISBN 9790007025625. Key: A minor. Language: German.
SKU: GI.G-000660
UPC: 641151006604.
First published in 1962, this WLP classic by Russell Woollen has certainly endured the test of time. This flexible composition deserves a twenty-first–century audience. The composer has suggested several options for performance of this setting of the Good Shepherd passage from John: two-part men, two-part women, or two-part mixed voices.
SKU: CA.1036711
ISBN 9790007025649. Key: A minor. Language: German.
Score available separately - see item CA.1036700.
SKU: CA.5425711
ISBN 9790007226091. Language: Latin.
SKU: CA.1036705
ISBN 9790007025632. Key: A minor. Language: German.
SKU: CA.1036712
ISBN 9790007025656. Key: A minor. Language: German.
SKU: CA.5425712
ISBN 9790007226107. Language: Latin.