Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808549

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Single Part, Organ. Composed 2014. 24 pages. Duration 18 minutes. Carus Verlag #CV 18.085/49. Published by Carus Verlag (CA.1808549).

Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch. Score and part available separately - see item CA.1808500.

Congregation, SATB choir, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, contrabass, organ

SKU: CA.2300113

Choralkantate. Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. Gott Ist Gegenwartig.Choralkantate. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1897. Op. 106. 8 pages. Carus Verlag #CV 23.001/13. Published by Carus Verlag (CA.2300113).

ISBN 9790007198527. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.

Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen's text Gott ist Gegenwartig on the occasion of that poet's 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which corresponds to the text. Score and part available separately - see item CA.2300100.

Congregation, SATB choir, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, contrabass, organ

SKU: CA.2300114

Choralkantate. Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. Gott Ist Gegenwartig.Choralkantate. Sacred vocal music, Cantatas. Single Part, Cello 1. Composed 1897. Op. 106. 8 pages. Carus Verlag #CV 23.001/14. Published by Carus Verlag (CA.2300114).

ISBN 9790007198534. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.

Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen's text Gott ist Gegenwartig on the occasion of that poet's 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which corresponds to the text. Score and part available separately - see item CA.2300100.

Congregation, SATB choir, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, contrabass, organ

SKU: CA.2300149

Choralkantate. Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. Gott Ist Gegenwartig.Choralkantate. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1897. Op. 106. 16 pages. Carus Verlag #CV 23.001/49. Published by Carus Verlag (CA.2300149).

ISBN 9790007198572. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.

Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen's text Gott ist Gegenwartig on the occasion of that poet's 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which corresponds to the text. Score and part available separately - see item CA.2300100.

Congregation, SATB choir, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, contrabass, organ

SKU: CA.2300111

Choralkantate. Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. Gott Ist Gegenwartig.Choralkantate. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1897. Op. 106. 8 pages. Carus Verlag #CV 23.001/11. Published by Carus Verlag (CA.2300111).

ISBN 9790007198503. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.

Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen's text Gott ist Gegenwartig on the occasion of that poet's 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which corresponds to the text. Score and part available separately - see item CA.2300100.

Congregation, SATB choir, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, contrabass, organ

SKU: CA.2300116

Choralkantate. Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. Gott Ist Gegenwartig.Choralkantate. Sacred vocal music, Cantatas. Single Part, Double Bass. Composed 1897. Op. 106. 8 pages. Carus Verlag #CV 23.001/16. Published by Carus Verlag (CA.2300116).

ISBN 9790007198558. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.

Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen's text Gott ist Gegenwartig on the occasion of that poet's 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which corresponds to the text. Score and part available separately - see item CA.2300100.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731509

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. 1x 27.315/21 flute 1, 1x 27.315/22 flute 2, 1x 27.315/23 oboe 1, 1x 27.315/24 oboe 2, 1x 27.315/25 clarinet 1, 1x 27.315/26 clarinet 2, 1x 27.315/27 bassoon 1, 2x 27.315/28 bassoon 2, 1x 27.315/31 horn 1, 1x 27.315/32 horn 2, 1x 27.315/33 horn 3, 1x 27.31. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. 104 pages. Duration 35 minutes. Carus Verlag #CV 27.315/09. Published by Carus Verlag (CA.2731509).

ISBN 9790007201685. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036413

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Viola. Sacred vocal music, Cantatas, Advent. Single Part, Viola. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/13. Published by Carus Verlag (CA.1036413).

ISBN 9790007190408. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731519

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. Duration 35 minutes. Carus Verlag #CV 27.315/19. Published by Carus Verlag (CA.2731519).

ISBN 9790007137366. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731512

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/12. Published by Carus Verlag (CA.2731512).

ISBN 9790007201708. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731500

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Full score. CG op. Posth. 136 pages. Duration 35 minutes. Carus Verlag #CV 27.315/00. Published by Carus Verlag (CA.2731500).

ISBN 9790007095604. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731549

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Organ. CG op. Posth. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.315/49. Published by Carus Verlag (CA.2731549).

ISBN 9790007201746. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 2 violins, viola, cello, double bass, organ

SKU: CA.2719005

Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Innovative practice aids, Sacred vocal music, Praise and thanks. Choral Score. WAB 45. 20 pages. Duration 25 minutes. Carus Verlag #CV 27.190/05. Published by Carus Verlag (CA.2719005).

ISBN 9790007166458. Text language: Latin.

Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score available separately - see item CA.2719000.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036411

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Violin 1. Sacred vocal music, Cantatas, Advent. Single Part, Violin 1. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/11. Published by Carus Verlag (CA.1036411).

ISBN 9790007190385. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, Tuba, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.2719004

Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. XL in large print. Innovative practice aids, Sacred vocal music, Praise and thanks. Vocal score. WAB 45. 56 pages. Duration 25 minutes. Carus Verlag #CV 27.190/04. Published by Carus Verlag (CA.2719004).

ISBN 9790007170493. Language: Latin.

Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score available separately - see item CA.2719000.