SKU: HL.50016960
UPC: 073999855968. 8.0x10.75x0.125 inches.
SKU: HL.50039470
8.0x10.75x0.12 inches.
SKU: HL.50031560
UPC: 884088094249. 8.0x10.75x0.121 inches.
SKU: HL.50484905
SKU: CA.330330
ISBN 9790007172473. Key: F minor. Text language: Italian/Latin.
SKU: BT.DMP10026
SKU: GH.CG-4002
ISBN 9790070005555. A4L inches.
SKU: CA.2703100
ISBN 9790007145781. Key: F minor. Language: Italian/Latin.
SKU: HL.14011002
UPC: 884088433741. 8.5x11.0x0.079 inches. C. H. Trevor - Author.
The B.A.C.H. motif has been known and used for centuries, but enjoyed a great revival in the late 19th century as composers paid homage to the composer J.S. Bach. It derives from the German nomenclature, and is expressed in standard notation as Bb-A-C-B.
The Fantasia And Fugue On B.A.C.H. is one of the most famous Organ works of Franz Liszt (1811-1886). The piece was intended for the inauguration of the famous Ladegast Organ at Merseburg Cathedral, but sadly, it wasn't finished in time. Liszt then revised the work in 1870 and produced the version that survives today. A well-loved piece, no organist's library iscomplete without it.
SKU: BA.BA11230
ISBN 9790006561049. 24 x 30.5 cm inches. Preface: Ripoll, Miguel Bernal / Doderer, Gerhard.
Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language, rooted in the traditional sounds of Spain, has not managed to reach a large audience outside the Iberian peninsula, although he is often called “a musician of European statureâ€. The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end, all available sources in the libraries of Astorga, Barcelona, San Lorenzo de el Escoreal, Felanitx/Mallorca, Jaca and Montserrat have been examined and newly evaluated.If Cabanilles’s oeuvre consists primarily of tientos, organ hymns and versets, the third and final volume contains three versos, three pasacalles, two galliards, two toccatas and such special forms as Paseos de tercer tono, Diferencias de FolÃas and a Jácara.„This is an excellent resource for organists interested in exploring this satisfying repertoire.“ (Brian E. Harlow, Journal of the Association of Anglican Musicians 1/2018)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.14003070
JS Bach's Choral prelude for Organ, Wachet Auf, has become a favourite of wedding couples for processional or recessional music because of its joyous liveliness and beauty. The cantata Wachet Auf BWV 140 contains a Biblical warning to be alert for the arrival of salvation, but Bach seems to have chosen to wake his sleepers with delightful sounds.The arranger, Charles Macpherson, was an Organist at St Paul's Cathedral in London and a professor of composition at the Royal Academy of Music. He has made his interpolations clear by the use of brackets.
SKU: MN.12-128
UPC: 688670121289.
The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.
SKU: HL.1190017
UPC: 196288131830. 8.75x14.0x0.4 inches.
Concerto in One Movement for Organ and Chamber Orchestra (“Alaska”) was written for Madeline Schatz and the Arctic Chammber Orchestra. In one movement, the moods and tempos shift from a broad sustained beginning to a lively and rhythmic section, followed by a quiet, slower middle section. A brief organ cadenza introduces an extended, again lively and rhythmic final section. Although the organ is prevalent almost throughout, there are also important statements and colorations in the orchestra. One may recognize a few borrowed musical references: a rhythmic patter of the Inuit; the first phrase of the “Passion Chorale” from the 16th century composer Hans Leo Hassler; and the traditional Hebrew melody, “Yigdal.”.
SKU: LO.70-2242L
ISBN 9780787769598.
The great English composers Ralph Vaughan Williams and Gustav Holst wrote many Christmas choral works and carol harmonizations that continue to enrich our worship services, concerts, and family celebrations each December. Their readily identifiable approach to this music draws on their important work in the folk song revival, and they brought many previously forgotten folk carols into sacred use. These organ arrangements by Douglas E. Wagner turn some of this music into organ solos, with a wealth of preludes, offertories, and postludes.