(Ausgewahlte Orgelwerke, Band 1). Par SCHROEDER HERMANN. Hermann Schroeder's abundant oeuvre in the field of chorale-bound organ music is much less known among organists than his free - especially the concertante - organ works, although Hermann Schroeder as an organist felt particularly bound to liturgy and liturgical singing. And according to him, any liturgical organ music should always bear a direct relation to singing. The purpose of the present anthology is to provide the player a representative selection of Schroeder's chorale arrangements. Most of these chorales are relatively short and of medium difficulty at most. The chorale melody can be heard well most of the time so that the pieces are ideal for being used in church services. In the alphabetical index, the beginnings of song titles are accompanied by the corresponding number from Gotteslob (GL) or the Protestant Hymnal for better orientation./ Répertoire / Orgue

Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 6) 34 Einige canonische Veränderungen über ?Vom Himmel hoch, da komm ich her? BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)

Ode For Saint Cecilia's Day (Organ) Organ part only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.

Prelude Pastorale and Fugue is scored for solo Organ. Craig Seller Lang (1891-1971) was a British composer organist and musical pedagogue who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ’s Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books but he also created prolific volumes of material in both sacred and secular choral genres.

Für Orgel. Par JOST CHRISTIAN. There is no other work more closely associated with the organ than Johann Sebastian Bach’s Toccata in D minor. During my compositional preparation, I repeatedly found myself returning to this work. I had a number of different formal models in mind, but felt myself gravitating towards the rhapsodic character of toccata form so that my new composition for organ ultimately became a toccata developing from a pedal point on the fundamental note ’D’. As is appropriate to the volume of a large modern organ, my concept focuses on symphonic tonal layers whose suggestive maelstrom originates from the inner strength of repeating elements and their register- like augmentation, culminating in the unleashing of polyrhythmic progressions. (Christian Jost)/ Répertoire / Orgue

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

Organ Solo-Der Er SÃ¥ Favrt i Jelling At Hvile for Organ Solo was composed by Pelle Gudmundsen-Holmgreen in 2000.

Master Tallis's Testament No.3 from Six Pieces for Organ. Composed in 1940 Master Tallis's Testament unfolds Quasi lento teneramente in a gentle six-eight rhythm and in G minor. It consists of three variants of a theme which falls into three phrases (eight plus six plus four bars). The music rises gradually to a climax at the end of the third variant. A quiet echo of the last two bars supplies a coda and a peaceful ending in the major. The piece is one which its composer regards as most typical and with particular affection. Its title which pays tribute to a father of English cathedral music allies it to the twenty-four pieces contained in Howells' two sets of clavichordpieces the twelve of Lambert's Clavichord (the Lambert not being the composer Constant but the Bath photographer Herbert who in the Twenties published a set of portraits of British composers (including Howells) and the twelve of Howells' Clavichord (1951) the separate titles similarly evoke those of the Elizabethan Virginalists. © 1977 Felix Aprahamian

Par JOHANNSEN KAY. 'The Great Wall? developed out of an improvisation, a homage to the Great Wall of China. Two motifs dominate in the work, which requires a three-manual organ: a two-measure ostinato in the pedal, and an oriental-sounding melody found on the manuals, in the basic shape and in the variations. The music leads seamlessly from an atmospheric picture into a rhythmically-driven crescendo, is interrupted by a 'storm? fantasy before ending, after a second upsurge, in a radiant fortissimo. The dynamics and articulation are given very precisely in the score. The registration markings relate to the four-manual Mühleisen organ in the Stiftskirche Stuttgart, and are intended as a guide for performance. This thrilling work, which recalls Ravel's 'Bolero? at certain moments, communicates directly with a wide range of audiences./ Répertoire / Orgue

Par MUHLY NICO. Muhly's organ concerto co-commissioned by the Los Angeles Philharmonic Association, Gustavo Dudamel, Artistic and Music Director, The Philadelphia Orchestra and Southbank Centre. Premiered on 23 February 2018 by James McVinnie (organ) and the Los Angeles Philharmonic, conducted by James Conlon, at Walt Disney Concert Hall, Los Angeles. / Date parution : 2023-10-31/ Répertoire / Orgue

Aus Polnisches Requiem. Par PENDERECKI KRZYSZTOF. Oskar Gottlieb Blarr first planned this organ transcription of Penderecki's Agnus Dei from the 'Polish Requiem' as a private homage to the esteemed master. The piece has since been frequently performed by other organists, proving the validity of this transcription. As in his other organ works, Blarr followed strict criteria: the strict maintenance of intervals, postures, articulation and phrasing. / Niveau : Intermédiaire à Avancé / Répertoire / Orgue

Robert Tall's setting of this well-known piece provides the organist with both a unique orchestral arrangement and specific registrations designed for today's modern organ.