SKU: NR.111014
Wie soll ich dich empfangen :, Paul Gerhardt meets Bach, Ich steh an deiner Krippen hier, Ein Lämmlein geht und trägt die Schuld :, Rhythmus inspiriert von Mozart KV 331, O Haupt voll Blut und Wunden : nach Tchaikovsky :, Thema aus Schwanensee, Auf auf mein Herz mit Freuden : Walzer, Auf auf mein Herz mit Freuden : Intermezzo barocco, Zieh ein zu deinen Toren, Warum sollt ich mich denn grämen :, Gerhardt changes as Pachelbel changes, Lobet den Herren alle die ihn ehren :, Pachelbel meets Paul Gerhardt, Lobet den Herren all die ihn ehren :, Schubert meets Paul Gerhardt, Lobet den Herren alle die ihn ehren : festliche, fröhlich Fanfare, Lobet den Herren alle die ihn ehren :, Paul Gerhardt und Johann Pachelbel, Die güldne Sonne : Toccatina, Die güldne Sonne : zweistimmig, Ich weiss mein Gott dass all mein Tun, Ich bin ein Gast auf Erden :, O Haupt voll Blut und Wunden, Paul Gerhardt Changes : Querbeet, Du meine Seele singe : Walzer für Paul Gerhardt, Ich singe dir mit Herz und Mund : Walzer für, Paul Gerhardt, Wach auf mein Herz und singe : Walzer für, Paul Gerhardt, Exotica : Tango für Paul Gerhardt, Geh aus mein Herz und suche Freud :, Ragtime für Paul Gerhardt, Geh aus mein Herz und suche Freud : Valse, Geh aus mein Herz und suche Freud : Remember, Tchaikovsky : Valse des fleurs.
SKU: JK.01589
Fifteen favorite closing hymns arranged for organ prelude in a continuous medley, allowing you to begin anywhere and end anywhere.Titles included in this volume: God Be With You Lord We Ask Thee Ere We Part Sing We Now at Parting Thy Spirit Lord Hath Stirred Before Thee Lord I Bow My Head As Shadows Falls Lord Dismiss Us Come Let Us Sing an Evening Hymn Abide With Me Father This Hour Has Been One of Joy We Have Partaken of Thy Love Great God to Thee The Lord Be with Us Now the Day is OverComposer: Various Arranger: Brent Jorgensen Difficulty: Medium.
SKU: MN.12-121
UPC: 688670121210.
Confluence was commissioned by the Organ Artist Series of Pittsburgh in celebration of its twentieth anniversary in 1999. Christa Rakich gave the premier at the closing concert of the season at Calvary Episcopal Church by in April of 1999. It has been performed frequently since that time. The title was given to honor the joining together or confluence of the three rivers of Pittsburgh: the Allegheny, the Monongalela, and the Ohio. Confluence is a curious hybrid related to both the sonata and rondo forms. It is of the ABABA design with the final A quite extended by polyphonic games and a very noisy and triumphant epilogue. The first idea is driving, rhythmic, nervous and agitated. The second is quiet, gentle and pastoral, that slowly moves in its mysterious ways, closing with a plaintive row of a dozen different pitches. The composer delights in the challenge of making tone rows as approachable and sing-able as possible. Both ideas make slightly varied restatements. At the end, fugal exploitation of the first idea is followed by that row, entering with stentorian grandeur in full pedal, heralding the triumphant close. This row, like the month of March is referred to frequently as coming in like a Iamb, going out like a lion.
SKU: AP.6-256820
ISBN 9780486256825. English.
Includes 78 toccatas, preludes, chorale variations, chorale fantasies, chorale preludes, fugues, canzonettas and chaconnes, comprising virtually all of his organ works in this one volume. 320 pgs.
SKU: FG.55011-575-0
Olli Kortekangas (b. 1955) spent some time looking for a suitable chorale or theme after receiving a commission from Tomi Satomaa to compose a variation work for organ. It was foundsurprisingly close at hand, on his very own desk: The Partita is based on a chorale melody Kortekangas composed some years ago. The Partita has six movements performed without a break. The first presents the chorale melody itself, and the other five could be described as character pieces each based on some part of it or characteristic. The work was premiered at the Turku Organ Festival in July 2019.
SKU: SU.80101250
This volume contains two short organ works: Pray without ceasing was composed in memory of composer Daniel Pinkham. Epithalamium is a piece with a gentle processional character; originally composed for a wedding, it can be used in nearly any service context Published by: Zimbel Press.
SKU: SU.25110010
The title translates: Look! There's the star!, this miniature work is based on the night sky and is evocative of an onlooker witnessing a star. Perfect opener or short dramatic interlude for any recital, concert, Christmas program or church service. Organ Duration: 1’ Composed: 2022 Published by: Johno Muzik.
SKU: SU.80101523
The title Ten Orphic Vignettes, which alludes to Orpheus, is a conceptual metaphor that represents the idea behind this set of pieces. Orpheus the legendary figure from Greek mythology was venerated for being endowed with superhuman musical skills. He was a poet and mystic whose poems set out many philosophical principles and dogmas of Ancient Greece. These pieces were written in 2021 and some of them are derived from compositional sketches from earlier years. The subject matter of these works are quite eclectic, encompassing Joy, death, aesthetic beauty, nostalgia, the mystical and the esoteric. They are designed to be played as solo pieces on their own or in groups chosen by the performer.Organ Duration: 32’ Composed: 2021 Published by: Zimbel Press.
SKU: GI.G-003009
Ceremonial Prelude and Salute! share scoring for organ, brass, and percussion while Praeludium, composed for Fred Tulan to play at Westminster Abbey, is for organ solo or with two percussionists (optional). These titles may be programmed singly or as a suite. Featured on the CD Transformations.
SKU: SU.80101366
Three attractive, meditative pieces highly suitable for service or recital. 1) Prayer; 2) Plaint; 3) Meditation on Deep River Instrumentation: Organ. Composed: 2000-14 Published by: Zimbel Press.
SKU: LO.30-3420L
UPC: 000308146677.
Celebrate the joy of Christ's resurrection with this outstanding medley of Easter tunes. The handbell arrangement can stand on its own or the optional brass and organ parts can be added for a more dramatic presentation. This selection is perfect for showcasing your bell ensemble on Easter Sunday and makes a dazzling inclusion in spring handbell festivals.
SKU: GI.G-002455
SKU: HL.49017039
ISBN 9790001148504. UPC: 841886009141. 9.0x12.0x0.175 inches.
The three movement Concerto da chiesa is the last organ work by Hermann Schroeder (1904-1984), composed a few months before his death. The premiere was performed by Clemens Ganz, then organist at the Cathedral of Cologne, in memory of the esteemed teacher and college colleague. The three-movement composition is an unmistakable 'Schroeder' work: emphasis of linearity according to high baroque standards, conciseness and sometimes impulsive gestures of the themes and rhythms, layers of parallel chords within a freely tonal modern harmony, not forgetting the plasticity of form and the motor functions which are surprisingly energetic for an eighty-year-old.
SKU: GI.G-002456
SKU: SU.80101117
This highly useful collection contains six imaginative preludes on traditional American folk hymns and spirituals. The hymns are Beach Spring, Lonesome Valley, Pentecost (Every Time), Cleansing Fountain, There Is a Balm, and My Lord What a Morning. 24 pages Published by: Zimbel Press.
SKU: SU.80101169
This work is a suite in five movements, suitable for worship or concert setting. The movements (Herald Angels, Angel Dust, Angels On the Head of a Pin, Guardian Angels, and Angels Praising God) are inspired by different kinds and aspects of angels. The movements can be used separately or in combination in worship context. Described in the journal 21st Century Music as character pieces of personality and profile. 28 pages Published by: Zimbel Press.
SKU: SU.80101201
This set contains five compelling preludes on familiar American campmeeting hymn tunes. Includes Middlebury, Cleansing Fountain, Wondrous Love, Star in the East, and Lenox. Useful individually for service purposes or all together as a concert suite. 20 pages Published by: Zimbel Press.
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