The Complete Buxtehude Organ Works in a five volume performing edition.This truly reliable and comprehensive edition of Buxtehude’s Organ works is based on the latest musicological research. Editions published previously were either incomplete or editorial amendments were not identified as such.Primarily a practical edition these volumes reflect the state of the art in Buxtehude scholarship. Each volume includes a comprehensive preface (German/English) and every editorial decision is available for examination in the critical report.All volumes also available separately: Set BA 8220; separate BA 8221-8223 BA 8404 BA 8405.Volume 5 BA8405.Chorale Settings Mi-W BuxWV 76 207-224.Appendix: O lux beata trinitas / Der du bist drei in Einigkeit BuxWV 216 Fragment.Muss der Tod denn auch entbinden (zu BuxWV 76).

Kompositionen von Beethoven, Boccherini, J. Haydn und W. A. Mozart. / Recueil / Orgue Electronique

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

Albert W Ketèlbey's most popular works appear to have been a series of Orchestral tone poems like In a Persian Market that incorporate exoticism and demonstrate the high quality of his Orchestration. The Orchestral version of this piece included a Vocal line of male Voices calling for baksheesh which is absent from the Organ arrangement.Composer and arranger Albert W Ketèlbey is now almost unknown except for his work Bells Across the Meadows but until the time of the Second World War he strode the country’s musical stage like a giant of light musical entertainment. In 1929 he was declared ‘Britain’s greatest composer’ according to the number of performances of his works. Over the course of his career he was a church Organist musical director at London’s Vaudeville Theatre editor to several music publishing firms and Music Director of the Columbia Gramophone Company.

Written at the deathbed of Arthur Sullivan’s brother Fred in 1877 and setting words by Adelaide Anne Proctor The Lost Chord was immediately successful and became the biggest sensation of any song in its decade. Of all the drawing room ballads of the Victorian era The Lost Chord has remained alive in the popular imagination. This arrangement for solo Organ is true to the original without overplaying its drama and restores the eponymous 'lost chord’ to the Organ from whence it originally came. Composer Arthur Sullivan is known the world over for his operatic collaborations with W S Gilbert including H M S Pinafore and The Pirates of Penzance among many others. ButSullivan was also a composer of a host of other works among them operas Orchestral works ballets and hymns and church pieces.

Fantasia In F Minor K.608 'for a mechanical Organ' by W.A. Mozart. Edited by Walter Emery.

This arrangement of George Frideric Handel's famous and popular composition is for organ manuals and pedals B flat major by W. Van Suijdam.

This 'March' was composed in honor of Saint Cecilia who John Dryden immortalised in his writing in 1697. W.T Best Edition arranged for the organ.

Composer and arranger Albert W Ketèlbey is now almost unknown except for his work Bells Across the Meadows but until the time of the Second World War he strode the country’s musical stage like a giant of light musical entertainment. In 1929 he was declared ‘Britain’s greatest composer’ according to the number of performances of his works. Over the course of his career he was a church Organist musical director at London’s Vaudeville Theatre editor to several music publishing firms and Music Director of the Columbia Gramophone Company.His most popular works appear to be a series of Orchestral tone poems like Sanctuary Of The Heart based on a verse from hisown poem In a Monastery Garden printed in the score.

Faszination Orgel-Faszination Orgel is a series especially designed for liturgical use. The first two volumes are dedicated to the parts of liturgy whilst other volumes cover events and festivals during the church year. All volumes can be played by lesser skilled organists or sight-read by advanced musicians. This volume contains entrance and procession pieces by J. G. Walther J.S. Bach J. K. Kuchar W. A. Mozart L. Boellmann E. Batiste F. A. Guilmant F. C. Th. Dubois S. Karg-Elert H. Schubert and G. Kaluza.

Le compositeur Erna Woll (né en 1917) étudie la composition avec h. Lemacher, h. Schroeder et w. Fortner. Le morceau d'orgue 'Vorübergang' (en passant), une méditation sur la nature transitoire de la vie, incorpore des citations de chansons de la Renaissance comme ' Ich fahr dahin ' de la Lochamer Liederbuch. / Orgue

Ce second volume de l'oeuvre d'orgue de W.A Mozart présente des oeuvres peu jouées jusqu'ici. De nombreuses transcriptions des oeuvres de Mozart - plus ou moins heureuses ou exécutables - existent déjà. André Isoir nous propose ici sa version de ces grandes oeuvres. Ses transcription, comme à son habitude, sont d'une fidélité rigoureuse, trouvant toujours l'astuce permettant de garder un texte fidèle tout en en facilitant l'exécution. / Orgue