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Partition de Poche
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Mezzo-Soprano voice, Piano (56)
Woodwind Quintet: flute, oboe,… (55)
Percussion (55)
2 Clarinets (duet) (55)
Piano Quartet: piano, violin, … (53)
Trombone and Piano (53)
Choral SSATB (52)
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Treble (Alto) Recorder (50)
Saxophone Quartet: 4 saxophone… (50)
Educatif (46)
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Piano, Voice, Guitar tablature… (45)
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Partition de Poche (43)
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Exemplaire Complet (40)
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Choral SSAA (37)
Violon Solo, Violoncelle Solo,… (36)
Solistes SATB, Choeur SATB, 4 … (36)
Biography (36)
Voix et Instruments Divers (36)
Trio avec Piano (35)
Ensemble à Cordes (35)
Flute, Orchestra (34)
Voice and Orchestra (34)
Bassoon, Orchestra (33)
Piano Accompaniment (33)
2 Flûtes Traversières ou 2 F… (32)
String Trio: 2 violins, cello (32)
Clarinette et Orchestre (32)
Music Theory (32)
Euphonium (31)
Brass Quartet (31)
Solistes SATB, Choeur SATB, 2 … (30)
Recorder Quartet (29)
Travaux Pour Choeurs (29)
Concert Band/Harmonie (29)
Violin, Cello (duet) (29)
Choeur SAM (29)
3 Recorders (trio) (29)
2 Hautbois, 2 Clarinettes, 2 B… (28)
A Cappella (28)
Children choir, Piano (28)
Ensemble (28)
B Flat, E Flat and C Instrumen… (27)
Clavecin (26)
Solistes STBar, Choeur SATB, 2… (26)
Guitare ou Luth (26)
4 Parties Mixtes (26)
Choeur d'Enfants, Solistes, In… (26)
Recorder, Piano (25)
Vocal duet, Piano (25)
Guitare Electrique (25)
Quartette Pour Flûtes à Bec … (24)
Piano Quintet: piano, 2 violin… (24)
2 Trumpets (duet) (24)
Parties Orchestrales (24)
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Livret (24)
Descent (Soprano) Recorder, Pi… (24)
Choeur de Femmes (24)
Low voice (23)
Bass Clef Instruments (23)
Flute Trio: 3 flutes (23)
Cello, Orchestra (23)
Flexible Instrumentation (22)
Violin, Viola (duet) (22)
Brass Quartet: 4 trombones (22)
Flute ensemble (22)
2 Violons, Alto, Violoncelle e… (21)
4 Guitars (Quartet) (21)
Clarinette et Quatuor à Corde… (21)
Piano Quintet: piano, violin, … (21)
Solistes SATB, Choeur SATB, 2 … (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Violon, Ensembles de Cordes et… (21)
Clarinet, Orchestra (21)
Clarinet Quartet: 4 clarinets (21)
Piano, Guitar (duet) (21)
Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Flûte Traversière, Clarinett… (20)
Accordion ensemble (20)
Dulcimer (20)
Choral Unison (20)
Accessoire (20)
Soprano voice (20)
Trio (19)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Treble (Alto) Recorder, Piano (19)
Harpsichord and Strings (19)
Piano, Guitar (Chords) (19)
Flute, Clarinet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Flute, Cello, Piano (trio) (18)
Oboe, Organ (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Voix et Orchestre (18)
Choral SSATTB (18)
Oboe and Orchestra (18)
Trio à Cordes (18)
Big Note Piano (18)
Quatuor (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
DVD concert (18)
Musical Awakening (18)
Solistes STBB, Choeur SATTBB, … (17)
Solo S, 2 Flûtes Traversière… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
High voice (17)
2 Trombones (duet) (17)
Cor en Fa (17)
Voix Mixtes (17)
Flute, Basso continuo (17)
3 Guitars (trio) (17)
Choeur Mixte et Ensemble de Ch… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Flûte à Bec Soprano (Flûte … (16)
Saxophone Ténor et Piano (16)
Choeur Mixte (SSATB) avec Soli… (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
2 Flutes, Piano (16)
Ensemble Mixte (16)
Instruments Cuivre (16)
Tenor voice (16)
Snare drums (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Piccolo, Piano (15)
Clavier Electronique et Ligne … (15)
Concert band, Choral (15)
Petit Ensemble Contemporain (15)
Tenor Saxophone and Piano (15)
Big band (15)
Percussions (15)
Violin, Basso continuo (15)
Recorder Ensemble (15)
Choeur D'Enfants (Ou De Jeunes… (14)
Petit Choeur SATTB, 5 Instrume… (14)
Solistes ST, Choeur SSATB/SSAT… (14)
Solistes SSA (TTB), Choeur SAT… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes SB, Choeur SSATB, 2 T… (14)
Clarinet, Cello, Piano (trio) (14)
Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
Solistes SATB, Choeur SATB, 2 … (14)
Euphonium, Piano (duet) (14)
Violin, Organ (14)
Choeur Mixte, Soprano et Orche… (14)
Voix Et Orff-Instruments (14)
Lute (14)
Flute Quartet: 4 flutes (14)
Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Quintette à vent (13)
Solistes SSTB, Choeur SATB, 2 … (13)
Violoncelle (Partie Séparée)… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Solistes, Choeur d'Enfants, 3 … (13)
String Quartet : 4 violas (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette ou Bugle ou Cornet o… (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Woodwind Quintet (13)
Clarinet Ensemble (13)
Marimba (13)
Chorale (13)
Solistes SBar, Choeur SSATB, 2… (12)
Solistes SMSATB, Choeur SATB, … (12)
Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Solistes AT, Choeur SATB/SATB/… (12)
Solistes, Div. Instruments à … (12)
Trompette ou Cornet, Trombone … (12)
Bass Clarinet (12)
Solistes, Choeur d'Enfants, Fl… (12)
Choeur SATTB, (5 Instruments, … (12)
Flûte Traversière, Clarinett… (12)
Double bass, Orchestra (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Flute, Oboe, Clarinet, Bassoon… (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
Hautbois, Basson et Piano ou O… (12)
Soli and Orchestra (12)
Choeur d'Enfants, Flûte Trave… (12)
String quintet (12)
Saxophone Baryton (12)
Fanfare Band (12)
Harp, Flute (duet) (12)
3 Choeurs (SATB, SATB et SATB)… (12)
Clarinette, Saxophone, Trompet… (12)
Choeur (SATB) et Brass Band (12)
SATB et Orchestre (12)
Choeur, Parties Solo, Narrateu… (12)
Violin, Guitar (duet) (12)
Choeur d'Enfants (12)
4 Cellos (12)
Contrebasse (Partie séparée)… (12)
Choeur SSATTB, (6 Instruments,… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solo S, Choeur SATB, 2 Trompet… (11)
Solistes SATB (Solo T, Auswahl… (11)
Choral, Orchestra (11)
Solo SA, Flûte Traversière, … (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Choeur Mixte et Orchestre (11)
Trumpet, Trombone (duet) (11)
Solistes SATB, Choeur SATB, 3 … (11)
2 Violas (duet) (11)
4 Euphoniums (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Bass Clarinet, Piano (11)
Baritone voice (11)
Solistes ATB, Choeur SATB, 2 H… (11)
6 Parties Mixtes (11)
Solo B, Trompette, Violon, Alt… (11)
Scores (11)
Solo B, Choeur SATB, 2 Hautboi… (11)
Saxhorn and Piano (11)
Solo instrument and Organ (11)
Organ, Trumpet (duet) (11)
Ocarina (11)
Guitar Ensemble (11)
Cornet and Piano (11)
Electric bass, Drums (10)
Solistes STB (SB/TB/SATB), Cho… (10)
Solistes SA, Choeur SATB, 2 Ha… (10)
String Quintet: 2 violins, 2 v… (10)
Choeur D'Hommes (TTBB) A Cappe… (10)
Gemischter Chor (SATB) und Orc… (10)
Choeur SATB, 2 Violons et Bass… (10)
Concert Band ou Harmonie et Ba… (10)
2 Violins and Basso (10)
Orgue et Musique de Chambre (10)
Guitare et Voix (10)
Choeur SSATB, 2 Violons et Bas… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Solistes, 1-2stg Choeur d'Enfa… (10)
Solistes SSATB, Choeur SATB, 2… (10)
Solistes STBarB, Choeur SATB, … (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Voice, Organ (10)
4 Instruments Cuivre (Trompett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
Percussion Ensemble (10)
School Ensemble (10)
Ensemble Instrumental et Petit… (10)
Mezzo-Soprano voice (10)
Nursery rhyme (10)
Cello, Guitar (duet) (10)
Viola and orchestra (10)
Solistes SATB, Choeur SATB, Ha… (9)
Choeur Mixte (Unisson) Avec Or… (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes SATB, Choeur SSATTB, … (9)
Oboe, Violin, Viola and Violon… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Soli (SATB), Choeur Mixte (SAT… (9)
Soli (SATB, Soprano Aussi Chor… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
8 Instruments (9)
Choeur Mixte (SATB) Avec Solis… (9)
Euphonium or Saxhorn and Piano… (9)
Organ, Piano (duet) (9)
Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, Ba… (9)
Quintette à Cordes (9)
Solistes SATB, Choeur SATB, 2 … (9)
Choeur SATB, (4 Instruments, C… (9)
Solistes S (A) TB, Choeur SATB… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Quintette (9)
Cordes, Basse Continue, Partie… (9)
Choeur SATB, 2 Hautbois, 2 Vio… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Violon, Ensembles de Cordes et… (9)
4 Compagnons, 4 Voleurs, Direc… (9)
Voix, Flûte à Bec et Percuss… (9)
Choeur d'Enfants, Flûte Trave… (9)
Hautbois, Cor Anglais et Hecke… (9)
2 Euphoniums et Piano ou Orgue… (9)
3 Clarinets (trio) (9)
Choeur SSATTB, 4 Trombones, 4 … (9)
Alto et Orchestre (9)
Oboe, Clarinet, Bassoon (trio)… (9)
Flûte Traversière, Hautbois … (9)
Choeur SATB et Basse Continue (9)
2 Clarinets, Piano (9)
Diverses Formations (9)
2 Bassoons (duet) (9)
Baryton (9)
Soli (AT), Choeur Mixte (SATB)… (9)
3 Saxophones (trio) (9)
String Trio: 3 violins (8)
Choeur SSATB, 2 Violons, Alto,… (8)
Solistes SATB, Choeur SATB/SAT… (8)
Solistes, Div. Instruments à … (8)
Solistes SSAT, Choeur SATB, 2 … (8)
Solo SATB, Choeur SATB, 2 Viol… (8)
Saxophone Alto, 2 Trombones, T… (8)
Solistes ou AuswahlChoeur SATB… (8)
Quintette avec Piano (8)
Violon, Viole de Gambe et Orgu… (8)
2 Violons et Cordes (8)
Voix et Orchestre à vent (8)
Défilé et parade (8)
Choeur SATB, 3 Trombones, 2 Vi… (8)
2 Oboes, 2 Horns and 2 Bassoon… (8)
Clarinette, Basson, Violon, Vi… (8)
Choeur SSAM, Flûte Traversiè… (8)
Violon, Alto, Violoncelle et C… (8)
Solistes SB, Choeur SATB, Haut… (8)
Choeur d'Enfants 1 à 4 Partie… (8)
Octuor (8)
Soli (SB), Choeur Mixte (SATB)… (8)
Hautbois, 2 Flûtes Traversiè… (8)
2 Flûtes Traversières, 2 Hau… (8)
Choeur SATB, 2 Tubes en plasti… (8)
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Clarinette, Violon et Piano (8)
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Piano, Bass, Drums (trio) (8)
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Flûte à Bec et Piano (8)
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4 Parties Mixtes (Ou 3 Parties… (8)
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Choeur Mixte (SATB, Partie(s) … (8)
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Choeur TTBB, (2 Cors et 3 Trom… (8)
Trompette en Sib (8)
Horn Ensemble (8)
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1 Piano, 6 hands (8)
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5 Instruments (Instruments à … (8)
SATB, 4 Parties Mixtes, 2 Viol… (8)
5 Instruments à Vent (8)
Flûte Traversière Hautbois, … (8)
Clarinette, Quatuor Pour Instr… (8)
Choeur De Jeunes (Ou De Femmes… (8)
Instruments A Vent (8)
Choeur Mixte et Basse Continue… (8)
Cor en Mib (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Solo Baryton, Choeur SSAAB, 2 … (8)
Solistes SSTTAB (SATTB), Choeu… (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Solistes SATTBarB, Choeur SATB… (8)
Solistes SSAATTBar, Choeur SSA… (8)
Choeur SSATTB, Violon, Violonc… (8)
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Weinen, Klagen, Sorgen, Zagen (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorg...
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Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorgen, Zagen (Weeping, crying, sorrow, sighing) BWV 12 Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations androyal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche
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Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Conce...
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Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Concerto in D major K. 314 (285d) Andante C major in K. 315 (285e) Mozart exhibited a special affinity with the woodwind family, writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert performance. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and evenconducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Format 16. 5 x 22. 5cm/ Répertoire / Partition de Poche
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Feuerwerksmusik (HAENDEL GEORG FRIEDRICH)
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Par HAENDEL GEORG FRIEDRICH. The conductor and Keyboard player Christopher Hogwo...
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Par HAENDEL GEORG FRIEDRICH. The conductor and Keyboard player Christopher Hogwood has edited the new edition of Music For The Royal Fireworks. The edition is the result of thorough revision and correction based on the source material. During this process, some incorrect notes were corrected, and in particular, the Viola part was revised. Misunderstood instructions from Handel relating to the colla parte coupling of the Viola with the second Oboe, as in the overture or with the bass parts, have been reassessed. Doubling with other parts resulted in passages, which were too high or too low: these have now been rectified and a part suited to the range of the viola has been madepossible. - New critical edition based on new sources. - Detailed Prefaces (Ger/Eng). - Urtext of the “Halle Handel Edition”. - Full score, performance material (BA4299) and study score (TP373) available for sale./ Répertoire / Partition de Poche
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Herr Gott, Dich Loben Alle Wir (BACH JOHANN SEBASTIAN)
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Cantata for the Feast of St. Michael. Par BACH JOHANN SEBASTIAN. Herr Gott, dich...
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Cantata for the Feast of St. Michael. Par BACH JOHANN SEBASTIAN. Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130 Cantata for the Feast of St. Michael Composed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withthe original text. - Urtext of the New Bach Edition/ Répertoire / Partition de Poche
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Erschallet, Ihr Lieder (BACH JOHANN SEBASTIAN)
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Cantata for Whitsunday. Par BACH JOHANN SEBASTIAN. Erschallet, ihr Lieder BWV 17...
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Cantata for Whitsunday. Par BACH JOHANN SEBASTIAN. Erschallet, ihr Lieder BWV 172 Cantata for Whitsunday (C major version) Erschallet, ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant, it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch, corresponding to D major in chamber pitch), and the first number was intended to be repeated at the end of the work. - Urtext of the New Bach Edition -Performance material (BA10172) vocal score (BA10172-90) and study score format 22. 5 x 16. 5cm (TP1172) available for sale/ Répertoire / Partition de Poche
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Nun Komm, Der Heiden Heiland (BACH JOHANN SEBASTIAN)
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Cantata for the First Sunday of Advent. Par BACH JOHANN SEBASTIAN. Nun komm, der...
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Cantata for the First Sunday of Advent. Par BACH JOHANN SEBASTIAN. Nun komm, der Heiden Heiland BWV 62 Cantata for the First Sunday of Advent Bach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm, der Heiden Heiland', a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata, typical of Bach's late creative period, incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements. Urtext of the New Bach Edition Performance material (BA10062), Vocal score (BA10062-90) & study scoreformat 22. 5 x 16cm (TP1062) available for sale/ Répertoire / Partition de Poche
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Missa B-Dur (HAYDN FRANZ JOSEF)
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Theresienmesse. Par HAYDN FRANZ JOSEF. Between 1796 and 1802 Haydn composed 6 gr...
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Theresienmesse. Par HAYDN FRANZ JOSEF. Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of Princess Maria Hermenegild, the wife of his patron Prince Nikolaus Esterhazy II. The Theresa Mass was the fourth of these composed in 1799 and although the title page of the score simply has the word 'Missa' the nickname Theresienmesse remains a matter for speculation, but is usually attributed to the work's supposed association with Marie Therese, the wife of the Emperor Franz II. - Urtext from Joseph Haydn Werke - Full score (with Nelson Mass) (BA4660) available for sale - Parts (BA4661), vocal score (BA4661-90) and study scoreformat 22. 5 x 16. 5cm (TP99) available for sale/ Répertoire / Partition de Poche
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Sérénade In Es (MOZART WOLFGANG AMADEUS)
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a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists ...
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a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet. From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa. The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work's melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave. - Urtext of the New Mozart Edition - Parts sextet version (BA5333), octet version (BA5334) and study score both versions format 22. 5 x 16. 5cm (TP315) available for sale/ Répertoire / Partition de Poche
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Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Ouvertüre (BACH JOHANN SEBASTIAN)
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Ouvertüre (BACH JOHANN SEBASTIAN)
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Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belo...
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Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Ouvertüre (BACH JOHANN SEBASTIAN)
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Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suit...
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Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Gleichwie Der Regen Und Schnee Vom Himmel Fällt (BACH JOHANN SEBASTIAN)
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Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen u...
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Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18 Cantata for Sunday Sexagesimae, Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasionssuch as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche
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Schwingt Freudig Euch Empor (BACH JOHANN SEBASTIAN)
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Cantata for the First of Advent. Par BACH JOHANN SEBASTIAN. Study Score Archive ...
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Cantata for the First of Advent. Par BACH JOHANN SEBASTIAN. Study Score Archive Copy Schwingt Freudig Euch Empor BWV 36 (final version) Cantata for the First of Advent - Urtext of the New Bach Edition - Performance material (BA10036), vocal score (BA10036-90) and study score (TP1036) available for sale Bärenreiter 's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sundayand festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then./ Répertoire / Partition de Poche
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Der Himmel Lacht! Die Erde Jubilieret (BACH JOHANN SEBASTIAN)
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Cantata for the 1st Easter Day. Par BACH JOHANN SEBASTIAN. Study score format 22...
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Cantata for the 1st Easter Day. Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Der Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh, the earth exults in gladness) BWV 31 Cantata for the 1st Easter Day - Performance material (BA10031), vocal score (BA10031-90) and study score (TP1031) available for sale. The text, by Salomon Franck who was the librettist of some of Bach 's the best-known cantatas, is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus. Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then./ Répertoire / Partition de Poche
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Die Sieben Letzten Worte Unseres Erlösers Am Kreuze (HAYDN FRANZ JOSEF)
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Orchestral version of 1785. Par HAYDN FRANZ JOSEF. The Seven Last Words Of Our S...
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Orchestral version of 1785. Par HAYDN FRANZ JOSEF. The Seven Last Words Of Our Saviour On The Cross Hob. XX:1A - Orchestral version of 1785. Urtext from Joseph Haydn Werke, G. Henle Verlag Munich. Study score format 22. 5 x 16. 5 cm. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores atextremely affordable prices! The Vocal version is published as BA4655. Vocal score (BA4655-90) available for sale; full score & performance material available for hire./ Répertoire / Partition de Poche
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Missa B-Dur (HAYDN FRANZ JOSEF)
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Harmonie-Messe.. Par HAYDN FRANZ JOSEF. Missa B-flat Major Hob. XXII:14 'Harmony...
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Harmonie-Messe.. Par HAYDN FRANZ JOSEF. Missa B-flat Major Hob. XXII:14 'Harmony Mass' Urtext from: Joseph Haydn Werke It is well known that Joseph Haydn wrote his late masses to the commission of his last employer, Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild, the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt, Haydn himself conducting. Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century. Full score and parts (BA4659), vocal score (BA4659-90) and study score format 22. 5 x 16. 5cm (TP97) available for sale./ Répertoire / Partition de Poche
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Sommernachtstraum (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Christopher Hogwood's first ever critical editi...
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Par MENDELSSOHN-BARTHOLDY FELIX. Christopher Hogwood's first ever critical edition of the much performed concert overture goes back for the first time to all the sources. Hogwood examines not only Mendelssohn's autograph but also the first edition of the score and orchestral parts which Mendelssohn saw to print. A manuscript copy with additional music thought to have been performed under Mendelssohn's direction, but later deleted, as well as the composer's own two and four-hand piano arrangements of the composition were also taken into account. As with the other overtures in this series, the score contains a lengthy introduction, a critical commentary andfacsimiles. First ever critical edition of this concert overture. Additional music included in score and parts stemming from a source used by Mendelssohn for a performance of the work. Full score & parts (BA9056) and study score format 22. 5 x 16. 5cm (TP396) available for sale/ Répertoire / Partition de Poche
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Sérénade 'Nacht Musique' Für Bläser (MOZART WOLFGANG AMADEUS)
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für zwei Oboen, zwei Klarinetten, zwei Hörner und zwei Fagotte. Par MOZART WOL...
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für zwei Oboen, zwei Klarinetten, zwei Hörner und zwei Fagotte. Par MOZART WOLFGANG AMADEUS. Urtext Der Neuen Mozart-Ausgabe/ Répertoire / Partition de Poche
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Brandenburgisches Konzert Nr. 2 (BACH JOHANN SEBASTIAN)
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Par BACH JOHANN SEBASTIAN. Authoritative Urtext edition of Johann Sebastien Bach...
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Par BACH JOHANN SEBASTIAN. Authoritative Urtext edition of Johann Sebastien Bach 's Brandenburg Concerto No. 2 In F BWV1047. The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach ’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today./ Répertoire / Partition de Poche
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Ein Feste Burg Ist Unser Gott (BACH JOHANN SEBASTIAN)
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Cantata for the Feast of Reformation. Par BACH JOHANN SEBASTIAN. Ein feste Burg ...
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Cantata for the Feast of Reformation. Par BACH JOHANN SEBASTIAN. Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God) Cantata for the Feast of Reformation There are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus, based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements. Urtext ofthe New Bach Edition Performance material (BA10080), vocal score (BA10080-90) & study score format 22. 5 x 16. 5cm (TP1080) available for sale/ Répertoire / Partition de Poche
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Il Barbiere Di Siviglia (Almaviva O Sia L'Inutile Precauzione) . Hrsg Patricia B. Brauner (Le barbier de Séville) (ROSSINI GIOACHINO)
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Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ ...
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Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ The Barber Of Seville ” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “ The Barber Of Seville ”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars andperformers. Thus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two Flutes, two Oboes and Timpani, or in the scoring for the subsequent opera “ The Barber Of Seville ” (with just one flute, one oboe and no timpani). A series of appendices contain music and information which have been included in no other edition of the opera to date. - Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation. - Takes into consideration the full extent of Rossini ’s personal notational characteristics. - With a detailed foreword (Eng/Ital)/ Répertoire / Partition de Poche
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Missa In C 'Krönungsmesse& #039; (MOZART WOLFGANG AMADEUS)
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Par MOZART WOLFGANG AMADEUS. Study score 22. 5 x 16. 5cm Composed in 1779, Mozar...
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Par MOZART WOLFGANG AMADEUS. Study score 22. 5 x 16. 5cm Composed in 1779, Mozart ’s “ Coronation Mass ” in C major, K. 317, is one of the most popular settings of the Ordinary, thanks to its festive character and the wealth and variety of its musical ideas. This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty. - Full score and performance material (BA4880), vocal score (BA4880-90) and study score (TP316) available for sale./ Répertoire / Partition de Poche
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Sinfonia N.4 Op. 98 E Minor (BRAHMS JOHANNES)
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Dover Publications
Par BRAHMS JOHANNES. One of the most original of Brahms symphonic works, the Fou...
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Par BRAHMS JOHANNES. One of the most original of Brahms symphonic works, the Fourth Symphony is endlessly resourceful in its melodic beauty, the ingenuity of its structure, and in the fine balance between its movements, from the wistful air of its opening measures toits splendid and formidable passacaglia finale. Published here in full Study Score format, with bar-numbered movements. One of the most original of Brahms' symphonic works, the Fourth Symphony is endlessly resourceful in its melodic beauty, the ingenuity of its structure, and in the fine balance between its movements, from the wistful air of its opening measures to its splendid and formidable passacaglia finale. Published here in full Study Score format, with bar-numbered movements./ Répertoire / Partition de Poche
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Missa In Angustiis (HAYDN FRANZ JOSEF)
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[Sheet music]
Barenreiter
Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third...
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Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / Partition de Poche
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Sinfonia N.1 Op. 68 C Minor (BRAHMS JOHANNES)
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[Sheet music]
Dover Publications
Par BRAHMS JOHANNES. Faced with the daunting legacy of Beethoven's symphonic wor...
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Par BRAHMS JOHANNES. Faced with the daunting legacy of Beethoven's symphonic works, Brahms took twenty years to shape his first symphony- a masterpiece that premiered in 1876 to great critical acclaim. The expansive Symphony No. 1 perfectly displays Brahm's ability to organise a variety of moods into a coherent whole. Published in full score, ideal for study purpose./ Répertoire / Partition de Poche
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Missa In Tempore Belli (HAYDN FRANZ JOSEF)
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[Sheet music]
Barenreiter
Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when ...
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Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister. Prince Nicolaus II demanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined – when preparingthis edition – the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion, and thus also the work which Haydn had just finished and performed in Eisenstadt. Urtext from Joseph Haydn Werke Full score, parts (BA4652), vocal score (BA4652-90) and study score format 22. 5 x 16. 5cm (TP94) available for sale/ Répertoire / Partition de Poche
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Die Entführung Aus Dem Serail (L'enlèvement au sérail) (MOZART WOLFGANG AMADEUS)
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[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. “I know for a fact that the Emperor is proposing ...
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Par MOZART WOLFGANG AMADEUS. “I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a new path. [. . . ] I think it would be a good thing for me – provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him. ” Thus Mozart in a letter of 10–11 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meon any other terms, then let him try me with an opera. After that he can do what he likes for all I care. ” Urtext of the New Mozart Edition Full score (BA4591-01), vocal score (BA4591-90) and study score format 22. 5 x 16. 5cm (TP311) available for sale Performance material available for hire (BA4591-72)/ Répertoire / Partition de Poche
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Eine Kleine Nachtmusik (Petite musique de nuit)
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[Sheet music]
Dover Publications
And Sinfonia Concertante Miniature Score. Par MOZART WOLFGANG AMADEUS. These thr...
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And Sinfonia Concertante Miniature Score. Par MOZART WOLFGANG AMADEUS. These three charming instrumental pieces, composed by Mozart in the 1770s and 1780s, were among a number of serenades he wrote during this period to provide an evening's entertainment at weddings, birthdays, and home concerts for his friends and patrons. Reproduced here from an authoritative edition, with bar numbered movements for easy reference./ Répertoire / Partition de Poche
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Jesu, Der Du Meine Seele (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der ...
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Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der du meine Seele BWV 78 (Jesu, by Thy Cross and Passion) Cantata for the 14th Sunday after Trinity The cantata Jesu, der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724, the fourteenth Sunday after Trinity, in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle, the corner-stones are provided by the first and last verses, which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives. Urtext of the New Bach Edition Performance material (BA10078), vocal score (BA10078-90) & study score format 22. 5 x 16. 5cm (TP1078) available for sale/ Répertoire / Partition de Poche
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