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Partition de Poche
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
(+)
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Ouvertüre (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
(+)
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
13.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Ouvertüre (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belo...
(+)
Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
15.80 EUR - Sold by LMI-partitions
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Ouvertüre (BACH JOHANN SEBASTIAN)
Partition de Poche
[Sheet music]
Barenreiter
Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suit...
(+)
Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
14.50 EUR - Sold by LMI-partitions
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Sérénade In Es (MOZART WOLFGANG AMADEUS)
Partition de Poche
[Sheet music]
Barenreiter
a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists ...
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a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet. From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa. The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work's melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave. - Urtext of the New Mozart Edition - Parts sextet version (BA5333), octet version (BA5334) and study score both versions format 22. 5 x 16. 5cm (TP315) available for sale/ Répertoire / Partition de Poche
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Weinen, Klagen, Sorgen, Zagen (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorg...
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Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorgen, Zagen (Weeping, crying, sorrow, sighing) BWV 12 Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations androyal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche
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Gleichwie Der Regen Und Schnee Vom Himmel Fällt (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen u...
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Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18 Cantata for Sunday Sexagesimae, Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasionssuch as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche
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2 Violinkonzerte (BACH JOHANN SEBASTIAN)
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Konzert a-moll BWV 1041 und E-dur BWV 1042. Par BACH JOHANN SEBASTIAN. Study sco...
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Konzert a-moll BWV 1041 und E-dur BWV 1042. Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Today the three Violin concertos, BWV 1041–3, are among Johann Sebastian Bach ’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire. This Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing, fingering and comments on performance by Andrew Manze. Full score and performance material, Violin and Piano reduction and study score of BWV1041-1042 (TP269) available for sale./ Répertoire / Partition de Poche
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Weihnachtsoratorium (L'oratorio de Noël) (BACH JOHANN SEBASTIAN)
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Barenreiter
Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Bach ’s Christma...
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Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Bach ’s Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period. Like the St. Matthew and St. John Passions, the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December – 6 January) allowing the wondrous story of theGospel to gradually unfold. - Full score and performance material (BA5014), vocal score (BA5014-90) and study score (TP85) available for sale. - Urtext of the New Bach Edition. / Oratorio / Répertoire / Partition de Poche
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Der Himmel Lacht! Die Erde Jubilieret (BACH JOHANN SEBASTIAN)
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Barenreiter
Cantata for the 1st Easter Day. Par BACH JOHANN SEBASTIAN. Study score format 22...
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Cantata for the 1st Easter Day. Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Der Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh, the earth exults in gladness) BWV 31 Cantata for the 1st Easter Day - Performance material (BA10031), vocal score (BA10031-90) and study score (TP1031) available for sale. The text, by Salomon Franck who was the librettist of some of Bach 's the best-known cantatas, is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus. Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then./ Répertoire / Partition de Poche
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Ich Hatte Viel Bekümmernis (BACH JOHANN SEBASTIAN)
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Par BACH JOHANN SEBASTIAN. Ich Hatte Viel Bekümmernis - Lord My God, My heart A...
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Par BACH JOHANN SEBASTIAN. Ich Hatte Viel Bekümmernis - Lord My God, My heart And Soul Were Sore Distrest BWV 21. Cantata for the 3rd Sunday after Trinity. The cantata “Ich Hatte Viel Bekümmernis” dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach ’s best-known cantatas today. The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic, straightforward Piano reduction by Martin Focke. - One of Bach ’s best-known cantatas. - Urtext based on the “New Bach Edition”. - Clear straightforward Piano reduction. - Study score (TP1021), Vocal score (BA10021-90) & performance material (BA10021) available for sale./ Répertoire / Partition de Poche
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4 Stagioni Op. 8 Nos 1-4 (VIVALDI ANTONIO)
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Dover Publications
Par VIVALDI ANTONIO. One of the best known and loved collections of string music...
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Par VIVALDI ANTONIO. One of the best known and loved collections of string music in history. The programmatic nature of the Four Seasons, based on the lines of sonnets printed along with the music, brings seasonal sights and sounds readily and delightfully to the ear: the bird calls in Spring, the swarms of wasps in Summer, the hunters' horns in Autumn, the winds and icy snow of Winter. Dr. Eleanor Selfridge-Field, a recognised authority on music of the Italian Baroque, has researched primary sources in Italy to prepare this specially commissioned, authoritative new edition./ Répertoire / Partition de Poche
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Symphony N.8 (MAHLER GUSTAV)
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Dover Publications
Miniature Score. Par MAHLER GUSTAV. Widely regarded as the crowning achievement ...
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Miniature Score. Par MAHLER GUSTAV. Widely regarded as the crowning achievement of his career, Mahler's Symphony No. 8 received overwhelming recognition at its first performance in 1910. Scored for orchestra, eight solo voices, double chorus, boys' choir and organ./ Répertoire / Partition de Poche
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Die Entführung Aus Dem Serail (L'enlèvement au sérail) (MOZART WOLFGANG AMADEUS)
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Par MOZART WOLFGANG AMADEUS. “I know for a fact that the Emperor is proposing ...
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Par MOZART WOLFGANG AMADEUS. “I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a new path. [. . . ] I think it would be a good thing for me – provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him. ” Thus Mozart in a letter of 10–11 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meon any other terms, then let him try me with an opera. After that he can do what he likes for all I care. ” Urtext of the New Mozart Edition Full score (BA4591-01), vocal score (BA4591-90) and study score format 22. 5 x 16. 5cm (TP311) available for sale Performance material available for hire (BA4591-72)/ Répertoire / Partition de Poche
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Feuerwerksmusik (HAENDEL GEORG FRIEDRICH)
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Par HAENDEL GEORG FRIEDRICH. The conductor and Keyboard player Christopher Hogwo...
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Par HAENDEL GEORG FRIEDRICH. The conductor and Keyboard player Christopher Hogwood has edited the new edition of Music For The Royal Fireworks. The edition is the result of thorough revision and correction based on the source material. During this process, some incorrect notes were corrected, and in particular, the Viola part was revised. Misunderstood instructions from Handel relating to the colla parte coupling of the Viola with the second Oboe, as in the overture or with the bass parts, have been reassessed. Doubling with other parts resulted in passages, which were too high or too low: these have now been rectified and a part suited to the range of the viola has been madepossible. - New critical edition based on new sources. - Detailed Prefaces (Ger/Eng). - Urtext of the “Halle Handel Edition”. - Full score, performance material (BA4299) and study score (TP373) available for sale./ Répertoire / Partition de Poche
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Brandenburgisches Konzert Nr. 2 (BACH JOHANN SEBASTIAN)
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Barenreiter
Par BACH JOHANN SEBASTIAN. Authoritative Urtext edition of Johann Sebastien Bach...
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Par BACH JOHANN SEBASTIAN. Authoritative Urtext edition of Johann Sebastien Bach 's Brandenburg Concerto No. 2 In F BWV1047. The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach ’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today./ Répertoire / Partition de Poche
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Magnificat (BACH JOHANN SEBASTIAN)
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Par BACH JOHANN SEBASTIAN. Bach's original setting of the Magnificat in E-flat m...
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Par BACH JOHANN SEBASTIAN. Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts, placed at the end of the score, to give a dramataic representation of the Nativity. Although the later D major version is most often performed today, this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition./ Répertoire / Partition de Poche
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Konzert In A Für Voline Und Orchester 'Nr. 5' (MOZART WOLFGANG AMADEUS)
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for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the major...
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for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773. Urtext of the New Mozart Edition. Full score and performance material (BA4712), Violin and Piano reduction (BA4712-90) and study score format 22. 5 x 16. 5cm (TP20) available for sale. The new Urtext performing editions to Mozart ’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst. A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko, Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included./ Répertoire / Partition de Poche
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Schwingt Freudig Euch Empor (BACH JOHANN SEBASTIAN)
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Barenreiter
Cantata for the First of Advent. Par BACH JOHANN SEBASTIAN. Study Score Archive ...
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Cantata for the First of Advent. Par BACH JOHANN SEBASTIAN. Study Score Archive Copy Schwingt Freudig Euch Empor BWV 36 (final version) Cantata for the First of Advent - Urtext of the New Bach Edition - Performance material (BA10036), vocal score (BA10036-90) and study score (TP1036) available for sale Bärenreiter 's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sundayand festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then./ Répertoire / Partition de Poche
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Sinfonia Fantastica Op. 14 (BERLIOZ HECTOR)
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Dover Publications
Par BERLIOZ HECTOR. In a self-inflicted narcotic haze, a lovesick musician is ov...
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Par BERLIOZ HECTOR. In a self-inflicted narcotic haze, a lovesick musician is overcome by extraordinary bizarre visions of his beloved, expressed in musical imagery. Berlioz drew upon his own obsessive infatuation with actress Harriet Smithson. This work appears in full score with original instrumentation and bar numbered movements./ Répertoire / Partition de Poche
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Sommernachtstraum (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Christopher Hogwood's first ever critical editi...
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Par MENDELSSOHN-BARTHOLDY FELIX. Christopher Hogwood's first ever critical edition of the much performed concert overture goes back for the first time to all the sources. Hogwood examines not only Mendelssohn's autograph but also the first edition of the score and orchestral parts which Mendelssohn saw to print. A manuscript copy with additional music thought to have been performed under Mendelssohn's direction, but later deleted, as well as the composer's own two and four-hand piano arrangements of the composition were also taken into account. As with the other overtures in this series, the score contains a lengthy introduction, a critical commentary andfacsimiles. First ever critical edition of this concert overture. Additional music included in score and parts stemming from a source used by Mendelssohn for a performance of the work. Full score & parts (BA9056) and study score format 22. 5 x 16. 5cm (TP396) available for sale/ Répertoire / Partition de Poche
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Roméo Et Juliette (BERLIOZ HECTOR)
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Barenreiter
Symphonie dramatique. Par BERLIOZ HECTOR. Romeo et Juliette Op. 17 Hol. 73: Symp...
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Symphonie dramatique. Par BERLIOZ HECTOR. Romeo et Juliette Op. 17 Hol. 73: Symphonie dramatique For his third symphony ; Romeo et Juliette (1839) Berlioz turned to his greatest literary passion, Shakespeare, drawing once again on his own most fervent experiences. Berlioz's discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama, but also because the leading actress of the company, Harriet Smithson, immediately won his heart. She later became his wife. He began to think seriously about composing some kind of musical ; Romeo and Juliet but it was not realised until 1839. The symphony is scored for doublechorus (to represent the two warring families), solo voices as secondary characters, with the lovers themselves represented by the orchestra. Urtext of the New Berlioz Edition Full score (BA5458), vocal score (BA5458-90) and study score format 22. 5 x 16. 5cm (TP334) available for sale T65Performance material (BA5458-72) available for hire/ Répertoire / Partition de Poche
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4 Orchestral Suites (BACH JOHANN SEBASTIAN)
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Dover Publications
Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb ...
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Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition, this volume contains: Suite No. 1 in C major (BWV 1066) for two Oboes, Bassoon, Strings and Continuo Suite No. 2 in B minor (BWV 1067) for solo Flute, Strings and Continuo - renowned for the 'Badinerie', Suite No. 3 in D major (BWV 1068) for three Trumpets, Timpani, two Oboes, Strings and Conituno - well known for the lovely 'Air on G String' Suite No. 4 in D major (BWV 1069) for three Trumpets, Timpani, three Oboes, Strings and Conituno. All works appear in full score. At a moderate cost, this high quality edition is ideal for study purpose./ Répertoire / Partition de Poche
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Jesu, Der Du Meine Seele (BACH JOHANN SEBASTIAN)
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Barenreiter
Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der ...
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Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der du meine Seele BWV 78 (Jesu, by Thy Cross and Passion) Cantata for the 14th Sunday after Trinity The cantata Jesu, der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724, the fourteenth Sunday after Trinity, in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle, the corner-stones are provided by the first and last verses, which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives. Urtext of the New Bach Edition Performance material (BA10078), vocal score (BA10078-90) & study score format 22. 5 x 16. 5cm (TP1078) available for sale/ Répertoire / Partition de Poche
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Missa In Tempore Belli (HAYDN FRANZ JOSEF)
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Barenreiter
Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when ...
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Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister. Prince Nicolaus II demanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined – when preparingthis edition – the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion, and thus also the work which Haydn had just finished and performed in Eisenstadt. Urtext from Joseph Haydn Werke Full score, parts (BA4652), vocal score (BA4652-90) and study score format 22. 5 x 16. 5cm (TP94) available for sale/ Répertoire / Partition de Poche
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Missa B-Dur (HAYDN FRANZ JOSEF)
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Harmonie-Messe.. Par HAYDN FRANZ JOSEF. Missa B-flat Major Hob. XXII:14 'Harmony...
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Harmonie-Messe.. Par HAYDN FRANZ JOSEF. Missa B-flat Major Hob. XXII:14 'Harmony Mass' Urtext from: Joseph Haydn Werke It is well known that Joseph Haydn wrote his late masses to the commission of his last employer, Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild, the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt, Haydn himself conducting. Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century. Full score and parts (BA4659), vocal score (BA4659-90) and study score format 22. 5 x 16. 5cm (TP97) available for sale./ Répertoire / Partition de Poche
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Die Hebriden (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. The Hebrides Op. 26 Concert Overture The Hebrid...
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Par MENDELSSOHN-BARTHOLDY FELIX. The Hebrides Op. 26 Concert Overture The Hebrides, the third in Bärenreiter's series of critical editions of Mendelssohn's great overtures, is one of Mendelssohn Bartholdy's most performed compositions. Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s. The new Bärenreiter edition consist of two versions each containing additional material from further sources. Version one, the ; Rome version, exists itself in two versions and has never been published in a performing edition. Version two, the ; London version, also exists in two versions one of which was published by Mendelssohn in 1835. This pioneering edition documents the development of the composition and the various changes made by Mendelssohn. The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood/ Répertoire / Partition de Poche
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Jauchzet Gott In Allen Landen (BACH JOHANN SEBASTIAN)
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Par BACH JOHANN SEBASTIAN. Jauchzet Gott In Allen Landen - Praise Ye God Through...
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Par BACH JOHANN SEBASTIAN. Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51. Cantata for the 15th Sunday after Trinity. The solo cantata “Jauchzet Gott In Allen Landen”, written around 1730 for the 15th Sunday after Trinity, is one of Bach ’s best-known cantatas. The scoring for solo Soprano, Trumpet, Strings and Continuo is unique amongst Bach ’s cantatas and has parallels with Italian composers of the period. The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso Trumpet part and Soprano arias, in which the soloists can demonstrate their total mastery. The cantata ispublished in a Vocal score based on the “New Bach Edition” with an idiomatic straightforward Piano reduction by Martin Focke. - Famous work with a festive instrumental sound. - Urtext based on the “New Bach Edition”. - Clear straightforward Piano reduction. - Study score (TP1051) performance material (BA10051) & Vocal score (BA10051-90) available for sale./ Répertoire / Partition de Poche
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Sämtliche Streichtrios (SCHUBERT FRANZ)
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Par SCHUBERT FRANZ. This study score of Franz Schubert 's complete string trios ...
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Par SCHUBERT FRANZ. This study score of Franz Schubert 's complete string trios (Violin, Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert 's very first essay in the genre, which only resurfaced in 1997: the draft trio in B-flat major, D 111A (1814). Besides this draft, two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions, the first based on the autograph score, the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form, rhythm, articulation and dynamics. - All of Schubert 's string trios - All drafts and alternative versions for the first time in a study score - Urtext from the New Schubert Edition Contents: - Trio in B-flat major, D 471 (movement 1) - Trio in B-flat major, D 581 (versions 1 and 2) - Incomplete first movement to Trio in B-flat major, D 111A - Incomplete second movement to Trio in B-flat major, D 471/ Répertoire / Partition de Poche
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Wassermusik (HAENDEL GEORG FRIEDRICH)
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Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water ...
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Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water Music makes the work available in a revised edition reflecting the latest research findings. In October 2004, the editor Terence Best found the oldest surviving manuscript score in the archives of the Royal Society of Musicians in London – primary source A, which can be dated to 1718. This discovery demands a dramatic reappraisal of what is probably Handel ’s most famous work. Until this find, the theory formulated by Barrett Lennard in 1950 was regarded as authoritative. He divided the material into three suites according to key and instrumentation. This was based on the fact that some ofthe material in the Water Music is the same as in the Concerto HWV 331. With the help of the latest technology, it has now been possible to date this Concerto to 1722. By doing this, the rationale for dividing the music into three suites has been removed. The newly found primary source A places the movements in a richly varied sequence of keys and instrumentations which offers a great range of colours than the previous arrangement. Based on new sources, editor Terence Best has been able to reconstruct the original order of the suites and correct many points left open or unclarified in earlier publications. - New critical edition based on new sources. - Detailed Prefaces (Ger/Eng). - Urtext of the “Halle Handel Edition”/ Répertoire / Partition de Poche
16.41 EUR - Sold by LMI-partitions
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