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Partition de Poche
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Flute, Cello, Piano (trio) (43)
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Voix et Instruments Divers (43)
:: (43)
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Horn and Orchestra (41)
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Flûte Traversière(S) Et Autres… (41)
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Choeur SATB, 2 Hautbois, 2 Cla… (41)
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Euphonium (40)
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Dobro (39)
Choeur d'Enfants (38)
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3 Saxophones (trio) (38)
Flute and String Quartet (37)
Choeur SATTB (37)
ENS::Ensemble (37)
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Choeur SATTB et Basse Continue… (37)
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Violon Solo, Violoncelle Solo,… (36)
Mandoline, Mandole et Guitare (36)
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Violon Principal, 2 Violons, A… (36)
Clarinette et Quatuor à Cordes… (36)
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Chanson (36)
Travaux Pour Choeurs (35)
Concert band, Choral (35)
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Quatuor (34)
Solistes SATB, Choeur SATB, 2 … (34)
Saxophone ensemble (34)
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Quintette (34)
Clarinet, Guitar (duet) (34)
4 Voix Mixtes (34)
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Vocal duet, Piano (33)
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Double Choeur Mixte (33)
Tuba Solo (33)
4 Cellos (33)
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3 Clarinettes en Sib et Clarin… (33)
Baritone voice (33)
Vibraphone (33)
Edition Critique des oeuvres d… (33)
Voix Mixtes (33)
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Saxophone Soprano, Saxophone A… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
2 Flûtes Traversières ou 2 Flû… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Flûte Traversière Alto et Guit… (32)
Solo S, Choeur SATB, 2 Flûtes … (32)
Choeur en 8 Parties (SATB-SATB… (32)
Trompette et Quatuor à Cordes (32)
Flûte Traversière et Quatuor à… (32)
Clarinette, Violon, Violoncell… (32)
4 Voix Mixtes a Cappella (32)
Choeur SSATTB, (6 Instruments,… (31)
Trompette, Cordes et Basse Con… (31)
Trumpet, Orchestra (31)
Cajon (30)
Tuba en Do et Piano (30)
Violon, Cordes et Basse Contin… (30)
Quintette avec Piano (30)
Cornet and Piano (30)
Treble (Alto) Recorder, Basso … (30)
Guitar, Orchestra (30)
DVD concert (30)
Choeur SATB/SATB, (Basse Conti… (29)
Solistes SST, Choeur SSAATB, 2… (29)
Parties Supplémentaires (29)
Flûte à Bec F1, C1, 2 Violons,… (28)
Solo Flûte à Bec F1, 2 Violons… (28)
Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte à Bec F1, Violon et Bass… (28)
Trompette ou Flûte à Bec ou Vi… (28)
Flûte 1 Hautbois 1 Clarinette … (28)
Flûte Traversièreou Piccolo, H… (28)
Flûte Traversière Violon et Ba… (28)
C Trumpetor et Trompette Sib/C… (28)
2 Violons, 2 Altos et 2 Violon… (28)
Quatuor à vent (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Euphonium, Piano (duet) (28)
Djembe (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Violon, Alto, Guitare et Violo… (28)
Symphonic Band (28)
2 Violas (duet) (28)
Bagpipe (28)
Electric bass, Drums (27)
SATB, (4 InstrumentS Basse et … (27)
Solistes SATB, Choeur SATB, 2 … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Solistes STTBB, Choeur SATB, 2… (27)
Alto et Orchestre (27)
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Ensemble Mixte (27)
Lute (27)
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Saxophone Alto Solo (26)
Petit Choeur SATB, Contrebasse… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Solistes STBar, Choeur SATB, 2… (26)
Pocket, Study conductor (26)
Clavier ou Orgue Electronique (26)
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Voix d'Hommes et Piano (26)
Trompette en Do ou et Trompett… (26)
Fanfare Band (26)
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Solistes SBar, Choeur SSATB, 2… (25)
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Soprano (25)
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Chorale (25)
Soprano, Piano (25)
Livret (25)
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Cello, Organ (25)
Choeur SAT (25)
Bass Clarinet (25)
Trombone or Euphonium (25)
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Solistes SATBB, Choeur SATB, 2… (24)
Solistes ATB, Choeur SATB, Flû… (24)
Hautbois et Quatuor à Cordes (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
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Quartette Pour Flûtes à Bec (Q… (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois (Flûte), Violon, Alto… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Flûte à Bec F2, 2 Violons et B… (24)
2 Violons, 2 Altos, Violon ou … (24)
Flûte Traversière et 4 Clarine… (24)
Clarinette ou Trompette ou Vio… (24)
Flûte Traversière, Alto et Gui… (24)
2 Violons, Alto, Violoncelle e… (24)
Trompette, Instruments à Corde… (24)
Choeur et Orchestre (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Quatuor de Cuivres et Orgue (24)
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Flûte Traversière 2 Violons 1 … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Hautbois et 4 Clarinettes (24)
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1 Piano, 6 hands (24)
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Percussions Diverses (24)
Guitare Tablatures Electrique (24)
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Solo A, Choeur SATB/SATB, 2 Or… (23)
Hautbois, 2 Flûtes Traversière… (23)
Brass Quartet: 2 trumpets, hor… (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Trombone Solo (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Guitare (Fingerpick) (23)
2 Violins, Piano (23)
Clavier Electronique et Ligne … (23)
Choeur SATB/SATB, ou Basse Con… (22)
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Trompette Solo (22)
Affiche (22)
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Mandolin, Guitar (duet) (22)
Choeur à 4 Voix Mixtes (22)
Solistes (SATB), Choeur Mixte … (22)
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Cello Ensemble (22)
Piccolo, Piano (22)
English horn, Piano (21)
Solistes SS et Basse Continue (21)
Choeur SSATB et Basse Continue… (21)
Livres (21)
Soprano Saxophone and Piano (21)
Flûte Traversière, Hautbois, C… (21)
Solo B, Choeur SATB, 2 Flûtes … (21)
Choeur SATB, (Basse Continue) (21)
Quintette Mixte (21)
Solistes SATB, Choeur SATB/SAT… (21)
Euphonium Ensemble (21)
Medium Voice (21)
Flûte à Bec F1 (Hautbois), 1 A… (20)
Flûte Traversière ou Violon), … (20)
Solistes STB (SB/TB/SATB), Cho… (20)
Ensemble Instrumental (20)
String trio (20)
Choeur d'Enfants à 1 à 3 Parti… (20)
2 Violons, Alto et Basse Conti… (20)
Choeur à 2 Voix (20)
Flûte Traversière, Hautbois, A… (20)
Clarinette, Violon, Alto et Co… (20)
Flûte Traversière, Clarinette … (20)
Hautbois, Clarinette et Basson… (20)
Flûte à Bec Alto ou Flûte Trav… (20)
Choeur SATB, 2 Violons et Bass… (20)
Flute, Oboe, Clarinet, Bassoon… (20)
Mandoline et Orchestre à Corde… (20)
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Xylophone (20)
String Quintet: 2 violins, vio… (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Children choir, Instruments (20)
Choeur d'Enfants SSA, Récitant… (20)
Flûte à Bec et Piano (20)
Quintette à Cordes (20)
Concert Band/Harmonie (20)
2 Violins and Basso (20)
Flûte Traversière et Trio à Co… (20)
Woodwind Quintet (20)
Violoncello, Basso continuo (20)
4 Voix Mixtes Sans Accompagnem… (20)
Soli and Orchestra (20)
Violin, Clarinet, Piano (trio)… (19)
Hautbois Solo (19)
Petit Choeur SATB, 2 Violons, … (19)
Solistes s TB, Choeur SATB, Pi… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Bandoneon, Guitar (19)
Violoncelle Solo, 2 Flûtes Tra… (19)
Solistes TB, Choeur SATB, 2 Fl… (19)
Soprano, Basse, Choeur Mixte e… (19)
Soprano Solo, Alto Solo, Ténor… (19)
Flûte Traversière Violon, Alto… (19)
String Trio: 3 cellos (19)
Choeur SATB, 2 Violons, Alto, … (19)
Solo Baryton, Choeur SATB, 2 H… (19)
Choeur De Femmes (SS) Et Piano… (19)
Vocal duet (19)
Solistes SATB, Choeur SATB, 2 … (19)
Bassoon, Orchestra (19)
Opéra Full Score (19)
Quatuor avec Piano (19)
3 Trombones (trio) (19)
Instruments Acoustiques (19)
Guitare Tablatures Classique e… (19)
Guitare Tablatures Classique (19)
Ensemble Divers (19)
Choeur SATB, 2 Trompettes, 2 T… (18)
Petit Choeur AT, 2 Flûtes Trav… (18)
4 Clarinettes en Sib et Clarin… (18)
Choeur SATB, 2 Violons, 2 Alto… (18)
Choeur SATB/SATB et Basse Cont… (18)
Double Choeur Mixte, Soprano e… (18)
Orchestre: Choeur SSAA, 2 Flût… (18)
Euphonium ou Saxhorn Solo (18)
Gemischter Chor (SATB) und Orc… (18)
3 Trompettes, 3 Trombones et T… (18)
Musical (18)
Solo S, 2 Violons et Basse Con… (18)
Choeur SSATBB (18)
8 Voix (SATB et SATB) (18)
Orchestre: Choeur SATB, 2 Haut… (18)
Choeur d'Enfants à 2 Parties e… (18)
Trombone, Organ (18)
Solistes SB, Choeur SATB, 2 Ha… (18)
Lap Steel Guitar (18)
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Lyrics only (17)
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Choeur Mixte (SATB) Et Instrum… (17)
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Cor en Fa Solo (17)
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Choeur SATB/SATB/T, 7 Instrume… (17)
Alto Solo (17)
Solistes ATB, Choeur SATB, 3 T… (17)
Solistes STB, Choeur SATB, 2 H… (17)
Solistes SATB, Choeur SATB, (4… (17)
Guitare ou Luth (17)
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Exemplaire Complet (17)
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Trompette et 4 Clarinettes (16)
Clarinette, Saxophone, Trompet… (16)
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Ténor et Orchestre (16)
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Trio à vent (16)
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2 Violons et 2 Violoncelles (16)
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Voice, String Quartet (15)
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Contrebasse (Partie séparée) (15)
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Parties Orchestrales (15)
Flute, Clarinet, Piano (trio) (15)
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2 Hautbois (15)
Male Voices, Piano (15)
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Recorder, Guitar (duet) (15)
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Flûte A Bec, Chant Et Percussi… (14)
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3 Ensembles Instrumentaux A 4 … (14)
Marimba and Guitar (duet) (14)
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2 Pianos, 8 hands (14)
Flûte à Bec C2, F1, C1 et F (4… (14)
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Petit Choeur SATTB, 5 Instrume… (14)
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2 Bassoons (duet) (14)
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Baritone Saxophone (14)
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Details
Sinfonia N.6 Op. 74 B Minor (TCHAIKOVSKI PIOTR ILITCH)
Partition de Poche
[Sheet music]
Dover Publications
Pathétique. Par TCHAIKOVSKI PIOTR ILITCH. The brooding melancholy that pervades...
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Pathétique. Par TCHAIKOVSKI PIOTR ILITCH. The brooding melancholy that pervades many of Tchaikovsky's compositions is perhaps most concentrated in his Symphony No. 6, the 'Pathétique, ' a remarkably innovative, highly personal, and deeply emotional work. A perennial concert favorite since its premiere in 1893, this symphony is also characterized by two of the composer's most consistent and memorable contributions: his effortless melodic invention and superb orchestration. This miniature-score edition of the work is complete in all respects, containing the original instrumentation with bar-numbered movements. Reproduced from the authoritative Breitkopf & Härtel edition, it is ideal for study in the classroom, at home, or in the concert hall — an affordable, high-quality, conveniently sized volume that will be the edition of choice for music students and music lovers alike. A perennial concert favorite since its premiere in 1893. This miniature-score edition is complete in all respects, containing the original instrumentation with bar numbered movements. Reproduced from the authoritative Breitkopf & Hartel edition./ Répertoire / Partition de Poche
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Par BACH JOHANN SEBASTIAN. J. S. Bach Â’s Four Orchestral Suites belong to that ...
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Violin Concerto
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Boosey and Hawkes
Lindberg's writing in this concerto has been compared to that of the Sibelius vi...
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Lindberg's writing in this concerto has been compared to that of the Sibelius violin concerto. According to the Boston Globe, the composer 'shows that it is possible to wed lyricism and virtuosic display with bracingly fresh sounds and musical ideas of substance?. Since the premiere in 2006 by Lisa Batiashvili the work has established itself in the repertoire, with over 50 performances to date. / Conducteur De Poche
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4 Hymns
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Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...
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The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Conducteur De Poche
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Tryst
Conducteur De Poche
Boosey and Hawkes
Tryst, for chamber orchestra, was composed in 1989 and has since established its...
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Tryst, for chamber orchestra, was composed in 1989 and has since established itself both in the concert hall and as a ballet score. The composer explains the genesis of the work in the form of a love poem by William Soutar written in broad Scots, called The Tryst, which he set to a very simple melody. This melody has persistently appeared, in various guises, in many works composed since - the congregational St Anne's Mass, a tiny fragment for violin and piano (After the Tryst), in the music theatre piece Búsqueda, and in the choral Miserere. Not only did it crop up again in Tryst, but it has provided both the title and the emotional core of the music. 'Its melodic characteristics, matching the original words, seem to imply many very strong associations - commitment, sanctity, intimacy, faith, love, but it is also saturated with a sadness as if all these things are about to expire.?Suitable for advanced standard performers. / Conducteur De Poche
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Franz Schubert: Complete String Trios: String Trio: Study Score
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Barenreiter
This study score of Franz Schubert’s complete string trios (Violin Viola ...
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This study score of Franz Schubert’s complete string trios (Violin Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert’s very first essay in the genre which only resurfaced in 1997: the draft trio in B-flat major D 111A (1814). Besides this draft two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions the first based on the autograph score the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form rhythm articulation and dynamics. - All of Schubert's string trios- All drafts and alternative versions for the first time in a study score- Urtext from the New Schubert Edition Contents:- Trio in B-flat major D 471 (movement 1)- Trio in B-flat major D 581 (versions 1 and 2)- Incomplete first movement to Trio in B-flat major D 111A- Incomplete second movement to Trio in B-flat major D 471
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying sorrow sighing) BWV 12Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations androyal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Ensemble: Study Score
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Barenreiter
a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two cl...
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a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- Urtext of the New Mozart Edition- Parts sextet version (BA5333) octet version (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: Mixed Choir:
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Violin Concertos In A Minor: Violin: Study Score
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Konzert a-moll BWV 1041 und E-dur BWV 1042-Study score format 22.5 x 16.5cmToday...
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Konzert a-moll BWV 1041 und E-dur BWV 1042-Study score format 22.5 x 16.5cmToday the three Violin concertos BWV 1041 3 are among Johann Sebastian Bach’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire.This Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing fingering and comments on performance by Andrew Manze.Full score and performance material Violin and Piano reduction and study score of BWV1041-1042 (TP269) available for sale.
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Johann Sebastian Bach: Musical Offering BWV 1079: Ensemble: Study Score
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Barenreiter
High quality Barenreiter Urtext Study Score of Bach's Musical Offering BWV 1079 ...
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High quality Barenreiter Urtext Study Score of Bach's Musical Offering BWV 1079 for chamber orchestra.
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Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Study Score
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Barenreiter
Mass in Time of War-Haydn was in England in 1795 when he received word from hi...
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Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
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Coronation Mass-Study score 22.5 x 16.5cmComposed in 1779 Mozart?s ?Coronation ...
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Coronation Mass-Study score 22.5 x 16.5cmComposed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Study Score
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Harmonie-Messe.-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph...
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Harmonie-Messe.-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: The Creation In Full Score: Mixed Choir: Miniature Score
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Dover Publications
Oratorio in three parts for five solo voices chorus with SATB soloists and orc...
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Oratorio in three parts for five solo voices chorus with SATB soloists and orchestra with continuo. Composed in 1796-8 The Creation is perhaps the most majestic achievement in the last phase of Haydn's musical career. Reproduced from an authoritative early edition this score appears with bar numbered movements and includes a text underlay in both German and English.
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Johann Sebastian Bach: Orchestral Suite - Overture No.1 In C BWV 1066: Ensemble:
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Barenreiter
Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group o...
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Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.
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Franz Joseph Haydn: Mass In B-flat Major: Mixed Choir: Study Score
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Barenreiter
Theresienmesse-Between 1796 and 1802 Haydn composed 6 great Masses to celebrate ...
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Theresienmesse-Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of Princess Maria Hermenegild the wife of his patron Prince Nikolaus Esterhazy II.The Theresa Mass was the fourth of these composed in 1799 and although the title page of the score simply has the word 'Missa' the nickname Theresienmesse remains a matter for speculation but is usually attributed to the work’s supposed association with Marie Therese the wife of the Emperor Franz II.- Urtext from Joseph Haydn Werke- Full score (with Nelson Mass) (BA4660) available for sale- Parts (BA4661) vocal score (BA4661-90) and study scoreformat 22.5 x 16.5cm (TP99) available for sale
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Hector Berlioz: Romeo et Juliette op. 17: Mixed Choir: Study Score
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Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatique For h...
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Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatique For his third symphony “Roméo et Juliette” (1839) Berlioz turned to his greatest literary passion Shakespeare drawing once again on his own most fervent experiences.Berlioz’s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama but also because the leading actress of the company Harriet Smithson immediately won his heart. She later became his wife. He began to think seriously about composing some kind of musical “Romeo and Juliet” but it was not realised until 1839. The symphony is scored for doublechorus (to represent the two warring families) solo voices as secondary characters with the lovers themselves represented by the orchestra. Urtext of the New Berlioz Edition Full score (BA5458) vocal score (BA5458-90) and study score format 22.5 x 16.5cm (TP334) available for sale T65Performance material (BA5458-72) available for hire
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Wolfgang Amadeus Mozart: Don Giovanni K.527: Mixed Choir: Study Score
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Barenreiter
Dramma giocoso (Opera) in two acts-In early 1787 Mozart made his first visit to ...
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Dramma giocoso (Opera) in two acts-In early 1787 Mozart made his first visit to Prague where he attended a performance of Le nozze di Figaro on 17 January and conducted the performance five days later. Thoroughly impressed by the huge success of his opera and the personal triumphs he had enjoyed during his visit he and his wife left the city on 7 February but not before he had concluded a contract to write a new opera for the next season. This contract signed with Pasquale Bondini the director of Count Nostitz’s National Theater led to the composition of his first opera for Prague Don Giovanni (K. 527). Ever since its première on 29 October 1787 the opera has moved audiences over andover again and has occupied a special position in Mozart’s rich and variegated output for the stage.Urtext of the New Mozart EditionFull score (BA4550-01) vocal score (BA4550-90) study score format 22.5 x 16.5cm (TP279) available for salePerformance material (BA4550-72) available for hire
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Johann Sebastian Bach: Brandenburg Concerto No.2 In F BWV 1047: Ensemble: Study
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Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.2 In F BWV1047.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
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Wolfgang Amadeus Mozart: Violin Concerto No.5 In A K.219: Violin: Study Score
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Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...
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for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart Edition.Full score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
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Johann Sebastian Bach: Cantata BWV 18 Gleichwie Der Regen Und Schnee: Mixed
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Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt ...
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Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18Cantata for Sunday Sexagesimae Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasionssuch as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Study
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Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht!...
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Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Orchestral Suite - Overture No.4 In D BWV 1069: Chamber
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Barenreiter
Overture-J.S. Bach?s Four Orchestral Suites belong to that select group of works...
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Overture-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Study Score
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 36 Schwingt Freudig Euch Empor: Mixed Choir:
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Cantata for the First of Advent-Study Score Archive CopySchwingt Freudig Euch Em...
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Cantata for the First of Advent-Study Score Archive CopySchwingt Freudig Euch Empor BWV 36 (final version)Cantata for the First of Advent- Urtext of the New Bach Edition- Performance material (BA10036) vocal score (BA10036-90) and study score (TP1036) available for saleBärenreiter 's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sundayand festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
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[Sheet music]
Barenreiter
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
12.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Orchestral Suite - Overture No.3 In D BWV 1068: Ensemble:
Partition de Poche
[Sheet music]
Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
9.50 GBP - Sold by Musicroom UK
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String Orch.Accomp.Vol.1 - 2 Score (SUZUKI SHINICHI)
Partition de Poche
[Sheet music]
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Beginner
Alfred Publishing
Arrangeur: Paul Schwartz. Par SUZUKI SHINICHI. SUMSBM318 / Niveau : Débutant ...
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Arrangeur: Paul Schwartz. Par SUZUKI SHINICHI. SUMSBM318 / Niveau : Débutant / Date parution : 1905-06-16/ Méthode / Partition de Poche
11.10 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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