SKU: BT.DHP-0970886-070
ISBN 9789073252943. 9x12 inches. International.
Ein leichtes, zehnstimmiges StĂÂŒck im temperamentvollen Latin-Stil fĂÂŒr Percussionensemble. Folgende Instrumente werden verwendet: Glockenspiel, Xylophon (1 and 2), Marimbaphon (1 and 2), HĂ€ngebecken, Claves, Becken, Cowbell, Tamburin, Bongos, Drums, Pauken und Templeblocks. PiĂšce pour 10 percussionnistes [Glockenspiel, Xylophone I-II, Marimba I-II, Cymbale suspendue, Claves, Cymbales, Cloches de vache, Tambourin, Bongos, Batterie, 2 Timbales, 3 Temple-Blocks] Un brano semplice in stile latino per dieci voci, adatto ad un ensemble di percussioni. PuĂÂČ essere eseguito da: glockenspiel, xilofono (1and2), marimba (1and2), piatto sospeso, clave, campanacci, tamburello, bongos, drums, timpani e templeblocks.
SKU: HL.14041798
ISBN 9788759818077. 12.5x16.5x1.13 inches.
Set of parts for Per Nørgård's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players).
In A Light Hour everything - rhythms and motifs – is based on Nørgård´s special infinity series.
Score: WH30964
Programme note
A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musicianuses two sound sources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), and percussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over ...). The first 15 minutes have a bright, light character throughout, and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the.