Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano

Ce trio pour piano, violon et violoncelle a été commandé par l'Association nationale des enseignants de musique à présenter et promouvoir la musique de collaboration. Elle a été créée lors de la Conférence MTNA en 2013. Inspiré par la musique de danse, la suite commence par un tango dans le premier mouvement. Les premières notes mélodiques du tango sont utilisés dans le deuxième mouvement, une valse brillante, portant cette suite de deux mouvements à une conclusion passionnante. / Violon, Violoncelle Et Piano

Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today it numbers among his most celebrated pieces of chamber music, not least because of its remarkable melodiousness ? a feature typical of Beethoven?s music from these years ? and its spacious formal design. Jonathan Del Mar?s new critical edition of the Trio draws not only on early prints but also on various handwritten sources. A detailed introduction by Misha Donat is devoted to the work?s historical contexts. - Urtext edition of Beethoven?s most famous piano trio - Detailed introduction (Eng/Ger), editor?s foreword (Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-11-29/ Répertoire / Violon, Violoncelle et Piano

This three movement piano trio from Giselher Klebe's late period of creativity originates from his estate. The composition's appeal lies in the clear, restrained diction whilst at the same time a high intensity of expression is achieved. Two diverse slow outer movements with eruptive injections frame a lively middle movement. This work which has a duration of 20 minutes undoubtedly represents an impressive document of a musical style which we perceive today as the classical modern. / Violon, Violoncelle Et Piano

Amusing variations over a birthday song. Par LUDWIG CLAUS-DIETER. The Happy Birthday menus for two- (ED0 9748) and four-hand (ED0 9749) piano, for accordion duo (ED 8054) or string quartet (ED 7717) by Claus-Dieter Ludwig are well-known and extremely popular. Now the successful arranger presents a new edition for violin, cello and piano. Enjoy your musical meal with these five birthday courses:/ Répertoire / Trio avec Piano