15 Lush Solo Arrangements of 15 Jazz Classics. Arranged by Al Lerner. Piano Solo Songbook. Hal Leonard Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Jazz and Standards. Softcover Audio Online. 56 pages. Published by Hal Leonard

(Book 1). Piano Method. Softcover with CD. 64 pages. Published by Hal Leonard

Arranged by Dan Coates. For Piano. Piano - Intermediate / Advanced Collection. Level: Advanced. Book. 148 pages. Published by Alfred Publishing.

Performed by Count Basie. Artist Transcriptions (Authentic note-for-note transcriptions). Size 9x12 inches. 103 pages. Published by Hal Leonard.

Piano

SKU: BT.MUSAM982861

Composed by Richard Clayderman. Ballad. Book Only. Wise Publications #MUSAM982861. Published by Wise Publications (BT.MUSAM982861).

ISBN 9781846090561.

The French superstar with a recording career that stretches from the mid-seventies to the present day. Clayderman's romantic Piano solos and irresistible melodies have enchanted audiences and Piano fans for many years, andthisbook of Piano solos features his best-loved melodies, as well as transcriptions of of his own reworkings of popular classics. Includes Don't Cry For Me Argentina and All By Myself.

This book is speciallyproducedwith Lay-Flat pages that are designed to sit easily at the Piano.

Piano - Grade 4

SKU: HL.233151

Solo Piano Part. Composed by Poul Ruders. Music Sales America. Classical. Softcover. Composed 2017. 20 pages. Edition Wilhelm Hansen #WH32201C. Published by Edition Wilhelm Hansen (HL.233151).

ISBN 9788759886427. 10.0x14.5 inches. English.

Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend, American guitar virtuoso David Starobin, wanted me to write a concerto for guitar and orchestra. It quickly dawned on me, that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini's famous 24th Caprice for violin solo, a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate, but its inherent simplicity and logic just grow on you, almost to the point ofdistraction - and the secret behind it being hauled through the wringer by composers as disparate as Liszt, Brahms, Rachmaninoff and Lutoslawski is perhaps found in its - what I'll call, with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune, it'll always be recognizable and just there, however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly, premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner, and everybody was happy. But the story didn't end there, and it must be the ultimate proof of the durability of the theme, not to mention the flexibility and far-sightedness of David Starobin , when he 14 years later suggested why not transcribe the solo part for piano?. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it the one-and-only, the real thing, if you like. The orchestral score remains exactly the same in both cases. Both versions, the two Paganini Variations, are comparable to a set of twins, not quite identical, but almost. And both each others's equal. Poul Ruders.

The Perfect Way to Rediscover the Piano. Composed by Melanie Spanswick. Schott. Softcover. 120 pages. Schott Music #ED13945. Published by Schott Music