Compositeur(s): Loïc et Cyril MAHE, Karim BOUYADEL, Mathias CROCHON and Nadège SILBANDE / Piano Et Chant

Compositeur(s): Loïc et Cyril MAHE, Karim BOUYADEL, Nadège SILBANDE, Humphrey MILONDO and Clara MORGANE / Piano Et Chant

Compositeur(S): Cyril Delmote. Par NERY. Auteur: Néry CATINEAU/ Feuillet / Chant et Piano

Par SILVERCAB. Auteur: FABRICE GRANDJEAN, XAVIER PLECHE, CYRIL MARTINI and BORIS WINIECKA/ Feuillet / Chant et Piano

Par RASCH TORSTEN. Was bedeutet die Bewegung… a Mendelssohn song cycle for baritone and strings was premiered in 2012 by the renowned baritone Matthias Goerne. This is no workaday transcription: in addition to skilfully arranging seven Mendelssohn songs for strings and voice, Rasch has created a number of striking interludes to link the songs together. These interludes, written in Rasch's own post-Romantic voice and containing modern techniques including glissandi and snap-pizzicati, add a whole new dimension to the 25-minute cycle, startlingly revealing its dark undercurrents and psychologies./ Répertoire / Chant et Piano

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /

Gabriel Fauré's Chanson De Mélisande for Soprano and Orchestra. Reduction for Voice and Piano. ?An enchanted dream? ? poet Charles Van Leberghe?s words give us an idea of the audience?s enthusiasm at the Prince of Wales Theatre in Piccadilly on June 21st, 1898, when the first English language performance of Symbolist play Pelléas et Mélisande by Maurice Maeterlinck was performed, with incidental music by Gabriel Fauré. The composer had tasked his favourite student, Charles Koechlin, with orchestrating the score. The London theatre?s small number of musicians suited the apprentice musician?s ideals of clarity and transparency. It was 1936 before Koechlin returned to La Chanson de Mélisande, this time to create a version with orchestra, published the following year as a Piano-Vocal score. Using autograph manuscripts, Roger Nichols and Otfrid Nies have created a new edition of the Piano-Vocal reduction that includes the text of the melody in English, French and German. The score contains the 1898 and 1936 variations, as well as an informative preface by Otfrid Nies.

Par MARIANO LUIS. Quand On Est Deux Amis for Voice and Piano. Music by Francis Lopez. Lyrics by Raymond Vincy. / Pop & rock / Recueil / Chant et Piano

Schumann's song cycle 'Frauenliebe und Leben?, on poems by Adelbert von Chamisso, deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This new edition presents the work on the basis of the first print, using Schumann's autograph for purposes of consultation. The alternative readings in the autograph vocal part also give singers valuable tips for a nuanced delivery of the words.- Original edition for medium voice- Comprehensive bilingual foreword (Ger/Eng) and Critical Commentary (Ger)- The song texts are printed separately and include English translations taken from Richard Stokes' publication 'The Book of Lieder?ContentsI. Seit ich ihn gesehenII. Er, der Herrlichste von allenIII. Ich kann's nicht fassen, nicht glaubenIV. Du Ring an meinem FingerV. Helft mir, ihr SchwesternVI. Süßer Freund, du blickestVII. An meinem Herzen, an meiner BrustVIII. Nun hast du mir den ersten Schmerz getan / Voix Et Piano

Par BEETHOVEN LUDWIG VAN. 'My angel, my all, my self”. With these words Beethoven, in July 1812, began his passionate love letter to a woman whose identity has eluded discovery to the present day. Was he perhaps addressing the same woman four years later when he composed 'An die ferne Geliebte”, his song cycle on poems by Alois Jeitteles? Barry Cooper discusses this and many other questions in the Introduction to his new edition of Beethoven's only song cycle. Not only does he present a meticulously edited musical text, he also delves into questions of performance practice that previous critical editions have overlooked./ Répertoire / Chant et Piano

Par BRITTEN BENJAMIN. The first performance of the Songs and Proverbs of William Blake Op.74 was given by Dietrich Fischer-Dieskau and Benjamin Britten at the Aldeburgh Festival on 24 June, 1965. Available here is Britten's fantastic song-cycle of pieces set to the lyrics and proverbs of William Blake, for Baritone Voice with Piano accompaniment. / Niveau : Intermédiaire à Avancé / Répertoire / Chant et Piano