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18 Over the Bar
Piano, Voice
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The Bartered Bride (SMETANA BEDRICH)
Piano, Voice
[Reduction]
Barenreiter
Par SMETANA BEDRICH. Bedrich Smetana (1824-1884) only began to devote himself in...
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Par SMETANA BEDRICH. Bedrich Smetana (1824-1884) only began to devote himself intensively to the project of an original opera in Czech at the age of 38. The libretto of 'The Bartered Bride”, the second of Smetana's nine operas, was written for Smetana by the poet and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during the festival at a village church anniversary. The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis. The opera was written between 1863 and 1865 and was premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer's last version of the work was also performed in 1870. This vocal score contains the musical text of the critical edition of Smetana's own vocal score. The newly-set edition contains both Czech and German vocal texts - the German singing translation is by Kurt Honolka. The newly-set and revised performance material for the entire opera, based on the critical edition by Frantisek Bartos, is available on hire. The vocal score replaces the old edition AE 112. - Urtext based on the critical edition of Smetana's own vocal score - A key work of modern Czech opera - New foreword by Marta Ottlová (Cz/Eng/Ger) - Includes singing translation by Kurt Honolka (Ger)/ Répertoire / Chant et Piano
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Ernest Chausson: 25 Selected Songs For Voice And Piano: Voice: Vocal Album
Piano, Voice
Dover Publications
Selected Songs For Voice And Piano is a superb collection of 25 exquisite melodi...
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Selected Songs For Voice And Piano is a superb collection of 25 exquisite melodies spotlighting the work of Ernest Chausson (1855 1899). All reproduced from authoritative sources these songs take the poetry of Shakespeare Gautier Verlaine Maeterlinck and others as their inspiration. Complete lyrics along with new translations appear for Nocturne Amour dâ??Antan Printemps triste Nos Souvenirs Les Temps de Lilas Serre chaude Les Heures Chanson de Clown Les Couronnes and 16 others.
17.30 GBP - Sold by Musicroom UK
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Smetana, Bedrich : The Bartered Bride
Piano, Voice
[Reduction]
Barenreiter
Bedrich Smetana (1824?1884) only began to devote himself intensively to the proj...
(+)
Bedrich Smetana (1824?1884) only began to devote himself intensively to the project of an original opera in Czech at the age of 38. The libretto of ?The Bartered Bride?, the second of Smetana?s nine operas, was written for Smetana by the poet and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during the festival at a village church anniversary.
The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis.
The opera was written between 1863 and 1865 and was premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer?s last version of the work was also performed in 1870.
This vocal score contains the musical text of the critical edition of Smetana?s own vocal score.
The newly-set edition contains both Czech and German vocal texts; the German singing translation is by Kurt Honolka.
The newly-set and revised performance material for the entire opera, based on the critical edition by Frantisek Bartos, is available on hire. / [La Fiancée vendue] / Classique / Partition /
43.50 EUR - Sold by Note4Piano
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Wolfgang Amadeus Mozart: The Marriage Of Figaro: Voice: Vocal Score
Piano, Voice
[Vocal Score]
Dover Publications
A critical and popular success from its 1786 debut Mozart's musical comedy elev...
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A critical and popular success from its 1786 debut Mozart's musical comedy elevated the opera buffa to new heights. Le nozze di Figaro ('The Marriage of Figaro') ossia la folle giornata ('or The Day of Madness') reassembles characters from The Barber of Seville for a romantic romp involving mistaken identities remarkable coincidences and the triumph of true love.This authoritative practice and performance edition presents Lorenzo da Ponte's vocal score originally published by Casa Ricordi Milan. Ideal for study practice and performance it contains the complete vocal music with a piano reduction of the orchestral score. Vocalists voice majors and teachers andrehearsal pianists will rejoice in this high-quality low-cost edition of Mozart's masterpiece. Note: Lyrics are in the original Italian only.Dover (2001) republication of the vocal score from an authoritative early edition.
21.95 GBP - Sold by Musicroom UK
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Gioachino Rossini: The Barber Of Seville: Voice: Vocal Score
Piano, Voice
[Vocal Score]
Dover Publications
The well-known aria announcing the barber's entrance — 'Figaro!… Eh...
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The well-known aria announcing the barber's entrance — 'Figaro!… Eh Figaro!' — highlights this comic romp of an opera. Based on Beaumarchais' Le Barbier de Seville Rossini's 1816 classic began as Almaviva or the Useless Precaution in an attempt to avoid confusion with a highly successful Il Barbiere di Siviglia of a half-century earlier. An opening night fiasco and persistent interruptions during the premiere by fans of the older play were but momentary detours on the path of this masterpiece to international fame. With the now-famous overture in place the work reached the operatic capitals of the world becoming the first opera to be sung in Italian in NewYork. Ideal for conductors soloists chorus members and rehearsal pianists this practice and performance vocal score is based on the classic 1900 Schirmer edition. Please note that the lyrics appear in the original Italian only.
25.40 GBP - Sold by Musicroom UK
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Giuseppe Verdi: Macbeth - Vocal Score: Opera: Vocal Score
Piano, Voice
Ricordi
Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro...
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Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro alla Pergola in Florence on 14 March 1847. That the composer himself had a high opinion of the work is confirmed both by his correspondence and by his dedication of the vocal score to his father-in-law Antonio Barezzi.Seventeen years later long after Macbeth had firmly established itself in the repertoiry of Italian and foreign theatres Verdi agreed to revise the Opera for its first Paris production at the Theatre-Lyrique on 21 April 1865. The revisions were far more extensive than he had initially anticipated but the self-criticism he brought to the processindicated his continuing belief in the viability of the Opera. The Paris premiere of the revised version was not a success and even after the publication of a vocal score of the 1865 Opera many Italian theatres continued to perform the original version. Nevertheless since Verdi considered the revisions definitive Ricordi chose to market the 1865 version which has thereafter always remained in the catalogue.
30.99 GBP - Sold by Musicroom UK
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Cendrillon (MASSENET JULES)
Piano, Voice
[Sheet music]
Heugel
Par MASSENET JULES. Cendrillon (Cinderella), with a libretto by Henri Cain based...
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Par MASSENET JULES. Cendrillon (Cinderella), with a libretto by Henri Cain based on Perrault's fairytale, premiered in 1899 in Paris. Best known for composing over thirty operas, the composer, Jules Massenet (1842-1912) purposely did not attend the premiere, but received a telegram the following day from baritone Fugère recording its triumph. Incorporating the composer's sense of humour and wit, the use of recurrent motifs is subtle and often thought to be inspired by Richard Wagner. Cendrillon contains musical echoes of the 18th century, incorporating gallant music, the use of the Lute and Viola D'Amore and a series of Balletentrees. The Opera is in four acts with 19 characters and a chorus. The role of Prince Charming is a breeches role whilst the melody lines of the Fairy Godmother are characterised by trills and arpeggios. Massenet 's Cendrillon remains popular to this day and was notably performed at the Royal Opera House in 2011. / Opéra-opérette / Répertoire / Chant et Piano
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Joseph Canteloube: Chants d'Auvergne: Voice: Vocal Album
Piano, Voice
[Sheet music + Audio access]
Leduc, Alphonse
?Sing your country sing your land!? Such was the advice of Déodat de Séverac ...
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?Sing your country sing your land!? Such was the advice of Déodat de Séverac to the young Joseph Canteloube de Malaret (1879-1957) when the latter shared his dismay at the petty squabbles taking over the Parisian music scene in the Belle-Epoque. Although Canteloube had started collecting folk songs from his native Cantal in 1895 he only began the harmonisation of Baïlero in 1923 thus inaugurating the first of the five Chants d?Auvergne series that would bring him fame. Renowned baritone François Le Roux chose to begin his anthology with a famous shepherd song recorded near Vic-sur-Cère(in the Haute Auvergne) in which the baïles (shepherds in pasture commons) call to each other from hilltops soaring their vocals across rivers valleys and hills. Singers who wish to immerse themselves in one of the ten melodies that compose this tender picturesque musical landscape can use the Piano accompaniment audio file accessible through a download card. Contents: Baïlèro (Shepherd Songs from the Cantal) ? Bourrées: N?aï pas iéu de mîo (Loved by no woman) and Lo Calhé (The Quail) ? L?Antouèno (The Antoine) ? Lou Boussu (The Hunchback) ? Lo Fiolaire (The Spinner) ? Là-haut sur le rocher ? Uno jionto Postouro (The Pretty Shepherdess) ? Pour l?enfant (Lullaby from Auvergne)
18.50 GBP - Sold by Musicroom UK
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Merciless Beauty (Voice And Strings/Pno) (VAUGHAN WILLIAMS RALPH)
Piano, Voice
[Sheet music]
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. On his return to civilian life after five years Army...
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Par VAUGHAN WILLIAMS RALPH. On his return to civilian life after five years Army service in the First World War, Vaughan Williams revised some pre-war works, such as The Lark Ascending and his opera Hugh the Drover , and embarked on new compositions - the Pastoral Symphony , the one-act Bunyan episode The Shepherds of the Delectable Mountains and the Mass in G minor - all of which have outwardly in common a serene tranquillity. But beneath the surface, especially of the symphony, is a requiem-like mood, a legacy of the war. This ambiguity can also be sensed in the three songs -or rondels - for voice and string trio which he called Merciless Beauty. The texts are attributed to Chaucer./ Répertoire / Chant et Piano
15.90 EUR - Sold by LMI-partitions
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Jacques Ibert: Chansons De Don Quichotte No.4 -Chanson De La Mort: Low Voice:
Piano, Voice
[Sheet music]
Leduc, Alphonse
Voix Grave-Jacques Ibert (1890-1962) studied at the Paris Conservatoire before e...
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Voix Grave-Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached and when Ibert's music was eventually chosen for the film it caused him some embarrassment as Maurice Ravel who had also been approached was a close friend of his. Chanson De La Mort comes toward the end of the film whenthe main character Don Quichotte receives a great shock and dies. Addressing a variety of musical aspects and techniques Ibert's Chanson De La Mort is a challenging yet evocative addition to the Bass repertoire.
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Jacques Ibert: Chansons De Don Quichotte No.1 - Chanson Du Depart: Low Voice:
Piano, Voice
[Sheet music]
Leduc, Alphonse
Voix grave-Jacques Ibert (1890-1962) studied at the Paris Conservatoire before e...
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Voix grave-Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached and when Ibert's music was eventually chosen for the film it caused him some embarrassment as Maurice Ravel who had also been approached was a close friend of his. Song of Departure comes toward the beginning of the film sung by thethe main character Don Quichotte. Addressing a variety of musical aspects and techniques Ibert's Song of Departure is a challenging yet evocative addition to the Bass repertoire.
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Jeremy Nicholas: Funny You Should Sing That...: Voice: Mixed Songbook
Piano, Voice
[Sheet music]
-
Intermediate
Novello & Co Ltd.
The Songs of Jeremy Nicholas-Distilled from an extensive collection of songs wri...
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The Songs of Jeremy Nicholas-Distilled from an extensive collection of songs written over 12 years mainly for BBC Radio 4's Stop The Week the eight examples of Jeremy Nicholas' verbal dexterity and musical wit in this album provide wonderful fodder for concerts cabarets revues and parites.
15.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: An die ferne Geliebte op. 98: Vocal: Vocal Work
Piano, Voice
Barenreiter
“My angel my all my selfâ€. With these words Beethoven in July 181...
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“My angel my all my selfâ€. With these words Beethoven in July 1812 began his passionate love letter to a woman whose identity has eluded discovery to the present day. Was he perhaps addressing the same woman four years later when he composed “An die ferne Geliebte†his song cycle on poems by Alois Jeitteles?Barry Cooper discusses this and many other questions in the Introduction to his new edition of Beethoven’s only song cycle. Not only does he present a meticulously edited musical text he also delves into questions of performance practice that previous critical editions have overlooked.
11.00 GBP - Sold by Musicroom UK
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Masters Of Song V1 Voice/Piano
Piano, Voice
EMB (Editio Musica Budapest)
/ Voix Et Piano
20.52 EUR - Sold by LMI-partitions
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