| Songs II GA/CE vol. 11
(SZYMANOWSKI KAROL) Piano, Voice [Sheet music] PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...(+)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
72.61 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Mélodies Choisies
(Book/Download Card) Français Piano, Voice [Sheet music + Audio access] Leduc, Alphonse
Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the 'so...(+)
Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the 'songs for voice and piano? genre, whose raison d'être he defines in his journal as follows: 'To highlight a poem, word for word but without uniformity - to emphasize its meaning without distorting it - to shine light upon one idea, obscure another and present it all in vocal, sung form - to produce a sharp, precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece?. Enhanced by an audio version attached as a download card, this anthology of songs should dispel a good many misconceptions. This is no salon miniature: L'Heure exquise radiates an infinite tenderness, exalted by the high vocal cadences of Ô Bien-Aimée! and C'est l'heure exquise, which surely wrought tears from the author of the verses, Verlaine. Tyndaris, the jewel of Heures latines, clears a crystal-clear space given over to the delights of slumber and of love. Like D'une prison and Cygnes, these songs do more than wet the eyes: they grip the heart. / Voix Et Piano
21.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| It's Easy To Play
Under The Iron Sea Piano, Voice [Sheet music] - Easy Amsco Wise Publications
Suivi de Keane à leur smash frappé album espoirs et les craintes est une sombr...(+)
Suivi de Keane à leur smash frappé album espoirs et les craintes est une sombre et de couvaison collection de chansons, tous présentés ici pour Piano, voix et guitare. Le trio de Sussex multi primé ont capturé les pensées et les sons d'une génération jilted plein de méfiance et de confusion, mais avec l'espoir et d'optimisme qui fait les espoirs et les craintes satisfaisant et de dépendance. Chaque chanson de l'album a été présenté ici dans facile à lire, simplifiées arrangements pour piano - idéales pour le Grade 1-2 pianiste. / Piano/Vocal/Guitare (PVG) / 48 pages / Partition
15.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Democratic Souvenirs (An
Historical Anthology Of
19Th-Century American
Music) Piano, Voice Peters
Une anthologie historique de la musique américaine du XIXe siècle. Sélectionn...(+)
Une anthologie historique de la musique américaine du XIXe siècle. Sélectionné, avec Introduction et commentaire par Richard Jackson. Division de la musique Head, Collection américaine, la bibliothèque publique de New York. Préface de Virgil Thomson. / Voix Et Piano
28.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| A Elle Français Piano, Voice Capte Note 5.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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