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| The Western Playland For
Baritone Voice: Baritone
Voice: Vocal Album
Piano, Voice
Stainer and Bell
Originally for Piano and String Quartet and later provided with piano accompani...(+)
Originally for Piano and String Quartet and later provided with piano accompaniment by the composer. Newly edited with an introduction by Michael Pilkington. CONTENTSThe Aspens (C - E)The Far Country (C sharp - E)Golden Friends (E flat - E flat)Is my team ploughing? (A - E flat)Loveliest of trees (D flat - F)March (C - F)Reveille (E - F)Twice a week (E - F)Recorded by Graham Trew on Meridian CD6 84815 and by Adrian Thompson on Hyperion CDA663852Set for the Associated Board FRSM examination.
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| Adrian Esquerra: Malditos
Sean Los Celos: Voice:
Score
 Español
Piano, Voice [Sheet music]
Unión Musical Ediciones
3.50 GBP - Sold by Musicroom UK | | |
| OPERARIA MEZZOSOPRAN 2
Dramatique
Piano, Voice [Sheet music]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...(+)
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
(Seller in french langage)
Pre-shipment lead time: In Stock | | |
| Salieri A. - Prima La
Musica E Poi La Parole
Piano, Voice [Vocal Score]
Barenreiter
Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one ac...(+)
Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one act Details Edition no.: BA 8811-90 ISMN: 9790006542826 Editor: Betzwieser, Thomas / La Salvia, Adrian Arranger: Müller, Karl-Heinz / Schellevis, Hans Language(s) of work: German, Italian Language(s) of text: German, English Product format: Piano reduction, Urtext edition Comments: Replaces BA 7698-90 Binding: Paperback Pages / Format: XVI, 199 S. - 27,0 x 19,0 cm A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. The Italian court singers and musicians performed Mozart’s Schauspieldirektor whilst Antonio Salieri’s Prima la musica e poi le parole was performed by a German Singspiel ensemble. This charming opera satire belongs to the genre of “metamelodrama” in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the writer, composer and prima donna, appear as characters on the stage and are presented in a humorous mirror image. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s Giulio Sabino in his insert arias, thus playing on the music which was totally familiar with the audience of that time. By reflecting on the musical-dramatic style of that time and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be a forerunner to Richard Strauss’s Capriccio. This new edition of the score is published as part of OPERA – Spectrum of European Music Theatre in Separate Editions. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into the newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s Giulio Sabino have also been incorporated. - Urtext edition based on the historical-critical hybrid edition OPERA-Spectrum of European Music Theatre in Separate Editions edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).- Original Italian libretto with singable German translation- Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodrama and intertextuality- Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s Giulio Sabino- Idiomatic piano reduction
Pre-shipment lead time: On order | |
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