Twelve superb arrangements of Christmas favourites for SATB mixed voices, guaranteed to add sparkle and glitz to every choral concert. Christmas Pops! is an essential addition to every choir library and should be on every choral singer's Christmas list! This festive collection covers a wide range of styles and festive moods from simple four part settings to extended divisi arrangements wittily and inventively crafted by the cream of today's choral arrangers including: Richard Allain, Henry Capper-Allen, Ralph Allwood, Hywel Davies, John Gardner, Matthew O'Donovan, Tom Recknell, Bertie Rice and Jonathan Wikeley. / Chant Et Piano

Compositeur(S): Edouard Algayon. Par PREMIX. Auteur: EDOUARD ALGAYON/ Feuillet / Chant et Piano

La partition LE CHANT DES YEUX - SOLI, Choeur MIXTE A 6 VOIX, PIANO de Tisné Antoine a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Piano D'Oeuvres Lyriques. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Chant Et Piano D'Oeuvres Lyriques / Partition

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors, singers and audiences alike. Mostly for mixed voices, it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir, medieval melodies to spirituals, the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols, to allow for performances without organ. This major issue of carols is edited by William Llewellyn, a well established figure in the world of choral music. / Chant Et Piano

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume, six are published here for the first time, including new arrangements by composers of today: Malcolm Archer, Rogers Covey-Crump, John Joubert, Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent, Epiphany, Passiontide, Easter, Ascension, as well as celebratory occasions such as festival services and weddings. / Chant Et Piano

La partition PSAUME 136 (CHANT DES CAPTIFS) OPUS 33 - ChoeurS de Martinon Jean a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Choeur A 4 Voix Mixtes Et/Ou Piano (Ou Orgue) Et Ensemble. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Choeur A 4 Voix Mixtes Et/Ou Piano (Ou Orgue) Et Ensemble / Partition

Par SCHURZENJAGER. Das Best-Of-Album der Volksmusik-Rocker. Mit 24 Songs im Partymix und 5 Balladen, z. B. Für mi bist Du's, S' braucht net viel./ Recueil / Voix et Piano

Edition no.: BA 9074-90 ISMN: 9790006530243 Editor: Cooper, John Michael Arranger: Mendelssohn Bartholdy, Felix Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IX, 57 S. - 27,0 x 19,0 cm The setting of Psalm no. 42 op. 42 ?Wie der Hirsch schreit nach frischem Wasser? (?As the hart pants after the waterbrooks?) for soloists, mixed choir and full orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition. ? Psalm with a large orchestral scoring in a Urtext edition ? Bilingual foreword (Ger/Eng) ? Original German as well as English text ? Includes a piano reduction by the composer

For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem #2 ('The King Shall Rejoice'), although less well-known than Anthem #1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous - a grandiose setting of 'Glory and great worship hast thou laid upon him' - and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas. / Chant Et Piano

Aulis Sallinen's uplifting work Hold Fast To Your Dreams , for mixed or boys' choir, with text by Louise Driscoll. Piano part included for rehearsal. / Chant Et Piano