Tchaikovsky wrote Eugene Onegin in 1878 using a libretto by Konstantin Shilovsky based on the epic poem by Pushkin. Flirtatious Olga and shy bookish Tatyana are sisters Olga being happily engaged to Lenski. One day Lenski arrives with a friend Eugene Onegin and Tatyana is smitten. She writes him a letter but he rudely rebuffs her and she is devastated. At the dance that night he dances with Olga making Lenski jealous also. They fight a duel in which Lenski is killed.Six years later Tatyana has become a beauty and married Prince Gremin unbeknownst to Onegin who has become a wanderer. Onegin enters Gremin’s house for a party seesTatyana falls in love and pleads with her to come with him but Tatyana though confessing she still loves him refuses him she is married. Eugene is left alone and heartbroken.This is the Schirmer edition of the Vocal Score in an English translation by Henry Reese.

Thirty musical arrangements by noted African-American tenor recall biblical events in such well-known tunes as Deep River Dry Bones Steal Away and Were You There? Perceptively written introduction to each song includes background history. Rich collection will appeal to lovers of great spirituals and the rich legacy of African-American song.Reprint of My Songs: Aframerican Religious Folk Songs Arranged and Interpreted by Roland Hayes Little Brown and Company Boston 1948.

The Military Wives are the inspirational choir formed by the wives and partners of British soldiers serving in Afghanistan. Created by Gareth Malone as part of the TV series The Choir their movingperformances in support of their loved ones on the frontline have touched the hearts of millions and their debut single Wherever You Are written for the choir by Paul Mealor became the 2011 Christmas No.1.Withthis matching songbook you can enjoy all of the tracks from the album including In My Dreams — also composed by Paul Mealor — alongside their beautifully reworked versions of modern classics from artists such as Coldplayand Adele. Each track is arranged for vocals with piano accompaniment and includes full lyrics.

A dozen vocal selections from this Tony Award-winning musical adaptation of the bestselling novel are featured in this collection presented in vocal lines with piano accompaniment. Includes: Almost Real · Always Better · Another Life · Before and After You/One Second and a Million Miles · Falling into You · It All Fades Away · Temporarily Lost · To Build a Home · What Do You Call a Man like That? · When I'm Gone · Wondering · The World Inside a Frame.

PraiseCharts Series-The Contemporary Worship Classics series features six compatible books that can be used alone or in any combination. The arrangements are designed to aid the flow of live congregational worship and the level is suitable for amateurs and pros alike. Section numbers and lyric cues are included in each book so musicians can play together easily. Use the downloadable audio tracks in lieu of a live band or to enhance the sound of your band for rehearsal and performance. 10 songs: Amazing Grace (My Chains Are Gone) · Blessed Be Your Name · Forever · God of Wonders · Here I Am to Worship (Light of the World) · Holy Is the Lord · In Christ Alone · Mighty to Save · Sing to the King ·Your Name.

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano