Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. The vocal score to Gilbert and Sullivan's Princess Ida (also known as 'Castle Adamant'), based upon Tennyson's poem The Princess . The operetta satirises feminism and women's colleges, both of which were controversial topics in conservative Victorian England. Princess Ida is also the only Gibert and Sullivan production to be written entirely in blank verse. / TV, Film, Comédie musicale / Recueil / Chant

Per Gli Sponsali Di Teti E Peleo - Hwv 73. Par HAENDEL GEORG FRIEDRICH. Handel's three-part serenata Parnasso in festa was premiered in March 1734 for the wedding of Princess Anne and Prince William IV of Orange. The music is largely based on the English oratorio Athalia. The Italian libretto, by Giacomo Rossi, takes up the Greek myth of the wedding of Thetis and Peleus. As so often in Handel's case, the work was subjected to three large-scale revisions by 1741. This vocal score is based on the Urtext from the Halle Handel Edition (BA 10718), the first to offer a scholarly-critical musical text for the complete serenata. The most significant changes in the later versions are reproduced in an appendix. - Bilingual Foreword (Ger/Eng) - Idiomatic piano reduction/ Répertoire / Chant et Piano

Learn to sing like your favourite Disney princesses. The Disney Princess Songbook features 8 songs from Disney's heroines, as well as Voice lessons, warm-ups and demo tracks that will help you to give a film-worthy performance. / Voix

There is something for everyone in this collection of Isabelle Aboulker?s most beautiful melodies: the passionate vocalises of Je t?aime, composed for the fiery Patricia Petitbon, sit alongside limpid fables by La Fontaine (The Crow and the Fox, The Lion in Old Age and more), while the unnerving eeriness of the merchant of souls in Au Marché de Saint-Paul contrasts with the light humour of the Savoir-vivre cycle, and the melancholy accents of Lettre d?amour make way for the irresistible charm of L?Inconstante. Isabelle?s prosodic clarity and voluptuous focus on the evocative power of words speak of a deep attachment to the legacy of French song composers. In turn impetuous or melancholy, this thrilling music knows how to aim straight for the heart. Au marché Saint-Paul, j?irai ? I Am Off to the Market Day Chanson de la côte ? Song of the Coast Cheeky Little Tunes from Flaubert?s Dictionary of Received Ideas Cher Pierre que je ne reverrai plus ici? ? Dear Pierre, Whom I Shall not See Here Again? Escale à Rio ? Stopover in Rio Je t?aime ? I love you L?Archet ? The Bow L?Inconstante ? The Inconstant One La Cigale et la fourmi ? The Grasshopper and the Ant La Femme noyée ? The Drowned Wife La Jeune Veuve ? The Young Widow La Princesse au petit pois ? The Princess and the Pea Le Corbeau et le renard ? The Crow and the Fox Le Lièvre et les grenouilles ? The Hare and the Frogs Le Lion devenu vieux ? The Lion in Old Age Le Loup et l?agneau ? The Wolf and the Lamb Le Loup et le chien ? The Wolf and the Dog Les Animaux malades de la peste ? The Plague-Stricken Animals Lettre d?amour ? Love-Letter Petites mélodies impertinentes, extraits du ?Dictionnaire des idées reçues? de Flaubert ? Savoir vivre et usages mondains ? Guide to Fine Etiquette and Wordly Manners Tenir ? Holding

(Du Film Peau D'âne). Par LEGRAND MICHEL. Michel Legrand 's Les Rêves Secrets D’Un Prince Et D’Une Princesse (from the film 'Peau D’Ane') for Voice and Piano. / Pop & rock / Recueil / Chant et Piano

Par RODGERS RICHARD / HART L.. Stage Works Vocal Scores/ Recueil / Chant et Piano