Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the “Messa da Requiem”, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. • Verdi’s monumental work in a Bärenreiter Urtext edition • Trilingual preface (Ital/Eng/Ger) • Detailed Critical Commentary (Eng) • Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm

Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano

Attila, Verdi's ninth opera and the second of five that he composed for Venice's Teatro La Fenice, had its premiere on 17 March 1846. Verdi was inspired to compose an opera on the subject of Attila by two rather unusual sources, Attila, König der Hunnen, a curious play by a now-forgotten German playwright, Friedrich Ludwig Zacharias Werner, and Madame de Staël's discussion of it in her magisterial work on Germany, De l'Allemagne. This present reduction is based on the critical edition of the full score that - published in 2012 - is the first complete published version of the full orchestral score and the product of the study of numerous manuscript sources: the autograph sources (now kept at the British Library in London, at the Library of Congress in Washington D.C. and at the 'Museo del Teatro alla Scala? in Milan), manuscript sources (those kept at Teatro La Fenice in Venice and at Teatro San Carlo in Naple) and the first piano vocal scores. / Voix Et Piano

Opera Completa Per Canto E Pianoforte In Brochure. Par VERDI GIUSEPPE. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair. . . this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves./ Répertoire / Chant et Piano

Opera Completa per canto e pianoforte - Edizione tradizionale - Testo cantato in Italiano. Par VERDI GIUSEPPE. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair. . . this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves./ Répertoire / Chant et Piano

Référence unique par son ISBN 9790040502787 cette partition musique de Verdi Giuseppe n'est autre que VESPRI SICILIANI qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Ricordi. La référence catalogue de cette oeuvre est CP05027805. / Voix Et Piano / Partition

Cette partition qui est vendue avec un Cd vous permettra de jouer la superbe oeuvre de Verdi Giuseppe - CANTOLOPERA: CORI CELEBRI CD . Le Cd vous permettra de pouvoir écouter si vous êtes dans le vrai ou si vous devez encore travailler pour atteindre la perfection. Editée par Ricordi cette partition musicale et son Cd, vous permettront de jouer une partition de style Classique qui a été écrite pour Choeur Et Piano. / Choeur Et Piano / Partition Cd