To mark the band’s 21st anniversary, Rammstein are releasing the luxurious songbook Klavier with 13 arrangements for Piano and Voice, including a CD with 13 Piano recordings – all in an elegant hardcover edition. The music of Rammstein has been described as like listening to the construction of monumental buildings in the desert. If that is the case, such an imposing structure has been worked on over 21 years already. With album and DVD sales in the upper seven figures, Rammstein's output is at once controversial, creative and always exciting. This and their headline shows at the biggest festivals and sold-out arenas throughout the world have put this band at the top of a great pyramid of rock music titans in just two decades. They owe their status as an unmatched performing band to their unique art which is dramatic, emotional and a bleak and spectacular fairytale, always courting controversy. Such a fascinating band means this lavish songbook is fitting. Featuring 80 pages, a hardcover design with open-thread stitching and hot foil stamping of the 'Rammstein XXI' logo, this book is perfect for fans of Rammstein who want to learn the wonderful music for Piano and Voice. Donaukinder Ein Lied Engel Feuer Und Wasser Frühling In Paris Klavier Mein Herz Brennt Nebel Ohne Dich Roter Sand Seemann Sonne Wilder Wein

This collection for Voice and Piano contains four delightful and recently discovered early songs by the young Malcolm Arnold with words by Humbert Wolfe. The songs are named after four plants that can be found in London's Kensington Gardens: Daffodil Hawthorn Tree Laburnum and Lupin. This work provides an important and fascinating addition to the repertoire.

A fascinating collection of fifty historic American love songs and ballads. The songs are arranged in piano/vocal format with guitar chords shown and range from sentimental Southern Mountain ballads to jazzy Tin Pan Alleynumbers.

A sampling of the world's greatest Baroque and Classical arias. In addition to offering fascinating background information about the arias and their composers, the editor has corrected a multitude of errors which have accumulated over time, and has replaced Romantic-era misinterpretations with accompaniments that are faithful to historical styles. Includes word-by-word transcriptions into the International Phonetic Alphabet.

Cette autorité, collection nouvellement révisé comprend 70 mélodies arrangées pour piano et voix par le blues grande WC Handy. Comprend 'The Blues', 'hésitant Joe Turner Blues', 'Deep River Blues', 'Basin Street Blues', et des dizaines de classiques d'autres. Des notes détaillées sur chaque chanson offrir des détails fascinants de fond.Vaste texte par le critique musical abbé Niles en revue le développement du blues, Introduction 1990 décrit l'histoire la publication du livre, et une nouvelle introduction par un expert de premier plan sur les profils de WC Handy de la vie et de travail du Père des Blues. Huit exemples frappants de Miguel Covarrubias complètent la collection. / Voix Et Piano

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano