SKU: NR.63377
ISBN 9790900009807.
Hofmann, Willy, Gesang, Werb, Oscar, Gesang, Frankfort was bist de so schee, Ach Lisbeth du mei Reuwelche, De griene baam, Des Frankforder Wäldchesdags-Lied, Sehn se des is frankforterisch, Es will merr net in mein Kopp enei, Die Äppelwoi-Insel im Sachsehause, Die Fraa Rauscher aus de Klappergass, Du kannst net unnergehe, Frankforter Böse-Buwe-Lied, Da setze mer uns an de Maa, Zu Frankfurt auf der Brücke, Ich waas e klaa Häusche am Maa, Des Frankford von frieher un heud, Des kimmt vom Äbbelwoi, Das Römerberg-Lied, Drausse in Sachsehause, Gross, Carl, Gesang, Frankforter Brezelbuwe, Gruppe.
SKU: M7.AV-6014
ISBN 9790203918660.
SKU: M7.DUX-1009
ISBN 9790500171317. German.
SKU: CA.240303
ISBN 9790007134648. Illustrator: Frank Walka.
* Simple arrangements for voice and piano, plus instrumental upper part ad lib. * With new, varied arrangements by over 20 composers. * The instrumental difficulty level of the ad lib part is easy to medium. * The upper part (in C) and a bass part are included with the volume. The melody and upper parts, transposed for B flat instruments, are available separately (as a playing score, Carus 2.403/21). * Up-to-date collection of materials for small or larger music groups in schools, music schools, parishes and families, who want to accompany Christmas carols instrumentally. * The performer's volume can be used flexibly for different ensembles with piano accompaniment. Score available separately - see item CA.240300.
SKU: HL.48008868
UPC: 073999088687.
Contents: 1903: Blow, Blow Thou Winter Wind (Shakespeare) • E'en As a Lovely Flower (Kate Krocker, after Heine) • Go Not, Happy Day (Tennyson) • The Devon Maid (Keats) • Dawn and Evening (C.A., after Heine) • 1905: Adoration (Keats) • Fair Daffodils (Herrick) • So Perverse (Robert Bridges) • 1906: Come To Me in My Dreams (Matthew Arnold) • The Violets Blue (James Thomson, after Heine) • 1907: All Things That We Clasp (Emma Lazarus, after Heine) • 1913: Strew No More Red Roses (Matthew Arnold) • 1914: Where She Lies Asleep (Mary E. Coleridge) • Love Went a-Riding (Mary E. Coleridge) • 1917: Thy Hand in Mine (Mary E. Coleridge) • 1918: So Early in the Morning, O (James Stephens) • Mantle of Blue (Padraic Colum) • Blow Out, You Bugles (Rupert Brooke) • The Last Invocation (Walt Whitman) • 1919: Into Her Keeping (H.D. Lowry) • What Shall I Your True Love Tell? (Francis Thompson) • 'Tis But a Week (Gerald Gould).
SKU: BR.DV-6140
ISBN 9790200460230. 13.5 x 10.5 inches.
Translation: Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.
SKU: GH.CG-5268
Key: F dur / f major. Text: Frank Loesser (text), Lill Berg (Swedish text).
For piano eller sang och piano, med ackordanalys.
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