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Antonín Dvo?ák: Songs II for High Voice and Piano: High Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for High Voice and PianoFollowing the publication of Dvorák’s ea...
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Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Antonín Dvo?ák: Songs II for Low Voice and Piano: Low Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s ear...
(+)
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Gabriel Fauré: Vocalises - Medium-High Voice & Piano: Voice: Instrumental Work
Piano, Voice
[Sheet music + Audio access]
Peters
This collection of Vocalises contains 45 vocal exercises devised by innovative t...
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This collection of Vocalises contains 45 vocal exercises devised by innovative teacher Gabriel Fauré. When Gabriel Fauré was appointed Director of the Paris Conservatoire in 1905 one of his most pressing concerns – and first achievements – was a complete reform of the teaching of singing. He was determined to introduce mandatory study of art song along with 'exercises developing vocal suppleness articulation and voice placement and production which are the basis of singing teaching'. To this end between 1906 and 1916 he composed a substantial body of accompanied vocalises for use in theConservatoire’s sight-singing examinations. For a century these vocalises – all but one now held in the Archives nationales de France in Paris – have lain unknown to the musical world at large. Their first publication here marks a major event for the vocal teaching repertoire (as well as some entrancing music); a marvellous resource of skilfully devised vocal exercises ranging from elementary to advanced virtuoso level all from one of history’s greatest song composers.
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Rheinberger: Lieder Für Singstimme Und Klavier (Gesamtausgabe, Bd. 15)
Piano, Voice
[Sheet music]
Carus Verlag
Gesamtausgabe, Bd 15. Par RHEINBERGER JOSEF GABRIEL. Volume 15 reveals a largely...
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Gesamtausgabe, Bd 15. Par RHEINBERGER JOSEF GABRIEL. Volume 15 reveals a largely unknown treasure of the romantic song for voice with piano accompaniment in which his complete 100 solo songs with opus numbers are united in one collection. The musical spectrum ranges from the naive-witty Kinderlieder op. 152 to the highly dramatic setting of Des Mädchens Klage op. 57, 7 from Schiller’s Wallenstein. Among the authors of these poems Rheinberger’s scarcely-known contemporaries are represented, just as are the great names of German literature, including Goethe, Eichendorff, and Scheffel. English and Italian poets are also represented [Burns, Moore, Petrarca, Savonarola]./ Répertoire / Chant et Piano
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Schubert Franz - Complete Song Cycles - Voice
Piano, Voice
[Sheet music]
Dover Publications
Description All 54 songs from 'Die Schone Mullerin', 'Die Winterreise' and 'S...
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Description All 54 songs from 'Die Schone Mullerin', 'Die Winterreise' and 'Schwanengesang'. Breitkopf & Hortel edition. Songlist [Unknown] Abschied. Rellstab. Ade! Du Muntre, Du Frohliche Stadt Am Feierabend. Hatt Ich Trausend Arme Zu Ruhren Am Meer. Heine. Das Meer Erglanzte Weit Hinaus Auf Dem Flusse. Der Du Do Lustig Rauschtest Aufenthalt. Rellstab. Rauschender Strom, Brausender Wald Danksagung An Den Bach. War Es Also Gemeint Das Fischermadchen. Heine. Du Schones Fischermachen Das Wandern. Das Wandern Ist Des Mullers Lust Das Wirthshaus. Auf Einen Todtenacker Hat Mich Mein Weg Gebracht Der Atlas. Heine. Ich Unglucksel'ger Atlas Der Doppelganger. Heine. Still Ist Die Nacht, Es Ruhen Die Gassen Der Greise Kopf. Der Reif Hat Einen Weissen Schein Der Jager. Was Sucht Denn Der Jager Am Muhlbach Hier Der Leiermann. Druben Hinterm Dorfe. (First Version) Der Leiermann. Druben Hinterm Dorfe. (Later Version) Der Lindenbaum. Am Brunnen Vor Dem Thore Der Muller Und Der Bach. Wo Ein Treues Herze In Liebe Vergeht Der Neugierige. Ich Schnitt' Es Gern In Alle Rinden Ein Der Sturmische Morgen. Wie Hat Der Sturm Zerrissen Der Wegweiser. Was Vermeid' Ich Denn Die Wege Des Baches Wiegenlied. Gute Ruh, Gute Ruh, Thu Die Augen Zu Des Mullers Blumen. Am Bach Viel Kleine Blumen Steh'n Die Bose Farbe. Ich Mochte Ziehn In Die Sie Mir Gab Die Krahe. Eine Krahe War Mit Mir Die Liebe Farbe. In Grun Will Ich Mich Kleiden Die Nebensonnen. Drei Sonnen Sah Ich Am Himmel Steh'n Die Post. Von Der Strasse Her Ein Posthorn Klingt Die Schone Mullerin. Miller: Die Stadt. Heine. Am Fernen Horizonte Die Taubenpost. Seidl. Ich Hab' Eine Brieftaub' In Meinem Sold Die Wetterfahne. Der Wind Spielt Mit Der Wetter-fahne Die Winterreise. Muller: Eifersucht Und Stolz. Wohin So Schnell, So Kraus Und Wild Einsamkeit. Wie Eine Trube Wolke. (First Version) Einsamkeit. Wie Eine Trube Wolke. (Later Version) Erstarrung. Ich Such' Im Schnee Vergebens First Section: Fruhkingssehnsucht. Rellstab. Sauselnde Lufte, Wehend So Mild Fruhlingsraum. Ich Traumte Von Bunten Blumen Gefror'ne Thranen. Gefror'ne Tropfen Fallen Gute Nacht. Fremd Bin Ich Eingezogen Halt! Eine Muhle She' Ich Blinken Ihr Bild. Heine. Ich Stand In Dunklen Traumen Im Dorfe. Es Bellen Die Hunde, Es Rasseln Die Ketten In Der Ferne. Rellstab. Wehe Dem Fliehenden Welt Hinaus Ziehenden Irrlicht. In Die Tiefsten Felsengrunde Kriegers Ahnung. Rellstab. In Tiefer Ruh Liegt Um Mich Her Letzte Hoffnung. Hie Und Da Ist An Den Baumen Liebesbotschaft. Rellstab. Rauschendes Bachlein, So Silbern Und Hell Mein! Bachlein, Lass Dein Rauschen Sein Mit Dem Grunen Lautenbande. Schad' Um Das Schone, Grune Band Morgengruss. Guten Morgen, Schone Mullerin Muth. Fliegt Der Schnee Mir Ins Gesicht Pause. Mein Laute Hab' Ich Gehangt An Die Wand Rast. Nun Merk' Ich Erst, Wie Mud' Ich Bin. (First Version) Rast. Nun Merk' Ich Erst, Wie Mud' Ich Bin. (Later Version) Ruckblick. Es Brennt Mir Unter Beiden Sohlen Schwanengesang: Second Section: So Traulich Beisammen Standchen. Rellstab. Leise Flehen Meine Lieber Tauschung. Ein Licht Tanzt Freundlich Vor Mir Her Thrananregen. Wir Sassen Wasserfluth. Manche Thran Aus Meinen Augen Wohin? Ich Hort Ein Bachlein Rauschen
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Johannes Brahms: Four Songs with Lyrics by Klaus Groth 1st Edition: Voice: Vocal
Piano, Voice
G. Henle
Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition o...
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Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition of the ?Regenlied Cycle? is only available from G. Henle Publishers. In the preface Michael Struck an eminent Brahms scholar writes about the distinctiveness of the work untilnow a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth whom he greatly admired. In the well-known song cycle Opus 59 published by Brahmshimself the Groth songs are also to be found together with other songs.The reason why Johannes Brahms? Violin Sonata no. 1 in G major op. 78 is also known as the ?Regenlied? Sonata becomes clear on acquiring studying and playing this ?Regenlied Cycle?.
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Felix Mendelssohn Bartholdy: Lieder: Voice: Score
Piano, Voice
[Sheet music]
Barenreiter
This volume comprises 46 unknown songs of Felix Mendelssohn Bartholdy: Musical v...
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This volume comprises 46 unknown songs of Felix Mendelssohn Bartholdy: Musical versions of poems by Scott/Storck Matthisson Hölty Heine Gellert and more are waiting to be discovered. „ Lied zum Geburtstag meines guten Vaters“ a
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Antonio Vivaldi: Dixit Dominus RV 595: Voice
Piano, Voice
Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit ...
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Piano, Voice
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Adina: Vocal Score Based on the Critical Edition by Fabrizio Della Seta
Piano, Voice
[Vocal Score]
Ricordi
Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 18...
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Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition.
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Franz Schubert: Complete Song Cycles: Voice: Mixed Songbook
Piano, Voice
Dover Publications
Die Schöne Müllerin - Die Winterreise - Schwanengesang-All 54 songs from 'Die ...
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Die Schöne Müllerin - Die Winterreise - Schwanengesang-All 54 songs from 'Die Schone Mullerin' 'Die Winterreise' and 'Schwanengesang'. Breitkopf
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The Unknown
Piano, Voice
Peters
/ Voix Et Piano
9.90 EUR - Sold by LMI-partitions
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The Unknown Kurt Weill
Piano, Voice
European American Music
Une collection de 14 chansons de l'artiste Kurt Weill à un enregistrement par T...
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Une collection de 14 chansons de l'artiste Kurt Weill à un enregistrement par Teresa Statas. / Voix Et Piano
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Chueca Unknown: Cadiz: Piano: Instrumental Work
Español
Piano, Voice
[Sheet music]
-
Intermediate/advanced
Unión Musical Ediciones
Cadiz
13.99 GBP - Sold by Musicroom UK
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WEILL KURT - THE UNKNOWN KURT WEILL - VOIX and PIANO
Piano, Voice
Hal Leonard
14 art songs dating from 1925 to 1944 as masterly performed by Teresa Stratas on...
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14 art songs dating from 1925 to 1944 as masterly performed by Teresa Stratas on the Nonesuch record. Includes: Berlin im Licht-Song * Buddy on the Nightshift * Es regnet * Je ne t'aime pas * Klops Lied * Nanna's Lied * Youkali (Tango Habanera) * and more.
1. Bo's Boogie
2. Budgie
3. Calm Seas
4. Cool It!
5. Emerald Isle
6. Honk Your Horn!
7. Hot Potato
8. Insects
9. Lullaby
10. Minor Mission
11. One Step At A Time
12. Skateboard Ride
13. The Race
14. The Secret Garden
/ Partitions classique / Vocale - chorale / Choeur et ensemble vocal / HAL LEONARD
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The Really Big Descant Book
Piano, Voice
Kevin Mayhew
Une méga-collection de descants à tous les airs les plus aimés hymne, nombreu...
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Une méga-collection de descants à tous les airs les plus aimés hymne, nombreux établis dans deux clés afin d'adapter les deux plus anciens et plus récents livres et tous au sein de la gamme de la chanteuse de la paroisse. / Chant Et Piano
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