This 2018 Broadway adaptation of the hit 2004 movie about the cut-throat social status of a group of teenage girls features lyrics by Nell Benjamin with music by Jeff Richmond and was nominated for several Tony Awards®. Our folio includes 16 vocal selections: Apex Predator · A Cautionary Tale · Fearless · I See Stars · I'd Rather Be Me · It Roars · Meet the Plastics · More Is Better · Revenge Party · Sexy · Someone Gets Hurt · Stop · Stupid with Love · What's Wrong with Me? · Where Do You Belong? · World Burn.

This folio features 16 vocal selections from the uproariously entertaining TONY Award-winning Broadway musical that features music and lyrics by David Yazbek. Songs include: I Won't Let You Down - The Most Important Night of My Life - Talk to Me Dorothy - Unstoppable - Whaddya Do - Who Are You? - and more.

Preface by Carol Barratt. Here's a great new collection of showtunes, folk songs, children's songs and pop songs, carefully chosen to bring fun and musical variety to the primary school classroom. Some will be familiar, some will be brand new surprises, and some will be half-forgotten favourites from the past now given a new lease of life. All songs are arranged for easy piano and the piano parts can also be heard on the two accompanying music CDs. Lyrics are printed out for every song but are also available as free downloadable pdfs for easy projection for multiple printing. Includes teachers notes. Let's get our schoolchildren singing again with The National Songbook! / Chant Et Piano

Nancy Litten\'s Choral and Vocal Warm-Ups for Pianists provides the perfect accompaniment for a whole range of warm-ups she herself uses regularly with choirs. This invaluable guide leads the choral director, step by step, through the various stages of the warm-up and provides a suitable keyboard accompaniment. Litten also offers valuable advice about what and how to practice common harmonic progressions, allowing the pianist to provide precisely the accompaniment the director needs to get the choir warmed-up and ready to sing. / Choral Music, Methods

Par SONDHEIM STEPHEN. Toute personne peut Whistle est définie dans une ville imaginaire qui a fait faillite, il se concentre sur la maire tough, impopulaire, Cora Hoover Hooper, qui, déterminés à sauver de la ruine financière, avec ses affidés politiques crée une attraction touristique par feindre un miracle - eaux curatives débiter d'une roche dans la ville de carrés. Ils trouveront contesté par les sceptiques Fay Apple, une infirmière à la sanitarium local, qui a l'intention d'utiliser ses patients à réfuter la réclamation. Sur le devant de la scène vient j. Bowden Hapgood, un patient confondu avec un psychiatre, qui divise la ville en deux groupes, la saine et le loony, mais refuse de divulguer qui est qui. Point de l'histoire est que ' normale ' est un euphémisme pour la maîtrise de soi, de conformité et d'ordre, et son moral est que le vrai miracle simplement est plein de vie. Ce songbook caractéristiques huit chansons du spectacle arrangé pour voix et piano./ Recueil / Chant et Piano

The Irresistible New Broadway Musical-Opening on Broadway in March 2016 Waitress is a musical adaptation of Adrienne Shelly's 2007 film of the same name. The show tells the story of waitress and aspiring pie-maker Jenna Hunterson whose unexpected pregnancy throws her life into chaos prompting her to consider what matters to her the most. The musical features 14 songs written by popular singer/songwriter Sara Bareilles. Waitress - Vocal Selections contains selections from every song in the show arranged with Vocal line and Piano accompaniment. Songs include: Bad Idea Everything Changes I Didn't Plan It It Only Takes a Taste The Negative Never Ever Getting Rid of Me Opening Up She Used to Be Mine Soft Place to Land What Baking Can Do What's Inside When He Sees Me You Matter to Me and You Will Still Be Mine.

Tenor Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfreds Singers Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocalscores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiplevolumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-bar cut suggestions for each song make it the most useful andrelevant song library of its kind. Titles include: Im Not That Smart (The 25th Annual Putnam County Spelling Bee) · My Unfortunate Erection (Chips Lament) (The 25th Annual Putnam County Spelling Bee) · Dames (42nd Street) · Radames Letter (EltonJohn and Tim Rices Aida) · The Gypsy in Me (Anything Goes (1988 Revival)) · Ballad of Booth (Part III) (Assassins) · What Am I Doin? (Closer Than Ever) · Broadway Baby (Dames at Sea) · Blah Blah Blah (Delicious) · When the Earth Stopped Turning(Elegies) · You Gotta Die Sometime (Falsettos) · I Want to Make Magic (Fame: The Musical) · Sandy (Grease) · Donna (Hair) · Different (Honk!) · The Phone Call (Lucky Stiff) · Knowing Me Knowing You (Mamma Mia) · To Each His Dulcinea (Man of LaMancha) · Larger Than Life (My Favorite Year) · Im Falling in Love with Someone (Naughty Marrietta) · And Theyre Off (A New Brain) · Stouthearted Men (The New Moon) · Lucky to Be Me (On the Town) · A New Town Is a Blue Town (The Pajama Game) ·Extraordinary (Pippin) · Theres a Boat Dats Leavin Soon for New York (Porgy and Bess) · You Took Advantage of Me (Present Arms) · Alone in the Universe (Seussical the Musical) · Something to Live For (Sophisticated Ladies) · Strike Up The Band(Strike Up The Band) · Ballad of the Easy Life (The Threepenny Opera) · Calla Lily Lady (Two Gentlemen of Verona) · Loves Revenge (Two Gentlemen of Verona) · They Wont Know Me (Wish You Were Here) · If I Only Had a Brain (The Wizard of Oz).

80 Arrangements For Weddings And Celebrations. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it's for an engagement or a wedding, for Valentine's Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music./ Répertoire / Chant et Piano

Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano