One of the all-time great film composers James Horner's output was extensive and memorable not to mention instantly-recognisable. His musical abilities meant he was able to lend his talent to any genre of film as the 12 wonderful pieces included in this Ultimate Film Score Collection confirm. All music is arranged for Piano and where relevant Voice. The collection of themes and songs included hereare representative of James Horner's famous compositions from the beginning of his career to the present day. A selection of his most enduring works are included here from 'Star Trek II's Theme backin 1982 to Promises/End Titles from 'The Amazing Spider-Man' in 2012.  For his oeuvre of over a hundred major scores  Horner received two Academy Awards two GoldenGlobe Awards and a body of work that will surely be added to the canon of great scores. This body includes music for 'Avatar' (I See You) 'Braveheart' (For The Love Of A Princess) and the incomparable 'Titanic'(My Heart Will Go On) all of which are included in this Ultimate Collection. The scores in this collection are arranged for Piano and Voice so you'll be able to learnJames Horner's greatest works from one convenient place. These unforgettable themes include those for 'The Perfect Storm' 'Apollo 13' and 'A Beautiful Mind' which were all cinematic successes that boasted suchfittingly climactic music.  With The Ultimate James Horner Film Score Collection 12 of his most original and uplifting themes are immortalised for your playing pleasure in what issure to be a mainstay on your Piano's music stand. 

Vocal Score Based on the Critical Edition-The publications of the vocal score series are based on the critical edition of the full scores. The preparation of these vocal scores was realized by the Editorial Staff ofCasa Ricordi.

Aften PÃ¥ Volden-Irving Berlin's title theme from the 1948 American musical film Easter Parade starring Judy Garland and Fred Astaire. Scored for Piano and Voice with lyrics in Danish and English.

Paul McCartney was commissioned by The Royal Liverpool Philharmonic Orchestra to compose a work to mark its 150th anniversary and collaborated with composer/conductor Carl Davis on this 90-minute classical piece which features soloists Kiri Te Kanawa and Jerry Hadley in a vaguely autobiographical story of a Liverpudlian named Shanty. This edition features 2 of the best known pieces from the work and is scored for Voice and Piano accompaniment.

Opera in three acts-Handel?s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and this vocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly constructed the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband the Roman emperor Claudius. After he is presumed dead she attempts with deception andintrigue to place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted or replaced by other numbers versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score (BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction

Par RODGERS RICHARD / HART L.. Stage Works Vocal Scores/ Recueil / Chant et Piano

New revised edition-Premiered in London in 1733 Handel’s “magic opera” Orlando is based on a libretto by Carlo Sigismondo Capeci that derives indirectly from Ludovico Ariosto’s epic poem Orlando furioso. This subject was very popular at the time and was frequently set to music e.g. by Jean-Baptiste Lully Agostino Steffani and Joseph Haydn. The title role of Orlando is the last one that Handel wrote for the celebrated castrato Senesino. Several stunning stage effects intended to illustrate Zoroastro’s sorcery call for sophisticated baroque stage machinery.The vocal score has been adapted andcarefully amended in keeping with the revision of the complete edition volume. The engraving and presentation of the former vocal score (BA 4027-90) have also been meticulously revised in many details. However the pagination stays the same so that both vocal scores are compatible with each other. A new Foreword in two languages (Eng/Ger) is also included in the edition.- Urtext edition based on the Halle Handel Edition- Full score (BA4087-01) & vocal score (BA4087-90) available for sale and performance material (BA4027-72) available for hire

Dvorak's Stabat Mater is his first setting of a religious text, which was begun in 1876. The work received its first performance in 1880 in Prague. This new edition edited by Michael Pilkington follows the layout of the previous Novello edition for ease of compatibility. Vocal score with piano accompaniment. Text in Latin. Scored for Soprano, Alto, Tenor, and Bass Soloists, SATB and Orchestra. Orchestral material available on hire from publisher. / Chant Et Piano

This setting of the Te Deum was written for St Cecilia’s day in 1694 almost exactly a year before the composer’s death. Composed in a highly flamboyant style it was originally scored for adult and boy choirs soloists strings bass and trumpets but has been scored here for SSAATB soli SSATB chorus and Piano accompaniment. It was edited by the organist of Westminster Abbey J. F. Bridge for a bicentennial commemoration in 1895 at which time the 18th century changes were replaced and the original version restored. The Latin text was provided by the musicologist R. R. Terry.Henry Purcell (1659-1695) held numerousappointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.