Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Piano

Par WILSON MARK. Stringtastic Book 2 teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. This Teacher?s Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, Book 2 takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. / Date parution : 2023-10-31/ Recueil / Piano

Teams Strings Is ideal for individual group and class tuition Allows violin and viola or cello and bass to be taught in the same lesson Contains carefully-graded music in a wide variety of styles from Baroque and Classical to Folk Film and Jazz Develops instrument-related aural skills improvisation and composition Offers helpful notes for the teacher together with piano accompaniments ensemble scores and parts for wind brass and percussion

18 Pieces for Brass Grades 1-3-ABRSM Shining Brass is an exciting series of graded repertoire pieces and studies that can be played by any brass instrument. Shining Brass Book 1 contains 18 pieces in a variety of attractive styles specially commissioned from seven of the finest composers of brass music writing today. Key features Two pieces from each of Lists A B and C of Grades 1-3 of the ABRSM 2013 syllabus for Eb Horn Baritone Euphonium and Tuba A single part book that can be used by treble and bass clef brass including Eb Tuba

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Piano

Mozart, Wolfgang Amadeus Missa C major K. 220 (196b) Sparrow Mass Arranged for female choir SMezAA Details Edition no.: BA 5693 ISMN: 9790006523382 Volume / Series: Female Choir Arranger: Breuer, Heribert Language(s) of work: Latin Language(s) of text: German, English Product format: Score Includes the following individual parts: Voice, Mixed choir, Orchestra Binding: Stapled Pages / Format: III, 44 S. - 31,0 x 24,3 cm Mozart’s “Missa in C major” (K. 220), nicknamed the “Sparrow Mass” for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started “Bärenreiter Female Choir” series. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work’s original substance while giving it a wholly new and delightful sound. • Arrangement for female choir (SMezAA) based on the Urtext of the “New Mozart Edition” • Idiomatic piano reduction Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.