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Piano Quartet: piano, violin, viola, cello
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...
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Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
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Piano Quartet - Set of Parts
Piano Quartet: piano, violin, viola, cello
Barenreiter
Manfred Trojahn ont amplement dimensionné quatuor avec piano en quatre mouvemen...
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Manfred Trojahn ont amplement dimensionné quatuor avec piano en quatre mouvements d'une durée d'env. 40 minutes a été composé et développé en plusieurs étapes.Les mouvements intérieurs, un Vivace caractérisé par des rythmes lombards et de la vitalité et un adagio de rêve ont été écrits dans l'année Mozart 2005. En 2008, les mouvements extérieurs ont été achevés.L'ouverture Adagio 'Zerbrochenes Lied' est une lamentation d'imposer des morts tandis que le Finale, une profonde, se déplaçant 'Wanderlied', a été consacrée à un ami Trojahn et compositeur Wilhelm Killmayer à l'occasion de son 60e anniversaire.De cette façon, les travaux de Trojahn s'inscrit dans la tradition des quatuors de Mozart pour piano de deux, mais ajoute un élément biographique.C'est un grand, travail musicalement exigeant mais gratifiant pour les musiciens ambitieux. / Violon, Violoncelle, Alto Et Piano
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Two Nocturnes (DAVIES PETER MAXWELL)
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
Schott
for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed imm...
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for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out. 2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space. The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach. They are dedicated to James MacMillan and Amelia Freedman respectively. Sir Peter Maxwell Davies (2010)/ Répertoire / Piano, Violon, Alto et Violoncelle
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Piers Hellawell: Hall Of Mirrors: Piano: Score and Parts
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Cadenza Music
Piers Hellawell's Hall Of Mirrors for Piano Quartet.Hall Of Mirrors was my first...
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Piers Hellawell's Hall Of Mirrors for Piano Quartet.Hall Of Mirrors was my first contribution to the Schubert Ensemble's unique initiative to bring practicable chamber music to young string players and pianists. It was written in summer of 1998 in the wake of my 'full-scale' piano quartet The Building Of Curves itself a commission from the Schubert Ensemble and was first performed at the Dartington Summer School. Hall Of Mirrors is also scored for piano quartet although the viola part is playable by a second violin and is thus scored in the treble clef.At the suggestion of the Ensemble I sought to provide an analogue of the larger work ascaled-down expression that used materials clearly related to its parent. I believe that the success of this project relies in large part on its new pieces being genuinely representative of their composers rather than mere exercises that provide a product. Hall Of Mirrors therefore tries to establish a similarly unsettled atmosphere to that of the second movement of The Building of Curves and it uses the same open-string C/D ostinato for cello and nightmarish free glissandi for violin - both materials that can be impressively brought off by a player of limited virtuosity! Hall Of Mirrors was generously commissioned by Jane Ferguson. Its title indicates a reshaping of some features of the larger edifice The Building of Curves. - Piers Hellawell
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Ständchen / Festmarsch / Arabischer Tanz / Liebesliedchen / Concertante Av. 168, 178, 182, 157
Piano Quartet: piano, violin, viola, cello
Schott
/ Quatuor Avec Piano (Ou Violon, Alto, Violoncelle Et Piano)
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Robert Schumann: Piano Quartet In E Flat Op. 47: Piano Quartet: Score and Parts
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
G. Henle
?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and...
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?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and I was once again truly delighted at this beautiful and so youthful work? enthused Clara Schumann in 1842. Inpreparation for this work Schumann had studied String quartets by the Viennese Classical composers. This is why all of the parts in the quartet are treated equally forming a splendid ensemble. Our edition has anextensive critical commentary on account of the difficult source situation. The fold-out page in the Cello part was designed with music practice in mind. The Piano Quartet and the Piano quintet op. 44 referred toas ?sister works? were both composed in Schumann?s ?chamber music year?. For this reason we were publishing them both in the 2006 ?Schumann Year?.
35.99 GBP - Sold by Musicroom UK
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11 New Anthems
Piano Quartet: piano, violin, viola, cello
Breitkopf & Härtel
/ Choeur A L'Unisson Et Orgue
20.35 EUR - Sold by LMI-partitions
(Seller in french langage)
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