SKU: BR.PB-5568
World premiere: Helsinki, May 29, 1970EB 6659 is printed in score form; two copies are needed for performance.
ISBN 9790004213780. 10 x 12.5 inches.
CDs: Laura Mikkola (piano), Royal Scottish National Orchestra, cond. Hannu Lintu CD Naxos 8.554147 Ralf Gothoni (piano), Leizig Radio Symphony Orchestra, cond. Max Pommer ODE 757-2World premiere: Helsinki, May 29, 1970.
SKU: BR.EB-10859
ISBN 9790201808598. 9.5 x 12 inches.
After achieving sensational success with the musical Lady, be good! , with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue , Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).
SKU: BR.PB-15140
ISBN 9790004214763. 10 x 12.5 inches.
After achieving sensational success with the musical Lady, be good!, with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue, Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).
SKU: BR.EB-11450
In Cooperation with G. Henle Verlag
ISBN 9790201814506. 9.5 x 12 inches.
Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.
SKU: BR.PB-15153
ISBN 9790004215586. 10 x 12.5 inches.
SKU: SA.41762
ISBN 9781608741762. 9.5 x 12.5 inches.
Composed in the late summer of 1876, Dvorak's first effort at a full-blown concerto shows signs of an unusual amount of revision in the composer's hand - especially for the solo piano part. This might explain the delay in the concerto's premiere, which was given at the Provisional Theatre in Prague on March 24, 1878 with Karel Slavkovsky as soloist accompanied by the Provisional Theatre Orchestra under the baton of Adolf Cech. The composer himself wrote: I see I am unable to write a Concerto for a virtuoso; I must think of other things. The ungainly solo part no doubt also played a role in the work's dely in publication, which didn't take place until 1883. Even after this, and despite much beauty in the music itself, performances were scarce due to the difficulty and charchter of the solo part. The solo part was revised heavily by the Czech pianist Vilem Kurz (1872-1945), whose version was premired by his daughter Ilona KurzovA! and the Czech Philharmonic on December 9, 1919 and is the one most often performed today. This new study score is a digitally enhanced reissue of the full score first published in 1956 by the Czech State Publishers as part of the Dvorak collected works, edited by Jiri Berkovec and Karel Solc, which includes both the composer's original solo part and the re-arranged one made by Kurz. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.
SKU: SU.28100050
Commissioned by Inon Barnatan, Los Angeles Philharmonic, Atlanta SymphonyPiano & Orchestra [solo pno: 3,1 3 3,1 3; 4321; timp, 3perc, 2hp; stgs Duration: 25' Composed: 2017 Published by: Distributed Composer Also available: Solo piano with reduction (Cat. # 28100051) Performance materials available on rental only:.
SKU: HL.49044458
11.5x16.5x0.26 inches.
SKU: BR.PB-15160
ISBN 9790004215654. 10 x 12.5 inches.
Paganini's Capricci served as inspiration for many composers. In addition to Brahms, Schumann and Liszt, Rachmaninoff was also inspired by the idea. His Rhapsody on a Theme by Paganini has since become one of his best known and most popular works and was an immediate success. In 1934, between two intense concert seasons, Rachmaninoff took advantage of the peace and quiet at his villa on Lake Lucerne to compose the Variations. Paganini's virtuosity and joy of playing are juxtaposed with the Gregorian sequence Dies irae. A symbol of the evil spirit to which Paganini sold his soul? At least that is how Rachmaninoff wrote it in a letter to the choreographer Fokine. For the demanding piano part, the composer and celebrated pianist himself had to start practicing very early: The composition is very difficult, and I should really start practicing now, but I get lazier with my finger exercises year after year.The editor, Norbert Gertsch, presents with this edition for the first time an Urtext edition of the work that Joachim Kaiser described as Rachmaninoff's most spiritual, witty, elegant work for piano..
SKU: SU.33000211
Solo part only (with cues)solo pno; 1,1 2,1 22; 4331; timp, 4 perc, hp, pno/cel; stgs Duration: 24' Composed: 1999 Published by: Beteca Music Performance materials available on rental only:.
SKU: EC.4600
UPC: 600313446009.
Duration: 15:00.
SKU: SU.50028470
Piano, 3333; 4331; timp, 2 perc, hp; stgs Duration: c. 16' Composed: 1988 Published by: Seesaw Music.
SKU: SU.33000210
Solo pno; 1,1 2,1 22; 4331; timp, 4 perc, hp, pno/cel; stgs Duration: 24' Composed: 1999 Published by: Beteca Music Performance materials available on rental only:.
SKU: SU.94010541
Solo Piano part with piano reduction. Instrumentation: solo pno: picc, 2fl ob 3cl,bcl bn 2asx 2tsx bsx; 4tpt 4hn 3tbn euph tba; timp 5perc; cb Duration: 24' Composed: 2015 Published by: Subito Music Publishing Performance materials available on rental only from the Subito Music Rental Library.
SKU: SU.60001010
Solo pno; 2(1) 222; 3220; 2perc; stgs Duration: 30' Composed: 2005 Published by: J.B. Elkus Music Performance materials available on rental:.