Pianiste, compositeur, orchestrateur, Emmanuel d?Orlando a commence sa carriere en tant qu?orchestrateur/arrangeur pour differents compositeurs, dont Eric Neveux. Il a compose les B.O de L?autre monde de Gilles Marchand, de Non ma fille tu n?iras pas danser de Christophe Honore en collaboration avec Alex Beaupain, House of Time de Jonathan Helpert ou encore dernierement Pension Complete de Florent Emilio Siri. On lui doit aussi les arrangements de la fameuse Ritournelle de Sebastien Tellier avec qui il collabore regulierement. En janvier 2014 les deux artistes se retrouvent pour composer la musique du defile Chanel au Grand Palais.
Decouvrez des a present ces 2 pieces pour Piano a jouer sans moderation. / Partitions classique / Piano - instruments à clavier / Piano / DURAND

Riduzione Per 2 Pf 4 Mani-Composed in 1936 for Piano and Orchestra the Piano Concerto is one of the few works that Khachaturian is famed for in the West. It is arranged here for Piano with a second Piano which is a reduction of the original Orchestral score.

Wanderer Fantasy-Based on the Urtext of the New Schubert Edition.Includes: notes on performance practice (Ger/Eng) an informative foreword (Ger/Eng) and a critical commentary (Eng).The most famous of the fantasies the Wanderer Fantasy now appears in a separate edition.While Schubert was playing the Wanderer Fantasy for a circle of friends he faltered and exclaimed impatiently: The Devil should play this stuff!” Yet it wasn’t the Devil but Liszt like Schumann a great admirer of the piece who later arranged the Wanderer Fantasy for Piano and Orchestra and again for two Pianos. It was also Liszt whogave the work the nickname it has retained to the present day.This new edition replaces the existing edition BA 5640.

from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in the field of piano teaching: studies by Duvernoy and Lemoine with orchestral accompaniment. The freshly composed orchestral accompaniments for these well-known studies give rise to piano concertos in miniature. They turnpracticing into an entirely new experience and are a special source of pleasure for beginners.With fingering and two 3 Tempi Play Along CDsDOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more thanconventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concertversion in a first-class recordingwith solo instrumentand orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo.Finally you can play at theoriginal tempo to the accompaniment of an orchestra piano or basso continuo.All versions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 J. B. Duvernoy (1800-1880): op. 176 Nr. 2 in C-Dur2 J. B. Duvernoy (1800-1880): op. 176 Nr. 3 in C-Dur3 J. B. Duvernoy (1800-1880): op. 176 Nr. 8 in F-Dur4 J. B. Duvernoy (1800-1880): op. 176 Nr. 10 in D-Dur5 J. B. Duvernoy (1800-1880): op. 176 Nr. 6 in G-DurJ. B. Duvernoy (1800-1880): op. 176 Nr. 13 in C-Dur6 J. B. Duvernoy (1800-1880): op. 176 Nr. 15 in A-Dur7 H. Lemoine (1786-1854): op. 37 Nr. 3 in C-Dur8 J. B. Duvernoy (1800-1880): op. 176 Nr. 17 in F-Dur9 H. Lemoine (1786-1854): op. 37 Nr. 4 in G-Dur10 J. B. Duvernoy (1800-1880): op. 176 Nr. 18 in a-moll11 H. Lemoine (1786-1854): op. 37 Nr. 9 in C-Dur12 H. Lemoine (1786-1854): op. 37 Nr. 10 in a-moll

Music Minus One Piano-Perform timeless piano works with various orchestras! Perfect for practice rehearsal auditions contest solos performances and more! Jim Odrich has created stunning piano-and-orchestra arrangements for these standards for piano with ensemble backgrounds. A real treat for pianists of all levels! Includes a high-quality printed music score with performance suggestions and a compact disc containing the complete version of each piece with soloist and accompaniment then a second performance with accompaniments minus you the soloist. Songs include: Fly Me to the Moon The Girl from Ipanema That's All Misty Once Upon a Time and more.

Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the

George Gershwin's own piano solo arrangement of his classic contemporary masterpiece for piano and orchestra. This masterful measure-for-measure two-hand adaptation of the complete modern concerto for piano and orchestra incorporates all orchestral parts and piano passages into two staves while retaining the clarity, sonority, and brilliance of the original. Advanced pianists will enjoy the experience of playing one of the 20th Century's most famous compositions, arranged by the composer himself to retain all the grandeur and sparkle of the original work.

This is the first time that a version of Gustav Holst's The Planets for solo Piano has been published. In this glorious publication the emotional rollercoaster that is this seven-movement orchestralsuite can be played on a single Piano with those crashing chords and textural melodies sounding just fantastic on the solo keys. Originally scored for two pianos and four hands this epic orchestral workcontinues to astound and astonish audiences around the world even a century after Holst begun work on the first movement Mars the Bringer of War. This volume allows the solo pianist to emulate those gloriousmelodies wonderful harmonies and dynamic rhythms bringing the wonder of The Planets to the keys. This unique arrangement of The Planets reduces the entire orchestra tojust a solo Piano with some fingering hints throughout. The lovely engraving is an absolute pleasure to read from and the sound of those thunderous rhythms and sweet melodies sounds absolutely brilliant coming from the purityand clarity of a solo Piano. With all seven movements included in this The Planets sheet music you'll be able to learn Mars Venus Mercury Jupiter Saturn Uranus and Neptune in theentire work that's sometimes thunderous occasionally calm often bombastic but always beautiful. With the full-colour astrophotography of the cover the detailed accurate and clear engraving and theinherent uniqueness of such an arrangement befits the timeless and enduring achievement of a work like this. The compositional history and musical qualities of The Planets are fascinating and the lengthyintroduction details the rhythms the harmonies and the personality that Holst injected into his work so you can learn about this glorious work before delving into the stunning arrangement of each of the seven

Concerto in F for Piano and Orchestra-Gershwin???s Concerto was premiered on December 3 1925 in Carnegie Hall ??? the epicentre of New York???s classical music scene. It belongs to a group of self-imposed experiments??? with which the composter sought to make inroads into serious??? music: I have only written three ???opuses??? so far ??? ???The Blue Monday Opera ??? ???The Rhapsody in Blue??? and the ???Concerto.??? I have devoted much time to these works but they are of course not my regular work. They are experiments ??? laboratory work in American music.??? For his edition Norbert Gertsch reviewed a multitude of autograph and printed sources in the USA and for the first time presents an Urtext edition of this very popular pianoconcerto suffused by the jazz idiom. At the same time Breitkopf and H?rtel offers both the full score and orchestral parts by the same editor.

Para piano y orquesta version para dos pianos-Albeniz' Rapsodia Espanola for the piano and orchestra or for two pianos arranged by Cristobel Halffter.

from Noon to Starry Night-Premiere January 2011 by Marc-Andr? Hamelin Piano and the Indianapolis Symphony Orchestra Gilbert Varga conductor.

Concerto no. 2 in c minor op. 18 for Piano and Orchestra-Rachmaninoff???s legendary Opus 18 often lovingly referred to as Rach 2 ??? is for many the epitome of the Romantic piano concerto. Following its acclaimed premiere in Moscow in 1901 it proved to be a show-stopper around the globe finally helping cement Rachmaninoff???s international reputation as a composer. To this day the concerto???s enchanting themes and elegiac melodies in the strings are considered the trademark of Rachmaninoff indeed of Russian music in general. For the first Urtext edition of this pivotal work we were able to examine the original autograph score in Moscow???s Glinka Museum. Rachmaninoff???s own sound recordings were also consulted. The newly prepared pianoreduction ensures good playability: it accords exactly with the also newly edited orchestral score and parts. Both of these are available from Breitkopf and H?rtel.

for Piano and Orchestra-Concerto For Piano And Orchestra No.17 G major K. 453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!

A fantastic work for solo Piano and Orchestra, Addinsell's Warsaw Concerto remains a favourite in the repertoire. Available here is a solo Piano arrangement of the original score, with both the solo piano and orchestral parts reduced for one piano, as arranged by Henry Geehl. Warsaw Concerto from the R.K.O. picture Dangerous Moonlight . / Piano

Solo piano part for Lutoslawski's 1941 work for piano and orchestra (orchestrated in 1978).