Après des années d'expérience dans la fabrication des pianos les spécifications de la plus haute, Steinway se sont lancés dans la sphère de la musique imprimée avec la série ' Bibliothèque de Piano Steinway ', conçue pour faire de vous et vos sons de piano mieux que jamais. Certains des meilleurs pianistes et arrangeurs piano ont travaillé sur ces livres pour fournir des arrangements de pièces classiques et de tous les favoris du temps que vous adorerez à jouer. Ce volume offre 15 tous temps hits préférés dans les arrangements amusants et jouables. La musique est présentée en gros, facile à lire, type, avec les symboles de la corde, paroles, doigtés phrasé soigneusement révisée, dynamique et marquages pédales. Parfait pour les étudiants, les enseignants ou toute personne voulant profiter de ces merveilleuses succès pop. Table des matières : Summertime - cette terre est votre terre - le cercle sera en ininterrompue - orageux météo - envoyer dans le donjon de RaindAvailables de Clowns - Roses rouges pour une dame bleue - Falling On My Head - Jamaica Farewell - si j'avais un marteau - I Ain ' T Got Nobody - comment faites-vous pour préserver la musique joue ? - ... / Piano

Artist Transcriptions: Piano. 11 note-for-note transcriptions right off the iconic 1962 piano album by Peterson. Includes: Bags' Groove · Band Call · C-Jam Blues · Easy Does It · Georgia on My Mind · The Honeydripper · Hymn to Freedom · I Got It Bad and That Ain't Good · Moten Swing · Night Train · Things Ain't What They Used to Be.

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre les comédies musicales de plomb ' comprend tous les grands succès de l'extrémité ouest et spectacles de Broadway. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces arrangements idiomatiques stimulera confiance et sont idéales pièces des joueurs pour la performance. Table des matières : Fame (Fame) - Food glorieuse alimentaire (Oliver) - si j'étais un homme riche (un violon sur le toit) - Over The Rainbow (magicien d'Oz) - Send In The Clowns (petite musique de nuit) - Chantons sous la pluie (Chantons sous la pluie) - demain (Annie) / Piano

Early Elementary Original Compositions by Nancy Faber-Contents include: A Rainbow is a Smile (Turned Upside Down); Most of All I Like Rainbows; A Double Rainbow; I'm a Waling Rainbow; Raindbow Rainbow; The Storm and the Rainbow; At the End of the Rainbow.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings ??? a who???s who??? on the contemporary piano scene. G. Henle Publishers now presents this classic revised and with a new look to all pianists in the certainty that Haydn???s sonatas will further cement their place in the world of music. Volume I contains Haydn???s early sonatas very much still born of the spirit of the early Classical period: catchy music fun to play often at a moderate level of difficulty without which modern piano instruction would be nearly unthinkable. Time and again the authenticity of individual sonatas from this grouphas been questioned ??? the preface by Armin Raab the Scholarly Director of the Joseph Haydn Institute now provides comprehensive information on new findings regarding this important topic area.

John Luther Adams' Among Red Mountains for solo Piano. 'I've always been intimidated by the Piano. As a performer I never played it very well. And as a composer I've never felt as if Icould make the instrument my won.On a recent trip to New York I heard the premiere performance of a lovely chamber work by Kyle Gann that embraces multiple tempos without sustaining them all at the same time.On the way home to Alaska I passed through Seattle. In the Seattle airport there's a large painting by Frank Stella It's one of his protractor works in which arcs of bright colours weave in and out of one another in a dizzyingcounterpoint of imaginary planes. Studying this painting (after hearing Gann's music) it occurred to me that I might be able to do something similar with the Piano. Virtually all my recent music has been composedof four five or six simultaneous tempo layers. If those ensemble and orchestral pieces are multi-dimensional sculptures then Among Red Mountains is more like a drawing. In this piece the challenge I set for myself was tosuggest five independent tempo planes within the limitations of two hands and what Vicki Ray calls 'the Big Black Box'. For three decades I've admired the Piano music of Peter Garland. At last I have a piece thatI hope is worthy of this dedication. The title Among Red Mountains is the translation of the Gwitch'in Athabascan name for a place in the Brooks Range north of Arctic Village.' - John LutherAdams

Sonatas 1-12-As the foremost representative of Czech music in 18th-century Vienna Leopold Kozeluh (1747 -1818) was noted primarily as composer pianist and keyboard teacher. His 50 keyboard sonatas span his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style but also the development of the 'classical sonata' in the range of several decades (1773-1809).Until now pianists have had little chance to acquaint themselves with the complete range of Kozeluh's sonatas since few existed in modern editions. This new complete edition by Christopher Hogwood should present for the first time all of Kozeluh's sonatasfor keyboard solo. The project is divided into four volumes ranging chronologically through the published sets. Volume I contains 12 sonatas published in the years 1780-1784.The first complete edition of Kozeluh's Keyboard Sonatas planned into 4 volumesFills a blank in the repertoire of the Czech and Central-European classical repertoireSuitable for amateurs as well as professionals and ideal for teaching purposesDetailed Introduction (cz./ger./eng.) Critical Commentary (eng.) and facsimiles

Edition without fingering-The revision of the three-volume edition of Haydn???s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure??? Urtext free from added fingering suggestions will now also find these in the Henle catalogue. Volume I contains Haydn???s early sonatas very much still born of the spirit of the early Classical period: catchy music fun to play often at a moderate level of difficulty without which modern piano instruction would be nearly unthinkable. Time and again the authenticity of individual sonatas from this group has been questioned ??? the preface by Armin Raab the Scholarly Director of the Joseph Haydn Institute now provides comprehensive information on new findings regarding this important topic area.

Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Piano

100 pop and classical standards that every Piano player should master including: Air on the G String Bridge over Troubled Water Canon in D Clair de Lune Fields of Gold Fur Elise I Dreamed a Dream I Will Always Love You Imagine Lullaby of Birdland Memory Misty Moon River On My Own Over the Rainbow The Shadow of Your Smile Smile Stardust Summertime Time After Time Unexpected Song The Way You Look Tonight We\'ve Only Just Begun What a Wonderful World Yesterday You Raise Me Up Your Song and more!

Early Piano Music. Par STRAUSS RICHARD. These previously unpublished piano pieces will appear in print for the first time in three volumes. Volume I contains fairly short individual pieces (1872-83) of widely varying difficulty. Volume II will contain four Sonatinas in several movements and a Fantasia (1874), which is about as demanding as the Sonatinas of Kuhlau and Clementi or early pieces by Mozart. Volume III contains two Sonatas (1877 and 1879) and a cycle of variations (1884) whose technical demands approach those of the Beethoven Sonatas. The tonal language of the young Richard Strauss was still firmly under the influence of nineteenth-Century traditions, with the figures of Schubert, Mendelssohn and Schumann dominating the musical landscape. The wealth of different forms and the varying levels of difficulty in Strauss’ early piano music make it well suited for teaching purposes; admirers and connoisseurs of Strauss’ music may also discover a few surprises here./ Recueil / Piano

The Faber Music Jazz Piano Anthology is a timeless collection of some of the best Jazz music ever written, beautifully presented in progressive order and specially arranged for the intermediate pianist. Featuring Jazz favourites such as Ev'ry Time We Say Goodbye, My Baby Just Cares For Me, I Got Rhythm, My Funny Valentine and many more. / Niveau : Intermédiaire / Pédagogie / Recueil / Piano

Avec une variété de styles musicaux allant de chansons classiques et jazz grâce aux alentours et populaires, What Else Can I Play ? amènera l'enthousiasme à l'apprentissage et fournissent une alternative divertissante pour les élèves qui travaillent à, ou qui ont récemment terminé Grade 2. Chaque pièce offre doigtés suggérée, la dynamique et la tempo avec des conseils techniques et des notes de la performance. / Date parution : 2008-03-25/ Recueil / Piano