Despite his young age (born in 1991), the Russian pianist Vyacheslav Gryaznov has already written quite an impressive number of transcriptions for piano solo or chamber music ensembles, among them many arrangements of chamber music and orchestral works by Russian composers like Borodin, Tchaikovsky or Rakhmaninov. However, Gryaznov also studies intensively the music from J. S. Bach, Mahler and Debussy to Leonard Bernstein and makes it come alive on the piano.The edition Piano Transcriptions for piano solo contains nine of his transcriptions: from Glinka's Valse-Fantaisie to the Waltz of the Flowers from Tchaikovsky's Nutcracker Suite or the famous Adagietto from Mahler's Fifth Symphony. An attractive way to rediscover these popular major works on the piano for oneself! / Piano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

Arrangement: Scott Daniel. Par SCOTT DANIEL. Faites un voyage dans le temps à Vienne vieille - ville de l'intrigue courtois, assignation secrète, boules masqué au Palais de Schönbrunn, voitures élégants dans le Prater - un monde classique, ordonné évoqués par la musique de Haydn, Mozart, Beethoven et Schubert. Au XVIIIe siècle cède la place à la romantique du XIXe siècle dans les souches lyriques de Brahms et les valses tourbillonnants, abandonnés de Johann Strauss le jeune - une époque quand la ville elle-même a été transformée en une salle de bal sans fin, scintillante. Enfin, explorez le monde de Fin de Siecle introspectif, de Gustav Mahler, dont lyrisme passionné mais angoissé annonçait la chute de la dynastie des Habsbourg et la fin de l'âge d'or de Vienne comme capitale plus opulente de EuAvailablee. 150 ans de musique plus glorieuse du monde, écrit pour l'une des plus belles villes de EuAvailablee, est contenue dans le présent volume. Jouer de la musique et laissez-vous être ramené à Vienne - ville de rêves./ Recueil / Piano

Over 60 of the most famous pieces in classical music specially arranged for Easy Piano. This superb collection covers a wide range of composers and musical periods from Bach, Mozart and Handel through to Chopin, Elgar, Debussy and Mahler. This book is perfect for any Grade 1 - 2 pianist to explore a wonderful variety of well-known masterpieces. / Piano

Skilfully selected encore pieces add a special touch to a concert. No matter whether virtuoso masterpieces or reflective melodies: both can help to achieve perfect harmony in the end of a successful concert. The well-known pianist and educationalist Wilhelm Ohmen has selected encore pieces for every occasion, with works from three centuries by Couperin, J.S. Bach, Mozart or Schubert through to Tchaikovsky, Mahler or Rachmaninoff. A treasure chest for every pianist. / Piano

Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

No. 5-7. Par ULLMANN VIKTOR. Ullman‘s seven Piano Sonatas were written between 1936 and 1944. Though rediscovered as recently as 1990, they are now available in a number of recordings. Neo-classical in approach, the piano writing and the use of polytonality places them closer to Skriabin and Prokofiev than to the works of Ullman‘s teachers Arnold Schoenberg and Alois Hába – this applies also to the Piano Concerto, written during the same period. The numerous quotes from Mozart, Wagner, Mahler, and Dukas to folksongs and tunes from operettas are particulary interesting in this context./ Répertoire / Piano

Arnold Schönberg
Six petites pièces pour piano op. 19
Norbert Müllemann (Editeur)
Emanuel Ax (Doigtés)
À la question de savoir comment, sans contexte tonal, il était possible de structurer des flux musicaux, Schönberg et ses disciples répondirent par un resserrement extrême de la forme. Les Sechs kleine Klavierstücke opus 19 écrites par Schönberg en 1911 sont devenues légendaires de par leur concentration sur l?essentiel. Mais ces gestes fugaces dissimulent de véritables abîmes, comme en témoigne la dernière pièce, qui aurait été inspirée par les funérailles de Gustav Mahler le 21 mai 1911. Les doigtés soigneusement réalisés par Emanuel Ax invitent tous les pianistes à se confronter à nouveau à ces miniatures. La partition Urtext Henle présente ce «classique de la modernité» dans une nouvelle gravure, très généreusement mise en page. / Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

Opus 19. Par SCHOENBERG ARNOLD. One of the answers found by Schönberg?s circle to the question about how musical processes could be shaped without a tonal context was in the extreme streamlining of the form. With Schönberg?s Six Little Piano Pieces op. 19 of 1911, the concentration on the essential is legendary. Behind its fleeting gestures lie hidden depths, shown especially through its supposed reference in the last piece to Gustav Mahler?s funeral on 21 May 1911. With his carefully considered fingerings, Emanuel Ax invites all pianists to engage with these miniatures anew. The Henle Urtext edition publishes this modern classic in a new, generously laid out music setting. / Date parution : 2022-04-05/ Répertoire / Piano

Par BRAHMS JOHANNES. The Piano Pieces Op. 119 are less a loose collection of pieces than a self-contained cycle. Johannes Brahms's piano work reach their conclusion and fulfilment in these pieces, and the forebodings of death in the E-flat minor Intermezzo Op. 118 #6 are metamorphosed into late-Romantic otherworldliness. Johannes Brahms wrote to Clara Schumann about the Intermezzo Op. 119 #1: 'I am tempted to copy out a little piano piece for you, since I would like to know how you find it. It is full of dissonances! They may be correct and legitimate - but perhaps not to your liking, in which case I wish they were less correct but more appealing and to your taste. The little piece is exceptionally melancholic, and it would be an understatement to say that it must 'be played very slowly'. Every bar and eyery note must sound ritard., as if one wanted to squeeze the melancholy with ecstasy and contentment out of every single one of those dissonances! Oh God, the description alone will make you eager!' Ulrich Mahlert has revised this edition of the 'Klavierstücke' Op. 119 on the basis of the author's copy of the composer, and wrote a detailed and informative preface to the new edition./ Répertoire / Piano