Par VELILLA NATALIA. MUSIC and MÚSICA es una metodología que abarca los 6 cursos de Educación Musical de la etapa de Educación Primaria. Esta metodología nos presenta dos novedades fundamentales: 1. El tratamiento bilingüe de todo el material, lo que hace que la metodología pueda ser utilizada tanto por un profesor que quiera impartir el área de música en inglés, como por otro que la quiera impartir en español. Los libros de los alumnos también están disponibles sólo en versión inglesa. 2. La audición activa y lúdica de piezas del repertorio clásico como eje alrededor del cual van a girar todas las actividades de cada Unidad Didáctica. De esta forma se da sentido musical y una visión global a los conceptos musicales que se trabajan. Music and Música consta de 3 materiales fundamentales: - GUÍA DIDÁCTICA DEL PROFESOR y 2 CDs Paso a paso, con ilustraciones y fotografías se explica toda la didáctica de esta metodología. El material se secuencia en Unidades Didácticas que abarcan un curso completo. En los CDs se han grabado las audiciones, los cuentos en inglés, las canciones en inglés y español, las danzas y nueve presentaciones para pizarra digital. - MATERIAL SIN ENCUADERNAR DE LA GUÍA DIDÁCTICA DEL PROFESOR Este conjunto se incluye dentro de la guía didáctica. Aquí se recoge todo el material extra necesario para desarrollar las actividades: Ilustraciones a color de los cuentos, partituras de grafía convencional, láminas de instrumentos... - LIBRO DEL ALUMNO Y DVD Es un compendio de fichas evaluativas de los diferentes conceptos que se trabajan, así como algunas explicaciones teóricas sobre el lenguaje musical. Cada unidad didáctica comprende entre 2 y 3 fichas a través de las cuales el profesor comprobará si el alumno ha asimilado o no los conceptos planteados y por otro lado, el niño plasmará gráficamente lo que previamente ha experimentado de forma activa. En el DVD se han grabado las canciones en inglés y en español, y un montaje de vídeo con las ilustraciones de los cuentos y la narración tanto en inglés como en español. - FLASHCARDS SONORAS Las Flashcards sonoras se publican separadamente, pero son un material fundamental para trabajar a diario en las sesiones de música. Las Flashcards sonoras comprenden una serie de tarjetas divididas en series y acompañadas de un CD donde se presenta de una forma sencilla y amena los conceptos básicos del lenguaje musical./ Méthode / Piano

Partitions arrangées pour piano facile de la comédie musicale de Disney High School Musical 3. Inclus des photos en couleur des personnages de la série. / Variétés Internationale / Partition /

Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions, commentaries and fingerings for the performer) of several classics of the piano repertoire, altogether more than two thousand pages of music. Following Bach and Beethoven, Mozart was the third classical titan of whom Bartók ventured to undertake a performing edition necessary for music education and the sheet music trade in Hungary. Károly Rozsnyai entrusted the work to him. Bartók worked on revisions of the sonatas between 1910 and 1912, and in 1912 or 1913 the pieces were published in a single-volume version. The two-volume form was published later, perhaps during the years of inflation following the First World War, on poorer quality paper and with gray cover. Bartók's editing reflects contemporary ideas about performance, but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.
For the present edition we have corrected known printing errors by retouching the score, and we have deleted abbreviation letters referring to analysis of the form of the sonatas, which Bartók agreed to only at the explicit request of the publisher. We have added an English translation to the footnotes in Hungarian and German. The reader's attention is drawn to significant problems of authenticity and text in new editorial footnotes.
To the new edition we have added an afterword by László Somfai which details the circumstances of the first publication, Bartók's sources and his working methods. Bartók's Mozart concept is outlined in detail, and the author reveals the problems surrounding the composer's edition and the significant distortions in the musical text, and puts into a historical context the performance indications used by Bartók. / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)

Bartók Béla: Mikrokosmos pour piano 1
New Definitive Edition
Edité par Bartók Péter
Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education.
The word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.
Contenu
1.
Mélodie a l'unisson

2.
Mélodie a l'unisson

3.
Mélodie a l'unisson

4.
Mélodie a l'unisson

5.
Mélodie a l'unisson

6.
Mélodie a l'unisson

7.
Notes pointées

8.
Répétition (1)

9.
Rythme syncopé (1)

10.
Mains alternées

11.
Mouvement parallele

12.
Mouvements et reflets

13.
Changement de position

14.
Question et réponse

15.
Chanson villageoise

16.
Mouvement parallele avec changement de position

17.
Mouvement contraire (1)

18.
Mélodie a l'unisson

19.
Mélodie a l'unisson

20.
Mélodie a l'unisson

21.
Mélodie a l'unisson

22.
Imitation et contrepoint

23.
Imitation et inversion (1)

24.
Pastorale

25.
Imitation et inversion (2)

26.
Répétition (2)

27.
Rythme syncopé (2)

28.
Canon a l'octave

29.
Reflet d'imitation

30.
Canon a la quinte inférieure

31.
Danse en forme de canon

32.
En mode dorien

33.
Danse lente

34.
En mode phrygien

35.
Choral

36.
Canon libre / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)

Par CASABLANCAS BENET. Epigramas Cervantinos was commissioned by pianist Marta Espinós and the Centro Nacional de Difusión Musica (CNDM) in Madrid. With an approximate duration of 12:30 minutes, the work responds to the author's admiration for the work of Miguel de Cervantes and to the artistic complicities established with Marta Espinós, to whom the work is dedicated. The pieces that make up this triptych are intended to evoke some of the expressive types and characters that we recognise in Cervantes' prodigious legacy - from Don Quixote to the delightful Exemplary Novels - covering a wide range of emotions that range from burlesque to pages of a melancholic and contemplative nature, passing through more impulsive passages and others of conspicuous rhythmic vivacity. The profound charge of humanity that these texts exude is translated into a highly contrasted and colourful piano treatment, at times brilliant and not without virtuosity. The premiere of the work, by the aforementioned performer, took place during the inaugural concert of the Commemorative Events of the 4th Centenary of the death of the illustrious writer, held on 22 April 2016 in the Reading Room of the National Library of Spain (Madrid). / Date parution : 2022-04-01/ Répertoire / Piano

Cette édition poursuit la série des transcriptions de Bach pour duo de piano de György Kurtág, publiées dans Transcriptions de Machaut à J. S. Bach et Sept chorals de Bach . Ces pièces ont été écrites à l\'origine pour les Kurtág, György et sa femme Márta, pour leur usage personnel, et elles étaient souvent jouées, avec les pièces Játékok [Jeux], lors des concerts de piano pour duo du couple. Cette transcription est dédiée à Víkingur Ólafsson. / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)

Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano

Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano

Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano

A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exciting assortment of Piano works that are musically and technically rewarding as study pieces, and appealing in recital. The music is on a level with that of the 18th and 19th century masters. This edition has been edited by the composer. Contents: ALMA BRASILEIRA - CHOROS NO.5 BACHIANAS BRASILEIRAS NO.4 - Suite 1. Preludio - Introdução - (Prelude) 2. Coral - Canto Do Sertão (Song of the Jungle) 3. Aria - Cantiga (Song) 4. Dansa - Miudinho (Dance) CAIXINHA DE MUSICA QUEBRADA (The Broken Little Music Box) CARNAVAL DAS CRIANCAS BRASILEIRAS - Suite 1. A Manhã Da Pierrete (Pierrette's Hands) 2. O Chicote Do Diabinho (The Devil's Whip) CICLO BRASILEIRO - Suite 1. Plantio Do Caboclo (Native Planting Songs) 2. Impressões Seresteiras (Mistrel Impressions) 3. Festa No Sertão (Jungle Festival) 4. Dansa Do Indio Branco (Dance of the White Indian) GUIA PRATICO - Album 1 - Five Pieces 1. Acordei De Madrugada (Dawn) 2. A Maré Encheu (Full Tide) 3. A Roseira (The Rose-Bush) 4. Manquinha (Little Lame Girl) 5. Na Corda Da Vióla (On the Strings of a Viola) GUIA PRATICO - Album 8 - Seven Pieces 1. O Limão (Oh, Lemon) 2. Carambola (Goodness!) 3. Pobre Céga (Poor Blind Woman) 4. Pai Francisco (Father Francisco) 5. Xô Passarinho! (Fly! Little Bird) 6. Sinh' Aninha (Farmers' Daughters) 7. Vestidinho Branco (Little White Dress) GUIA PRATICO - Album 9 - Six Pieces 1. Laranjeira Pequenina (The Little Orange Tree) 2. Pombinha, Rolinha (Little Dove, Tiny Dove) 3. O Ciranda, O Cirandinha (Circle Dance) 4. A Velha Que Tinha Nove Filhas (The Old Woman That Had Nine Daughters) 5. Constante (Constant) 6. O Castelo (The Castle) POEMA SINGELO (Simple Song) PROLE DO BEBE - #1 - Suite 1. Moreninha (The Little Paper Doll) 2. Mulatinha (The Little Rubber Doll) 3. O Polichinelo (Clown) SIMPLES COLETANEA - Three Pieces 1. Valsa Mistica (Valse Mystique) 2. Em Um Berço Encantado (Dans Un Berçeau Féerique) 3. Rhodante (Circle Dance) SUITE FLORAL - Op.97 - Three Pieces 1. Idilio Na Rede (Summer Idyll) 2. Uma Camponeza Cantadeira (A Singing Country Girl) 3. Alegria Na Horta (Joy In The Garden) / Niveau : Intermédiaire à Avancé / Répertoire / Piano

Cette pièce pour piano est d'une importance historique pour la musique russe et soviétique, c'est le premier à utiliser certaines techniques dodécaphonique. Cependant, le compositeur a utilisé la technique de façon intuitive. Volkonsky avoué qu'il réalise plus tard qu'une utilisation souple d'une technique ou une méthode peut améliorer seulement la qualité d'un morceau de musique. ' (Tatiana Rexroth) Musica stricta est dédié à la pianiste russe Maria Yudina, qui a donné la première représentation en avril 1961. / Piano

Édité par Szelényi István, Gárdonyi Zoltán Instrument: Piano Série: New Liszt Edition I. 'B' Genre: Romantic Langue: English, German Pages: 136 pp Date du parution: Novembre 1972 Stock: En stock Editeur: Editio Musica Budapest 1.I. Rhapsodie hongroise R. 106 G. 244 2.II. Rhapsodie hongroise R. 106 G. 244 3.III. Rhapsodie hongroise R. 106 G. 244 4.IV. Rhapsodie hongroise R. 106 G. 244 5.V. Rhapsodie hongroise Héroide-Élégiaque R. 106 G. 244 6.VI. Rhapsodie hongroise R. 106 G. 244 7.VII. Rhapsodie hongroise R. 106 G. 244 8.VIII. Rhapsodie hongroise R. 106 G. 244 9.IX. Rhapsodie hongroise Pesther Carneval - Le Carnaval de Pesth R. 106 G. 244

Arrangeur: Agnes Lakos. Pedal use is a fundamental part of expressive piano playing. But proper pedalling skills are not easy to acquire. Thus, it is important that piano students become acquainted with the use of the three pedals as early as possible. The stopgap Introduction to Pedalling is a collection of pieces adapted to all levels of manual dexterity, enabling learners to improve their mastery of both the musical function and technique of pedalling. The volume contains both individual and joint studies for the three pedals of modern pianos. In addition to ten selected pieces from Samuel Maykapar's Twenty Pedal Preludes (1937), Introduction to Pedal Studies includes keyboard music from four centuries, ranging from Johann Sebastian Bach to contemporary Hungarian composers. Pupils can thus encounter varying pedal marks from different periods. Of course, not all composers featured in the collection marked pedal use - in such cases, pedal signs were added by the editor. It is a recurrent question of interpretation whether pedals should be used in the music of earlier masters. The sound of the modern piano is far less vibrant and rich in overtones than that of the period instruments - thus, it is not Bach's music that necessitates pedal use so much as the piano itself. / Niveau : Facile à Intermédiaire / Pédagogie / Etude / Piano