Tired of carrying multiple collections and assorted sheet music to every wedding you play? This comprehensive collection is a one-stop destination for pianists who play for weddings. Featuring styles ranging from Classical to contemporary, this anthology is a must-have for today?s bride and groom, and contains service music for preludes, processionals, bridal marches, unity candle lightings, recessionals and postludes. Although each piano selection can be played as a solo, there are optional instrumental obbligatos for some pieces, featuring parts for Cello, Oboe, Trumpet, Flute and Violin. In addition, Well-Tempered Weddings contains several classic and contemporary vocal selections suitable for use before and during the wedding ceremony.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the

You've loved watching the series now you can play the awesomely distinctive original soundtrack from Downton Abbey with this sheet music songbook composed by the incredible JohnLunn. One of the best parts of the hit television series is the expertly composed music. Written by John Lunn he and the Chamber Orchestra of London performed it for the TV series. From thatdistinctive theme tune to the drama and emotion conveyed by the score this Downton Abbey sheet music is perfect for all fans of the show as well as Piano players of alltastes. Featuring the wonderful Love And The Hunter the exceptional Story Of My Life and the unmistakeable Downton Abbey - The Suite this DowntonAbbey sheet music will let you play all of the recognisable themes from the show while reminiscing about the key moments from the series that made us laugh and cry. As the second series premiered Amazon listen thebox sets as being the highest-selling of any other Television show. The sheer success of the series is at least in part due to the beautiful and moving music that accompanies the events on the smallscreen.  All of the Heart-rending Piano pieces and achingly lovely orchestral parts are arranged here for solo Piano so you can learn to play every part of the soundtrack as part of a performance orjust for general practice. The brilliant compositions by frequent television composer John Lunn match the tone and style of the show perfectly. He has composed for many other Television shows notably 'LittleDorritt' and 'Waking The Dead' his musical talents contributing to the success of the release of Downton Abbey's soundtrack. With the Downton Abbey sheet music you can

Jazz Piano Plus One is a folio of 14 original jazzy pieces composed by John Kember with optional upper and lower parts for your teacher or friend adding extra dimensions to your performance. Covering a range of styles and suitable for players of grade 3 upwards this set of pieces offers a variety of playing options with a melody the chords and the bass line all provided. Begin with the tune and then progress to adding the lower parts as your teacher provides the funky accompaniments. As your playing progresses you will be able to tackle and master all three layers of music creating your own definitive solo performance! There are extended exercises giving you a chanceto master left-hand comping adding bass lines and using rootless chords.

A fantastic work for solo Piano and Orchestra Addinsell's Warsaw Concerto remains a favourite in the repertoire. Available here is a solo Piano arrangement of the original score with both the solo piano and orchestral parts reduced for one piano as arranged by Henry Geehl.Warsaw Concerto from the R.K.O. picture Dangerous Moonlight.

To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.

George Gershwin's own piano solo arrangement of his classic contemporary masterpiece for piano and orchestra. This masterful measure-for-measure two-hand adaptation of the complete modern concerto for piano and orchestra incorporates all orchestral parts and piano passages into two staves while retaining the clarity, sonority, and brilliance of the original. Advanced pianists will enjoy the experience of playing one of the 20th Century's most famous compositions, arranged by the composer himself to retain all the grandeur and sparkle of the original work.

NFMC 2016-2010 Piano Duet Event Primary II-III-IV Selection-A great music educator once said Rhythm is caught not taught. Duet playing provides valuable experience developing a sense of rhythm. These duets are designed for two students at the same level - primo and secondo parts are of equal difficulty. Both parts are fun to learn because both players are given interesting acompaniments as well as melodies. It is suggested that a student alternate parts learning the primo part for one piece the secondo part for the next etc. This gives valuable sight-reading experience with both hands in treble clef and with both hands in bass clef. Duet playing provides an excellent opportunity for ear training too. Emphasis should be placed onlistening carefully to both parts so that the melody can be heard clearly and the accompaniment subdued. Book One includes 16 duets: Brother John (Frere Jacques) - Caissons Go Rolling Along - I've Been Working on the Railroad - This Old Man - On Top of Old Smokey - Yellow Rose of Texas - and more.

New findings in Beethoven’s first piano concerto The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’s works now turns his focus on the piano concertos. In the Piano Concerto No. 1 in C major op. 15, Del Mar has found no less than 17 corrections in Beethoven’s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor. This new critical edition sets the highest scholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research - Includes Beethoven’s cadenzas - Piano reduction with a separate solo piano part Edition no.: BA 9021-90 ISMN: 9790006543069 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Language(s) of text: English, German Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 57/52 S. - 31,0 x 24,3 cm

Revised edition of HN 169. Par BACH JOHANN SEBASTIAN. All piano students are familiar with Bach?s two-part Inventions ? but virtuosos of the keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an ?Instruction? which teaches students and keyboard lovers to ?treat correctly? several parts, to ?achieve a singing style in playing? and to ?acquire a strong foretaste of composition?. We are now presenting a new edition of this classic collection, which draws upon all known sources. All Piano students are familiar with Bach 's Two Part Inventions

This exciting new teaching method by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch or for those returning to the piano after a break from playing. Using classical music as a basis for learning this method introduces interesting varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps beginning with simple fingering patterns and exercises onto some of the most beautiful melodies and pieces from the baroque classical and romantic eras such as the Ode to Joy Für Elise and the Blue Danube Waltz.Leading the student through a range of exercises repertoire pieces theory checks tips on practicing playing and technique and composer biographies the process of learning is made interesting informed and fun. The four supplementary volumes present further material to help learning at each stage of the students? development as well as offering up a wider range of beautiful pieces for the solo pianist or piano duet.The method books and duet collections are accompanied by a CD recording of all pieces performed on a grand piano by a professional concert pianist as well as some additional accompanying parts which can be used as play-along tracks.