| Gian Carlo Menotti : Ricercare and Toccata Piano solo - Advanced Alfred Publishing
(On a Theme from The Old Maid and the Thief). Composed by Gian Carlo Menotti (...(+)
(On a Theme from The Old Maid
and the Thief). Composed by
Gian Carlo Menotti (1911-).
Edited by Albert Mendoza. For
Piano. Book; Masterworks;
Piano Solo. Alfred Masterwork
Edition. Form: Toccata. 20th
Century; Masterwork. Advanced.
16 pages. Published by Alfred
Music
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alfred's Basic Piano Course - Repertoire Book Complete Levels 2 and 3 Piano solo [Sheet music] Alfred Publishing
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Leth...(+)
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Book. 48 pages. Published by Alfred Publishing.
(2)$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Variations on "Aupres de ma Blonde" Piano solo - Intermediate Schott
Piano - intermediate SKU: HL.49019828 For Piano. Composed by Naji ...(+)
Piano - intermediate SKU: HL.49019828 For Piano. Composed by Naji Hakim. This edition: Ring/Spiral binding. Sheet music. Piano Solo. Classical. Softcover. 28 pages. Duration 10'. Schott Music #ED21689. Published by Schott Music (HL.49019828). ISBN 9790001194822. UPC: 841886020733. 9.0x12.0x0.141 inches. Inspired by the military march and folk song of the same name, a traditional melody of the 16th century with a text attributed to Andre Joubert Collet (1704). $19.99 - See more - Buy online | | |
| Souvenir Piano solo Schaum Publications
Brass Band SKU: HL.645785 Fur drei Trompeten, vier Horner, drei Posaun...(+)
Brass Band SKU: HL.645785 Fur drei Trompeten, vier Horner, drei Posaunen und Tuba. Composed by Ferenc Farkas. 20th Century. Educational Piano. Softcover. 4 pages. Duration 7200 seconds. Schaum Publications, Inc. #6714. Published by Schaum Publications, Inc. (HL.645785). ISBN 9790080067147. UPC: 008148067145. 9.0x12.0x0.012 inches. Hungarian, German. In this work written for three trumpets, four horns, three trombones and tuba the use of the four horns and the tuba is optional. The one-movement composition falls into four parts: following the fanfare-like introduction comes an arrangement of the melody of Sebestyen Tinodi Lantos, the greatest figure of the Hungarian verse-chronicle of the 16th century. After a lively passage in 3 time the fanfare returns again. $2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Basic Piano Course - Repertoire Book Level 2
Piano solo [Sheet music] - Easy Alfred Publishing Keyboard (Repertoire
Books). Level: Level 2.
Published by Alfred
Publishing.
(1)$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Variations on "America" Piano solo Theodore Presser Co.
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged by Danny Holt. Performance Score. 20 pages. Duration 8 minutes. Theodore Presser Company #110-41837. Published by Theodore Presser Company (PR.110418370). ISBN 9781491135075. UPC: 680160686247. Composed as an organ solo by the 17-year-old Ives for his own performance purposes, the beloved Variations on America is a treat for any occasion, whether a holiday concert, a serious recital, or other special event. Danny Holt’s transcription for Piano, Four Hands adds a dazzling new option to play at home or on stage, taking best advantage of Ives’ tremendous contrasts in color, dynamics, and texture. Composed when Charles Ives was a teenager, Variations on “America†is both a convenient introduction to Ives’ body of work, and an early example of his iconoclastic musical voice and creative genius. Just a few years after composing this piece, Ives would leave home to study music at Yale. But until then he had been taught by his father, George (who had been a bandmaster in the Civil War). George subjected the young Ives to experiments such as singing a song in one key while being accompanied in another, or arranging for two marching bands to converge on a town center, with the resulting cacophony that ensued.The Variations exemplifies an early period of experimentation in Ives’ work, spurred on by the unusual pedagogy of his father. The piece is particularly notable for its use of bitonality in the two interludes, subtly foreshadowing more well-known examples by Stravinsky, Bartók, and others by approximately two decades.The bitonal interludes were so ahead of their time, in fact, they were omitted from the first copy that was submitted to a publisher in 1892. (Alas, the piece was rejected even despite these “shocking†elements having been left out, and it wasn’t published until more than five decades later.) There is some ambiguity about when exactly Ives added the interludes into his manuscript copy, though ample evidence suggests he had performed the piece with the interludes around the time he notated the piece in 1891-92. In any case, in light of this piece and his other polytonal explorations from the last decade of the 19th century, it seems fair to give Ives credit for being a pioneer in this area!This arrangement for Piano, Four Hands, closely follows Ives’ original version for organ, setting aside William Schuman’s popular adaptation for symphony orchestra and William Rhoads’ band transcription of the Schuman orchestration. Pianists will find that the piece translates well to the instrument. Ideally, the choreography and logistics of elbow-to-elbow four-hands playing approximates the wild joy one gets from watching an organist play the piece (e.g., the elaborate pedal part in the final variation).In preparing this publication, attention was paid to details in the dual Critical Editions (Presser 443-41003) of both Ives’ manuscript edition and the 1949 publication edited by organist E. Power Biggs (who is credited with discovering what had been a long-lost, forgotten work.) But as with much of Ives’ output, attempting to create a true ‘urtext’ score is a futile endeavor, and especially with a piece such as this one – in which Ives incorporated improvisation in live performance – seems unnecessary anyhow. True die-hards are of course encouraged to consult the critical editions and even find inspiration in the orchestrated version. Generally, performers are advised to be wild, have fun, and not to be too rigid in their interpretive choices.Dynamics in this arrangement mostly follow the organ score closely. Pianists will use good judgment about pedaling throughout, which should be straightforward and intuitive. Courtesy accidentals have been provided frequently – without parentheses – balancing the need for extra clarity in the context of Ives’ murky musical language, and a desire to avoid unnecessary clutter.A few notes that might inform interpretive decisions:mm. 15-16: There are inconsistencies here between Ives’ original manuscript and the 1949 Biggs edition, regarding the top voice in m. 15, beat 3 (C# vs. Cn) and m. 16 (D Major vs. D Minor).mm. 76-84 & 143-146: In both Interludes, Ives emphatically notates extreme dynamic contrast, in order to highlight the bitonality. Although it may seem counterintuitive (or even a misprint, as has apparently been misconstrued by some), performers are urged to follow the composer’s marking!m. 109: Two-note slurs have been added here for clarity and consistency with other similar passages, though they do not appear in either the original manuscript or Biggs.m. 112: The last two eighth notes of Primo appear as 16ths in the original manuscript.mm. 183-186: The original manuscript has a slightly different bass line.mm. 184 & 186: Primo gestures have been re-written to be slightly more idiomatic for Piano, Four Hands.m. 186: The breath mark at the end of this bar does not appear in either the manuscript or Biggs, but is an editorial suggestion – aside from being appropriately dramatic, it will indeed be necessary in a reverberant hall!I would like to thank Steven Vanhauwaert, the other half of my piano duo, 4handsLA, for his input on early drafts of this arrangement.— Danny Holt, April 2022. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Finger Frenzy Piano solo Alfred Publishing
Piano - Early Advanced; Grade 5; Late Intermediate SKU: AP.98-E1130 Compo...(+)
Piano - Early Advanced; Grade 5; Late Intermediate SKU: AP.98-E1130 Composed by Timothy Brown. Duet or Duo; Piano Duet (1p,4h); Piano Supplemental; Solo Small Ensembles. The FJH Piano Ensemble Series. Score. 12 pages. Alfred Music #98-E1130. Published by Alfred Music (AP.98-E1130). UPC: 241444411476. English. A pianistic and showstopping piece by composer, Timothy Brown. A true artistic work that showcases rapid 16th note patterns with syncopated rhythms and grace note accents. Finger Frenzy drives the audience to a rousing finish. Composed for the Late Intermediate/Early Advanced level, for two pianos, four hands. About FJH Piano Ensemble Series Creative material especially written to explore aspects of artistic ensemble performance. $11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Lessons Book 5 Piano solo [Sheet music + Audio access] - Intermediate Hal Leonard
Hal Leonard Student Piano Library. Educational Piano Library. Instruction, Metho...(+)
Hal Leonard Student Piano Library. Educational Piano Library. Instruction, Method. Softcover Audio Online. 56 pages. Published by Hal Leonard
(1)$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Winter Illuminations Piano solo - Intermediate Alfred Publishing
Composed by Wynn-Anne Rossi. Piano Suite; Piano Supplemental. Recital Suite S...(+)
Composed by Wynn-Anne Rossi.
Piano Suite; Piano
Supplemental. Recital Suite
Series. Form: Suite.
Recital. Sheet. 12 pages.
Alfred Music #00-47927.
Published by Alfred Music
$5.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Current Hits for Teens Piano solo - Easy Alfred Publishing
(8 Graded Solutions for Early Intermediate Pianists). Arranged by Dan Coates. Fo...(+)
(8 Graded Solutions for Early Intermediate Pianists). Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. Current Hits for Teens. Pop. Early Intermediate. 28 pages. Published by Alfred Music Publishing
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Nueva Biblioteca Espanola Vol.2 Piano solo Unión Musical Ediciones
Piano SKU: BT.MUSUMP22227 De Musica De Teclado. Classical. Book On...(+)
Piano SKU: BT.MUSUMP22227 De Musica De Teclado. Classical. Book Only. 88 pages. Union Musical Ediciones #MUSUMP22227. Published by Union Musical Ediciones (BT.MUSUMP22227). ISBN 9780711975545. Volume two of Spanish keyboard music by composers ranging from the 16th to 18th century including Fray Juan Bermudo, Joseph Ximenez, S de Albero and J. Haydn. $36.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nueva Biblioteca Espanola Vol.5 Piano solo Unión Musical Ediciones
Piano SKU: BT.MUSUMP22331 De Musica De Teclado. Classical. Book On...(+)
Piano SKU: BT.MUSUMP22331 De Musica De Teclado. Classical. Book Only. 124 pages. Union Musical Ediciones #MUSUMP22331. Published by Union Musical Ediciones (BT.MUSUMP22331). ISBN 9780711975552. A mixed collection of compositions by 16th, 17th and 18th century Spanish organists including Fray Tomas de Santa Maria, Joseph Ximenez, Fray Cristobal de San Jeronimo, Sebastian de Albero and Julian Prieto. $36.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nueva Biblioteca Espanola Vol.4 Piano solo Australian Music Examinations Board (AMEB)
A collection of 16th, 17th and 18th century Spanish organ music composed by eigh...(+)
A collection of 16th, 17th and 18th century Spanish organ music composed by eight different composers including - Hernando de Cabezon (1541-1602), Fray Pedro de Tafalla (1606-1660), Fray Diego de Torrijos (1640-1691), Sebastian de Albero (1722-1756), Antonio Soler (1739-1783)
$27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nueva Biblioteca Espanola Vol.3 Piano solo Salabert
Volume 3 of keyboard compositions by Spanish composers of the 16th to 18th centu...(+)
Volume 3 of keyboard compositions by Spanish composers of the 16th to 18th century, including Pablo Bruna, Diego Xaraba, D. Scarlatti, Julian Prieto and J.S. Bach
$27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nueva Biblioteca Espanola Vol.1 Piano solo Music Distribution Services
Volume 1 of a collection of keyboard music by Spanish composers of the 16th to 1...(+)
Volume 1 of a collection of keyboard music by Spanish composers of the 16th to 18th century, revised and transcribed by Antonio Baciero. Composers include Fray Tomas de Santa Maria, Antonio de Cabezon, Juan Cabanilles, Sebastian de Albero, Julian Prieto and J.B. Pergolesi
$27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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