SKU: SB.SBMP-763.1
A whimsical poem by Emily Dickinson comes to sparkling life. The piano adds much color to the soaring vocal lines. Also available for SATB or SSAA.
SKU: BU.EBR-164
ISBN 9790560153643. 8.19 x 11.58 inches.
Cette partition est issue de la collection CrocK'MusiC constituée de transcriptions de chansons françaises pour le Piano, acompagnées de leurs paroles.Ces partitions, proposées au feuillet, sont réalisées par une équipe pédagogique regroupant plusieurs professeurs de piano.Elles sont graduées en niveaux de difficulté (de 1 à 9) pouvant satisfaire débutants et confirmés.
SKU: HL.234744
9.0x12.0x0.035 inches.
Composer's Note: The Lullaby from The Unicorns arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six-movement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Soderstrom and Solna Brass under Lars-Gunnar Bjorklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith. The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute an piano. Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo.
SKU: BU.EBR-526
ISBN 9790560154060. 8.58 x 12.48 inches.
La collection CrocK'MusiC est constituée de transcriptions de chansons françaises pour le Piano, accompagnées de leurs paroles.Ces partitions, proposées à l'unité, sont réalisées par une équipe pédagogique regroupant plusieurs professeurs de piano.Elles sont graduées en niveaux de difficulté (de 1 à 9) et permettent à tous les pianistes, débutants ou confirmés, d'intégrer dans l'étude de leur instrument un répertoire qui traditionnellement n'y figurait pas.Cet ouvrage est le fruit de dix ans d’enseignement pianistique.J’ai souvent vu arrivé comme d’autres professeurs de jeunes élèves démotivés, ayant perdu tout intérêt à la pratique de la Musique après seulement une ou deux années d’apprentissage.A l’écoute de leurs désirs, j’ai commencé à écrire des transcriptions d’œuvres proches d’eux, que ce soit par l’actualité musicale, scolaire ou tout simplement par leur propre sensibilité à tel ou tel artiste.Chaque arrangement devait prendre en compte leur capacité technique afin de donner à ces pianistes une sensation de facilité. Leurs lacunes en lecture s’effaçaient en sollicitant le travail de l’oreille sur ces chansons connues de tous.Quelques mois suffisaient à ces pianistes pour retrouver un sens à leurs efforts, et s’intéresser à nouveau à des répertoires aussi traditionnels qu’indispensables.Ainsi est née la collection CrocK’MusiC qui permet aujourd’hui à tous l’étude de ces transcriptions.Patrice Bourgès.
SKU: BT.EMBZ12001
Vocalise, for soprano (or tenor) voice with piano accompaniment, came into being in 1910 as the final piece in Rachmaninov's Op. 34 song series. Most of the songs were tailored to suit the personalities of various outstanding Russian singers (including Chaliapin), and dedicated to them. An interesting feature of Vocalise, which was written for the soprano Antonina Nezhdanova, is that, as its title indicates, the vocal solo has no text: the performer can sing it through on any one vowel of her choice. This song became one of the composer's most popular pieces, and countless arrangements have been made of it (for orchestra, for various chamber ensembles, for violin, for cello,for almost every kind of brass instrument, for clarinet, for guitar, for harmonica, even for cello orchestra!). One of the most successful transcriptions for solo piano, first published in 1981, is the work of the world-famous Hungarian concert pianist, conductor and composer, Zoltán Kocsis.
SKU: HL.44000922
ISBN 9790080120019. UPC: 073999825220. Bach (23 x 30,2 cm) inches. Vasilyevich Sergey Rachmaninov; Zoltan Kocsis.
Vocalise, for soprano (or tenor) voice with piano accompaniment, came into being in 1910 as the final piece in Rachmaninov's Op. 34 song series. Most of the songs were tailored to suit the personalities of various outstanding Russian singers (including Chaliapin), and dedicated to them. An interesting feature of Vocalise, which was written for the soprano Antonina Nezhdanova, is that, as its title indicates, the vocal solo has no text: the performer can sing it through on any one vowel of her choice. This song became one of the composer's most popular pieces, and countless arrangements have been made of it (for orchestra, for various chamber ensembles, for violin, for cello, for almost every kind of brass instrument, for clarinet, for guitar, for harmonica, even for cello orchestra!). One of the most successful transcriptions for solo piano, first published in 1981, is the work of the world-famous Hungarian concert pianist, conductor and composer, Zoltan Kocsis.
SKU: LE.DER1477
SKU: LE.DER1476
SKU: LO.70-2020L
ISBN 9780787753528.
Kevin Boesiger's book of powerful Holy Week hymn settings for piano offers many programmatic possibilities. Adding to the power of this collection, the provided performance options vary by piece and include scriptural narration, vocal solos, cello solo, and brass quartet.
SKU: HL.50489566
8.25x11.75x0.105 inches.
For French horn and orchestra (piano reduction).
SKU: HL.50149640
UPC: 884088365394. 9.25x12.25x0.067 inches.
