SKU: HL.14035887

8.25x11.75x0.056 inches.

Adapted by Walter Rummel from J.S.Bach's original. Was Gott tut, das ist wohlgetan.

SKU: HL.14015671

Adapted by Walter Rummel from J.S.Bach's original. Sturze zu boden.

SKU: HL.14026080

Adapted by Walter Rummel from J.S.Bach's original Cantata 129. Gelobet sei mein Gott in alle ewigkeit. There are two versions of this work printed in this book. One is a simplified version.

SKU: HL.14033411

Adapted by Walter Rummel from J.S.Bach's original. Dich hab' ich je und je geliebt.

SKU: HL.14033619

This overture is the opening of the 146th Church Cantata. It is scored for full string orchestra with organ obbligato and is the original form of the first movement of the later and better known Piano Concerto in D minor. In its early form this work lends itself more readily to a modern piano adaptation than in the later Concerto form. Wir mussen durch viel trubsal in das reich Gottes eingehen.

SKU: HL.14018940

This composition is taken from the well-known Secular Cantata for Bass Voice Amore Traditore. In playing over this Cantata the writer was impressed by the sparkling vivacity and brilliance of the Cembalo obbligato in the Bass Aria. This piece makes an excellent study for strengthening the individual fingers and can be practised in various rhythms. Lass dich nimmer von der liebe berucken.

SKU: HL.14001319

This aria is taken from the 122th cantata and was scored for bass and continuo. The continuo has only been realised in as much as it was neccessary for a pianistic basis, without overcharging the melodic lines. Oh menschen, die ihr taglich sundigt.

SKU: HL.14001318

Extracted from the Final Chorus of Bach's Cantata No.22. The Chorale is a folk-tune of the 15th Century. The words are by Elizabeth Creutziger (1524). Ach wie fluchtig, ach wie nichtig ist des menschen leben.

SKU: BT.UFT-168343

SKU: M7.DOHR-21772

ISBN 9790202007723.

SKU: BR.SMV-60005

ISBN 9790004571453. 0 x 0 inches. English.

Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31).

SKU: BR.EB-6774

ISBN 9790004169735. 9 x 12 inches.

The pieces contained in this volume prepare the student for the playing in three and four parts that is required for the perfomance of the three-part inventions and the French suites. They are most appropriately incorporated into the teaching material after the two-part inventions have been studied. New technical problems, such as the passing under and over of fingers without using the thumb and the rapid substitution of fingers on one key, must here be solved. In order to make the fonn clear, the notation has been simplified as much as possible; the indications of fingering remain quite complicated enough, even though they cannot by far show all the possibilities. lt is necessary to adapt the fingerings to the mobility and span of the particular player's hands, whilst retaining the chosen phrasings to the best of his ability. Isolated notes which require a span exceeding the octave have been placed in brackets; the performance of the ornaments is shown in footnotes. As in the first volume, the missing dynamic and tempo indications must be supplied by the performer himself in accordance with the character of each piece. Especial attention must be paid in polyphonic music to the problem of phrasing and articulation. The editor's suggestions can be replaced by other solutions that make musical sense; these should then be written into the parts. An intensive preoccupation with polyphone structures can even at an early age increase the understanding and love of the musical work of art. Heinz Walter, Salzburg, Summer 1977.