SKU: HL.48184149
Pierre-Yves Level: La Fee Bambinette & Raminagrobis et les Souris (Piano solo).
SKU: HL.48186018
UPC: 888680842482. 9.0x12.0x0.246 inches.
Initiation et perfectionnement a l'improvisation (Texte Fr/Ang/All/Esp)Improvisation for beginners and advanced players10 Compositions sur des grilles standards10 Compositions on standard patterns.
SKU: LM.PB132
ISBN 3137990001322.
Le Catamaran - La Coccinelle - La Cocotier - En pedalo - La Goelette - Le Hamster - Le Kangourou - Le Lezard - Le Papillon - Petite souris - Planche a voile - Porc epic.
SKU: LM.26139
ISBN 9790230961394.
Cache-noisettes - Les Chouettes - Dame araignee - Voyage - Herisson - Je guette - Demoiselles - La Fleur, le chat et l'escargot - Quatre comperes souriceaux - Petit Bonhomme - Le Singe farceur - Le Kangourou bleu - Belle lune - Clown - Lutin prince - Passage secret - Lutin des villes.
SKU: HL.48187182
Leo Clement Philibert Delibes: La Source, Ballet (Piano solo).
SKU: LM.24315
ISBN 9790230943154.
ABSIL : Chanson francaise - Noel francais - APREA : C'est le printemps - La Petite mendiante - BARLOW : Une Petite fille parle au Bon Dieu - COULPIED-SEVESTRE : Chanson - Valse - GRETCHANINOV : Conte de fee - JAUME : Le Chant de la source - Petite bourree - KIRBY-MASON : Berceuse - LANTIER : A Cloche-pied - Comptine - MEUNIER : Pianoletta - PLE : Dors joli chaton - Fleurs des champs - La Petite soeur malade - Legende - PUIG-ROGET : Il fait deja nuit - Ou allez-vous bergere ? - ROWLEY : La Petite orpheline - La Vieille - Reflets sur l'eau - SOHET-BOULNOIS : Jouer avec ses soldats - Le Petit carillon - WERNER : Chanson.
SKU: LM.29196
ISBN 9790230991964.
L'Abeille - Les Jongleurs - Carnaval - Simple - Feroce - La Source - Simple et feroce.
SKU: BT.PMC3520
Artemisia - March - Crocus - Nocturne - Elena Campmana - Waltz - Herba Johannis - Benediction - Latuca Leporica - Tarantella - Petrocilium - Arabesque - Quinquefoil - Prelude - Rosemary - Valediction.
SKU: BR.SON-429
ISBN 9790004803097. 10 x 12.5 inches. German / English.
The Critical Report on the oratorio Elijah concludes the five-volume edition of this major work by Felix Mendelssohn Bartholdy. It presents - by way of exception in the form of a volume separate from the music editions - the summary of all the editorial commentaries particularly associated with the early versions (Volume V/11A) and the final version (Volume V/11) of Elijah, which has appeared in print. With the piano reduction (Volume V/11B) and the volume containing sketches and discarded versions (Volume V/11C), the Critical Report interweaves in other ways: Since it was possible to realize an independent, self-contained commentary for the former one, the present complete report only contains the relevant source overviews and descriptions but no source evaluation and text-critical remarks. The volume of sketches and discarded versions, on the other hand, containing a classification and comments on all the musical documents the composer had not intended for the public - among them, in particular, the documentation of the work's modification for the final version - serves not least as a supplement and practical illustration of the verbal explanations contained in the Critical Report. Thus, the Critical Report, as Volume V/11D of the Edition, is intended to bundle, systematize and provide conclusive commentaries on the documents transmitted in connection with the Elijah, including not only the musical, but also all written documents - libretto drafts, correspondence, sources on the (English) reception -- that are specifically presented in this volume. The Critical Report on Elijah contains the presentation and evaluation of a total of six source collections and nearly 260 individual sources, including no fewer than 20 libretto drafts written by Mendelssohn himself or with his participation. An essential component is also a detailed chronology of the work's genesis. Mendelssohn's creative work on his second oratorio took an unusually long period of twelve years, in fact almost a third of his life.Awarded the German Music Edition Prize 2023.
SKU: BR.PB-15110-07
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).
ISBN 9790004212677. 6.5 x 9 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: HL.51481620
UPC: 196288209157. 9.0x12.0x0.164 inches.
Prokofiev's Piano Sonatas 6â??8 are often referred to as â??war sonatasâ?, since they were composed in Russia during World War II during times of great hardship. As the shortest of the three, no. 7 is entirely focused on the essentials, and is certainly Prokofiev's most famous piano sonata. Anyone who has heard it will not forget the hasty first movement, marked â??Allegro inquietoâ?, the cantabile theme of the second movement and the relentless pull of the machine-like, thudding finale. The Sonata appeared in print in 1943 and that same year received the Stalin Prize (second category), including prize-money of 50,000 rubles, which was welcomed with great joy in the Prokofiev household. You can also derive joy from Prokofiev's Seventh Sonata, here critically edited on the basis of all the sources, and produced using Henle's legendary music engraving. A preface by the world's most prominent Prokofiev researcher, Simon Morrison, rounds off the edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51481158
UPC: 196288209164. 9.0x12.0x0.172 inches.
Prokofiev did not compose his Visions fugitives â?? 20 â??fleeting visionsâ? â?? in one go, but in clusters between 1915 and 1917, immediately before the Russian Revolution that compelled him to leave his native country in 1918. We know from his diaries that at least some of them owe their existence to extra-musical impulses. Thus several pieces were inspired by people close to him. Others impart his emotional reaction to the political situation with its menacing brutality. According to his own statement, for example, no. 19 â??was inspired by the events of February 1917 in Petrogradâ?, during the Revolution's first phase. Technically the pieces are not too demanding, and are also often used in teaching. They now appear for the first time in an Urtext edition that considers all the musical sources created during the composer's lifetime. In his preface, Prokofiev specialist Simon Morrison provides biographical context for the genesis of this fantastic piano cycle.
SKU: BR.PB-15112
ISBN 9790004212691. 6.5 x 9 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: BA.BA09656
ISBN 9790006528141. 31 x 24.3 cm inches.
Beethoven’s “Diabelli Variationsâ€, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations†form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli’s call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel.The variations first printed by Diabelli fictively as “Fatherlandish Union of Artists Part I†(Beethoven’s op. 120) and “Part II†(the 50 variations of Vienna’s “most excellent composers and virtuososâ€) are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print.A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven’s day complete this special Urtext edition based on the most current research.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA11854
ISBN 9790006576067. 31 x 24.3 cm inches.
One of Saint-Saëns' mature works, the Six Ã?tudes pour piano op. 52, appeared in 1877 around the same time as his opera Samson et Dalila. The second etude of the cycle was originally written in 1868 for the â??Ã?cole du pianisteâ?, the French edition of the piano method by Lebert and Stark. With his collection, the composer who had embarked on a compilation of piano etudes for the first time, evidently wanted to deliberately? distinguish the cycle from the character of the brilliant concert etude: Each of the etudes is devoted to one or more specific difficulties or compositional techniques, as in the fugues. He assigned the individual pieces to famous virtuosos of his time, such as Anton or Nikolai Rubinstein or Marie Jaëll.The new Urtext editions are based on the ground-breaking musical text of the Å?uvres instrumentales complètes by Camille Saint-Saëns, for which the editor has meticulously evaluated all known sources. A detailed Foreword provides information on the genesis and significance of the etudes. Readings and variants are precisely documented in the Critical Commentary (Eng). Notes on interpretation (Fr/Eng/Ger) as well as an elegant music engraving provide the pianist with optimal conditions for studying these virtuosic etudes.
SKU: BA.BA10889
ISBN 9790006577415. 31 x 24.3 cm inches.
Schubertâ??s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life.All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (including articulation, pedal usage, ornamentation) by Mario Aschauer - with a focus on Schubert's characteristic notation of accents. A quick location of works and individual movements is facilitated by running titles at the top of the right-hand pages with indications of opus and movement numbers. The Critical Commentary lists in particular readings relevant to interpretation. Schubert's drafts and sonata fragments are accessible via the Bärenreiter website.The indispensable three-volume standard work at the cutting edge of Schubert research is available at a special set price!
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