SKU: JK.01976

UPC: 093285019768.

Introducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.

The series includes three books (SOLD SEPARATELY):
Piano Accompaniment Book - #01976
C Instrument - Treble Clef - #01977
C Instrument - Bass Clef - #01978



Arrangements found in this book:
Be Still, My Soul
Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books)
Where Can I Turn for Peace?
If You Could Hie to Kolob
I Need Thee Every Hour
More Holiness Give Me
Jesus, the Very Thought of Thee
Amazing Grace
Our Savior's Love
Composer: Various
Arranger: Sarah Brough Blomquist
Difficulty: Late-Intermediate/Advanced.

SKU: CR.976749POD

UPC: 078777013073.

Three Advent hymns are each arranged for piano in three different movements. Provides material across a moderate range of technical requirements. Useful in both the sanctuary and the studio!

SKU: PO.PEL12

ISBN 9781776605521.

This volume contains Lilburn's two piano sonatinas. Sonatina No.1 (1946) combines geometric patterning of classical forms with the distinctive simplicity of colour and line that the composer so admired in the work of the regionalist painters. The first movement hymns a fundamental vitality ‚Äì a fresh start in the morning land that is New Zealand; an almost geological majesty pervades the second movement and a three-note motive sets the finale in motion. Composed in the Autumn of 1962, Sonatina No.2, together with Symphony No.3, provides the fullest expression of Lilburn's last notated music before he turned to the electroacoustic medium. Spare, elegant and eloquent, both the sonatina and the symphony are rich and distinctive works that maintain a tension that keeps them taut as cords in our collective memory. Although the pianists who know the sonatina so well from the inside talk of its subtleties, beauty, delicacy and meaning, it will always be a work of immediate appeal, a work that is as much a delight to listen to as to play, a work that can be enjoyed as pure music.