A rich and varied set of pieces specially selected as your very first Descant Recorder solos. 28 melodies have been selected by Sally Adams to give you the best very start in your solo Recorder playing. The pieces vary from waltzes and minuets to Jazzy solos and even Hungarian folk tunes. The collection represents the ideal opportunity to develop your performance confidence and musicianship skills at this vital early stage of learning as well as providing solos that are suited to any occasion. The book includes full Piano accompaniments and a separate pull-out Recorder part. Set as part of the ABRSM Descant Recorder examinations grades 1 and 3.

The Hibernian Muse-A refreshing collection of light and exciting Irish tunes for Recorder. This volume contains twelve pieces by one of Ireland's greatest composers Turlough O'Carolan all arranged for Recorder and Keyboard by Douglas Gunn though the melody line is also suitable for Flute Violin and Oboe or other melody instruments. The Hibernian Muse is a lively and interesting work and represents only a small portion of Carolan's masterful harp compositions and will delight young players recitalists and audiences. Includes Bumper Squire Jones O'Rourke's Feast and Madam Maxwell.

This fun collection of graded repertoire will appeal to pupils and teachers alike. Featuring well-known tunes plus exciting new pieces by John Pitts in authentic blues, ragtime and boogie styles. Suitable for players who have reached the end of Book 1 in the Recorder From The Beginning teaching scheme. / Piano Et Flûte A Bec Soprano

Sonata in D major TWV 41:D9 - Sonata in G major TWV 41:G9-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations