Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. Easy Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.

29 easy and enjoyable works for recorder and piano from four centuries that includes both original pieces for recorder, as well as arrangements of many popular melodies by famous classical composers, such as Mozart's The Bird Catcher's Aria or Für Elise by Beethoven. Many of these pieces are suitable for students in their second year of lessons. The pupils can play along with the accompanying CD or with easy piano accompaniment. / Flûte A Bec Et Piano

'Jazzy Recorder 2' has been composed with the aim of giving players of very moderate range and ability an easy introduction to the jazz idiom. It contains further five pieces in various jazz/swing styles only slightly more demanding technically than those in Book 1 and forming a useful set of studies in different tonguings ranging from the rhythmic almost percussive tonguing needed for No.1 to the warm flowing legato appropriate to No. 4. The accompaniments are very rhythmic in order to encourage the correct interpretation of the solo part. These pieces will provide effective enjoyable and different concert/festival material for intermediate players.

This album contains eight new pieces in a variety of styles and moods. All the pieces have a fairly easy Piano accompaniment.

Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complete scores and solo part.

Sonata in D major TWV 41:D9 - Sonata in G major TWV 41:G9-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations