Anonymous Folk Poem-Soprano, Recorder (Soprano, Treble and Tenor Recorders) 1 player-2 playing score. Par FRANCES-HOAD CHERYL. Commissioned by John Turner for Gordon Crosse's 80th Birthday concert at The Martin Harris Centre, Manchester University, 22nd October 2017. Premiered by Lesley-Jane Rogers (soprano) and John Turner (Soprano, Treble and Tenor recorders). I'll have the Whetstone for soprano and recorder was written especially for Gordon on his 80th Birthday. When trying to find a text to set for the work, John Turner suggested I turn to The Guizer by one of Gordon's longtime friends, Alan Garner. In fact this book, which is a collection of stories about fools (!) was dedicated to Gordon! The anonymous folk poem that I chose immediately appealed to me and I had great fun setting the whimsical lines! / Date parution : 2022-02-03/ Répertoire / Flûte à Bec

Music Minus One Recorder-A method compiled and edited by Erich Katz Dean of the American Recorder movement and the man responsible for the enormous recorder renaissance in the U.S.A. that started in the late 20th century and continues to this day. Here is a super course for learning to play every type of recorder - the sopranos altos tenors and even the less frequently used sopranino and bass recorder. Each lesson is built around a series of duets and trios beginning with the simplest of folk songs to more elaborate music of Bach. Your fellow player is LaNoue Davenport recorder virtuoso and former performer with the acclaimed Noah Greenberg Pro Music group. Includes a high-quality printed musicscore and a compact disc containing the accompaniments for each piece. Accompaniment: Erich Katz alto recorder

Junior Guest Spot is ideal for beginners and young performers. Play these fifteen hit songs in easy melody line arrangements by Paul Honey, with specially recorded backing tracks. The arrangements are short and simplified, using simple keys and rhythms, and short phrasing for comfortable breathing. The accompanying CD contains full performance versions of the songs on tracks 2-16, the instrumental part is then omitted from tracks 17-31, to enable you to play along as the solo performer. / Flûte A Bec

Par SANSONE NICOLA. 12 Sonates de la ms Parme. Sand. 145 pour flûte à bec alto et continuo. Vol. II: nn Sonates. 7-12/ Répertoire / Flûte à Bec

The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

With the Playalong 20/20 Recorder sheet music songbook you get an incomparable collection of 20 of the best pop songs topping the charts of today as well as demonstrations and backing tracks for each songfor you to download. All 20 tunes are beautifully arranged in melody line format for the Recorder. Featuring some of the best pop hits from the current charts this pop sheet music selection makes these catchyand upbeat songs accessible for the Recorder. Including tunes like 22 by Taylor Swift Right Place Right Time by Olly Murs and One Direction's What Makes You Beautiful this book proves thatthe Recorder is not just for classical music but can also be a brilliant way to get a unique sound out of popular music. The Playalong 20/20 Recorder book will help recordists of all ages andabilities play some truly perfect pop songs. Not only are there many uptempo and fun pop songs included in this collection but you'll also get the slower ballads whose melodies will will sound just asbeautiful on the Recorder. Tunes like Frozen's Let It Go Adele's wonderful Someone Like You Wrecking Ball by Miley Cyrus as well as John Legend's huge heartfelt song All Of Me. Whether you're apop-loving recordist or you're just looking to reinvigorate and freshen up your repertoire Playalong 20/20 Recorder sheet music is the collection for you.  Not only do youget these 20 pieces of pop Recorder sheet music you'll also receive an enclosed download card giving you instant online access to demonstration and backing tracks of every single song. Using the demonstration tracks with Recorder played by Louise Bradbury you can hear exactly how songs like Jar Of Hearts and Make You Feel My Love should sound. Then using the backing tracks you can take the lead role

Book 1-There are over 50 favorite folksongs famous classical melodies songs from various cultures and many fun-to-play original songs in this one book appearing in order of level of difficulty. Many songs have lyrics to encourage students to sing alone or with others when not playing the Recorder.Chord names are included for a guitarist or pianist. There are many opportunities for ensemble playing throughout the book: duets SOLO and ALL designations a round and a three-part ensemble. In addition to the master fingering chart on the inside-front-cover a fingering chart of every new note appears on the page where the new notes are introduced.

All Aboard The Recorder Express is the ideal choice for individuals youngsters parents and the classroom a comprehensive Recorder method that is simple to use and loads of fun!As one of the easiest and most accessible musical instruments the Recorder is not only rewarding to play but is also an important gateway into the orchestra and other instruments too! Beginning with a few notes you'll find pieces in a huge variety of styles complete with parts for percussion and piano. What's more there's also a CD packed with superb backing tracks for you to play along with.The perfect accompaniment to any Recorder method or as a workbook for school groupsand one-to-one tuition All Aboard The Recorder Express will get you playing a host of tunes in no time at all!

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

Media Type : Book/CD Set Level : Beginning Musical Genre : Children Number of pages : 72 Mel Bay's Children's Recorder Method is a new recorder method which stands on its own. There is an imaginative accompaniment CD which makes even the simplest one-note exercise into an attractive experience for the young student, and there are lyrics to all the songs. Large notes are used throughout and each melody is attractively illustrated. Clear and concise instructions introduce technique and notation concepts gradually. These books use many Icelandic songs and folk songs, some of which may even date from the time of Leif Eriksson! This gives the method a unique flavor and allows the introduction of many unusual melodic and rhythmic elements. The first book is based on the six easiest notes on the recorder and the accompaniment will help the student happily gain a firm rhythmic feeling, and above all, have fun while learning.

Woodcock's only surviving compositions are a set of twelve concertos (3 for flute 3 for recorder and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos were originally published under the title: XII Concertos in Eight Parts the first three for Violins and one small Flute the second three for Violins and two small Flutes the third three for Violins

The Recorder Player's Handbook is a comprehensive survey of the instrument its history and its music and deals extensively with the following subjects: the instrument its design structure and mechanics with detailed information on historical models and materials; advice on the choice and care of the instrument; playing the recorder - advice on breathing tone production fingering and articulation; practice and performance - recorder music and its performance; a survey of recorder music from the early Middle Ages to Baroque period and with a valuable consideration of the recorder in the twentieth century.