SKU: BT.EMBZ5406

Hungarian.

' This recorder tutor was completed in 1965, based on the guiding principles of the Hungarian music teaching method (the Kodály method). Its durability is best proved by the fact that for several decades it has been very popular with recorder players and other wind instrumentalists ' (János Béres).

SKU: HL.48183681

First published in 1982, Jean-Claude Veilhan (born in 1940) compiled this enlightening compilation, I learn the Recorder following his studies of woodwind at the Regional Coservatory of Versailles and a prominent career as a professional Recorder and Clarinet player. As a prominent Recorder player himself, Veilhan has performed much of the the repertoire for the instrument, and therefore is well acquainted with its workings. I learn the Recorder encompasses basic theory elements, including note values and names, as well as helpful, labelled diagrams demonstrating fingerings and showing the beginner how to hold the instrument. This Veilhan book also includes many exercises to aid progression. I learn the Recorder is essential to beginners of the instrument..

SKU: HL.50605252

ISBN 9781705171196. UPC: 196288086833. 12.0x9.0x0.427 inches.

This publication is designed to raise interest in contemporary music and create a personal relationship with unconventional forms ofmusic and music-making among the age group most receptive to these, that is, elementary school children. The pieces featured in it are in widely differing styles and by composers of different age groups and levels of recognition: Janos Bali, Adam Kondor, Gabor Kosa, Gyorgy Kurtag Jr., Csaba Lauran, Dora Petery, Vera Ronkos, Laszlo Sary, Andras Soos, Mate Szigeti and Peter Tornyai. Although 'creativity' plays a central role, this volume is not intended for training professional composers. It serves merely to encourage children to engage in the life-giving and pleasurable activities of listening to and forming sounds.

SKU: FZ.5844

ISBN 9790230658447. 22.00 x 31.00 cm inches.

These original publications of Loeillet, Fischer, Haendel and Croft are in facsimile on Fac-similes et Enseignement collection. Loeillet John : XII Solos six for a common flute and six for a german flute with a thorough bass. London, Walsh and Hare, c. 1729. Sonata IV : Largo, Poco Allegro, Adagio, Allegro, Presto. Fischer Johann : Musikalisch Divertissement bestehend in einigen Ouverturen und Suiten mit 2 Stimmen auff Violen/Haubois oder Fleutes douces zu gebrauchen. Dresden, J. Riedeln, 1699/1700. Suite en sol mineur, Ouverture, Air, Menuet, Menuet, Chique, Bourree, Menuet, Menuet. Handel Georg Friedrich : Sonates pour un traversiere, un violon ou hautbois con basso continuo. Amsterdam, Roger, 1727. Sonata XI : Larghetto, Allegro, Siciliana, Allegro. Croft William : Six sonates or solos three for a violin and three for the flute with a thorough bass. London, Walsh and Hare, 1700. Sonata I. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - British Library of London (England). - Herzog August Library of Wolfenbuttel (Germany). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.