A superb collection of fifty-eight jazz hits arranged for Eb and Bb saxophones, complete with two sets of chord symbols for accompaniment. / Saxophone

One of the most successful saxophonists of all time Grover Washington Jr. began his professional life as a preteen and made and recorded beautiful music for over 30 years before his untimely passing in 1999. This folio featuresnote-for-note sax transcriptions of 13 of his finest songs: East River Drive ? In the Name of Love ? It Feels So Good ? Just the Two of Us ? Let It Flow ? Little Black Samba ? Make Me a Memory (SadSamba) ? Mr. Magic ? Passion Flower ? Take Five (Another Take Five) ? Take Me There ? Time Out of Mind ? Winelight. Also includes a biography great photos and a fingering guide.

A travers cette méthode d'apprentissage Saxophone vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage CD au Saxophone a été écrit par Villetorte Jean-Didier et éditée par les éditions Beuscher sous la référence PB961. / Saxophone / Partition Cd

A travers cette méthode d'apprentissage Saxophone vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage METHODE PROGRESSIVE ET COMPLETE POUR L'ETUDE DE TOUS LES SAXOPHO a été écrit par Briard Raymond et éditée par les éditions Billaudot sous la référence AF0061. / Saxophone

This Complete method for all Saxophones by Hyacinthe Klosé (1808-1880) has always had a lot of success and has been recognised for its quality worldwide. This new publication, edited by Eugène Gay, a French professor at the Lyon Conservatory, takes into consideration the evolution of the musical pedagogy and highlights the importance of sonority. This method includes studies and exercises for beginners, intermediate and advanced level players with comments and advices Hyacinthe Klosé (1808-1880) is a French Clarinet player, composer and professor at the Conservatoire de Paris. He took part in the conception of the Boehm system Clarinet. He became solo Clarinet at the Théatre Italien in 1847.

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Saxophone-Performed by John Cipolla alto saxophone Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn These all-time favorite standards have been arranged for Alto Sax and symphony orchestra for a beautiful palette of sound. Beautiful music and not of excessive difficulty. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel; and a second performance in full stereo minus the soloist.

Hip Licks for Saxophone is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B? Hip Licks for Saxophone is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions. Special Features of Hip Licks for Saxophone by Greg Fishman: ? 168 Hip Licks ? Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc. ? Idiomatic Construction ? Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. ? Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor ? 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. ? Hip Licks Nail the Most Popular Chord Progressions: - Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords - ii-7 / V7 / I Major (two and four-measure phrases) - ii-7b5 / V7b9 / i Minor (two and four-measure phrases) - Parallel Major to Minor Progressions - ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths) ? Modular Design ? The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. ? Interactive Call and Response Format, perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. ? Twelve Key Approach ? Every CD track takes you through all twelve keys. ? Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. ? Technique Builder ? Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone.

Saxophone Play-Along Volume 7-The Saxophone Play-Along® Series will help you play your favorite songs quickly and easily. Just follow the notation listen to the audio tracks to hear how the saxophone should sound and then play-along using the separate backing tracks. The melody and lyrics are also included in the book to help you follow along. The online audio is available for download or streaming using the unique access code printed in the inside cover and features PLAYBACK . a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right available exclusively from Hal Leonard. This volume includes: East River Drive Just the Two of Us Let It Flow Make Me a Memory (Sad Samba) Mr. Magic Take Five Take Me There Winelight.

Initiation au jazz et à l'improvisation pour le saxophone Sib ou Mib. Nombre de pages : 48 Date de parution : 23/09/1999 Titres : ucket's Got a Hole in it - Frankie et Johnny - Hold on - Jericho - Joe Turner - Let my People Go - Nobody Knows - St James Infirmary - Teacher's Blues - The House of the Rising Sun

8 pièces de swing avec accompanement d'un vrai Big Band !
Titres :
Let's go out
Jumpin' up and down
Don't waste my time !
Gettin' there
Swing 'till you ring
Catch my drift
What's cookin' ?
The rockin' Blues / Partitions jazz

Animal Saxophone is a series of themed compositions for the beginner. The pieces are all beautifully arranged with CD accompaniment capturing the character of the animals within the music. Each piece focuses on a different musical aspect such as slurring staccato rests ties dynamics triplets trills and grace notes. Pete Regan co-wrote some of the tunes in the book. Thanks also go to Eleanor Boalch for writing the melodies to The Elephant and The Bird.CD produced and engineered by PD ProductionsKeyboards: Diana Sanders Electric and acoustic guitars: Pete Regan Bass Guitar: Pete ReganAlto Saxophone: Judy Nicol

Add unique saxophone sounds to your palette of colours! The saxophone is capable of a great range of sounds from laughs and growls to multiphonics and percussion effects. This book shows you how to do 19 different inventiveeffects with etudes that put them in a musical context. The accompanying CD provides play-along tracks for the etudes and examples of each sound effect in isolation.