Composed by J. S. Bach for Flute and Piano this edition of 4th Sonata was arranged for Alto Saxophone in E flat and Piano by Marcel Mule. Its difficulty would fit the skills and abilities of intermediate players. In terms of composition this piece was created in three different sections: the first one is divided into three parts (Andante with a tempo at 96° Allegro at 116° and Adagio at 72°) followed by Minuet and Minuet 2. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how toobtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Scale and Arpeggios' (in three books) 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books) among others.

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

A Proven Method to Increase Technique and Become a Complete Saxophonist. Par MAINELLA NICK. Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into. The main areas of study in this method are: 1. Sound Concepts 2. Scales and Arpeggios 3. Working with a Metronome 4. How to Structure Your Time A good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day. / Niveau : 3 / Formation musicale / Date parution : 2018-05-04/ Etude / Saxophone

Charlie Parker - The Complete Scores. Hal Leonard celebrates the 100th anniversary of Charlie Bird Parker with this deluxe hardcover Complete Scores book featuring note-for-note transcriptions of 40 classic performances for saxophones, trumpet, piano, bass and drums. This is a true celebration of an American music icon, the preeminent alto saxophonist who was one of the fathers of bebop and progenitors of modern jazz. This keepsake-worthy hardcover book in a slipcase features: Anthropology · Au Privave · Billie's Bounce (Bill's Bounce) · Bird Feathers · Blues for Alice · Chasing the Bird · Donna Lee · K.C. Blues · Leap Frog · Marmaduke · Ornithology · Scrapple from the Apple · Steeplechase · Yardbird Suite · and more. A must-own for all Bird fans!

pour tous les saxophones d'après A. Samie-Vingt-quatre études faciles by Marcel Mule (1901-2001) is a set of 24 exercises for all Saxophones based on the works of Auguste Samie a French violinist. Made for second and third year players this material is really accessible and easy to play. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery of vibrato and therefore of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Dix-huit Exercices ou Études' 'Exercices Journaliers d’après Terschack' or '30 Grands Exercices ou Études d’après Soussmann' (in two books) among others.

La série Saxophone Play-Along vous aidera à jouer vos chansons préférées rapidement et facilement. Il suffit de suivre la musique enregistrée sur le CD pour entendre comment le violon doit sonner, puis jouer en utilisant la piste d'accompagnement séparée. Avec la mélodie et les paroles dans le recueil, vous pouvez également choisir de chanter en même temps. Les diagrammes d'accords sont fournis. Versions pour saxophones en Bb et Eb. Le CD audio est lisibles sur n'importe quel lecteur CD. Pour les utilisateurs d'ordinateurs PC et Mac, le CD est améliorée de sorte que vous pouvez régler l'enregistrement à n'importe quel tempo sans changer la tonalité!Titres : Baker Street [Rafferty, Gerry] - Deacon Blues [Steely Dan] - Jazzman [King, Carole] - Smooth Operator [Sade] - The Heart Of Rock And Roll [Huey Lewis and the News] - Turn The Page [Seger, Bob] - Who Can It Be Now? [Men At Work] - Young Americans [Bowie, David] / Saxophone

In two volumes Hyacinthe Klosé (1808-1880) a virtuoso wind player of his day provides detailed progressive exercises and studies for the Saxophone. Complete Method for all Saxophones is essential to all saxophonists seeking to improve their technique on the instrument. Klosé's second volume gives focus to the technique of the instrument including phrasing intervals scales chromaticism ornamentation accidentals breath control articulation dynamics and performance directions among other musical aspects. Moreover Complete Method for all Saxophones contains technicalstudies to ensure adequate comprehension of a range of techniques. It is stated in the introduction that this Klosé series was compiled as a response to the considerable evolution of the instrument at the time. With detailed notes in French and English and with the book being adaptable to any Saxophone Complete Method for all Saxophones is versatile and crucial to the progress of any Saxophone player.

Par DAVID VINCENT. Échos éclatés est la deuxième pièce de la série des 'Échos' qui utilise le même matériel musical de deux notes au triton que Éclats d’échos déjà publié. Mais l’écho est ici plus long et se développe en circonvolutions. Les différents échos donnent naissance à des phrases plus éclatées et se prolongent vers un discours plus rythmique et articulé. L’écho explose dans un final frénétique./ Répertoire / Saxophone

Danse Saxophone contient dix pièces basés sur des danses caractéristiques de différents pays, tels que l'Allemagne, aux Etats-Unis, la Grande-Bretagne, l'Australie et le Mexique. Ces pièces mélodieuses et vif sont faciles et aussi propice aux amateurs et aux étudiants. / Saxophone Alto Et Piano

George Frederick Handel's (1685-1759) Sonata No. 6 is well-known to the Violin repertoire. Therefore when French saxophonist Marcel Mule (1901-2001) arranged the popular piece for the Saxophone in 1951 it was very well-received. The Sonata No. 6 is made up of four movements: Adagio Allegro Largo and Allegro non troppo. Handel's Sonata No. 6 was first published in 1732. Mule's editions ensure that the Saxophone part contains the articulation phrasing and breath marks necessary to the instrument. For all classical saxophonists this Mule arrangement of the popular SonataNo. 6 is essential.

A course for young beginners-A course for alto saxophone to guide the young beginner from the very first lesson to around Grade 1 standard.The step-by-step musical and technical information is clearly presented and shows the pupil everything theyneed to know including how to hold the saxophone getting a good sound and how to read music.There are listening games puzzles and quizzes which along with the accompanying teacher book and great backing track CD create a recipe for fun but effective practice.

For Saxophone Choir-There’s a Boat Dat’s Leavin’ Soon for New York/It Ain’t Necessarily So/Summertime/I Got Plenty o' Nuttin’ is a song from the American opera Porgy and Bess composed in 1935 by George Gershwin (1898-1937) to a libretto by DuBose Heyward and his brother Ira Gershwin after Heyward’s novel Porgy - a story about the love between the crippled negro beggar Porgy and the girl Bess in the city of Charleston in South Carolina. The première - not a huge success - took place on 10 October 1935 in New York.With his opera Gershwin wanted to gain recognition as a composer of classical music. Incidentally he demanded that all parts were sung by black performers; only a few unimportant parts without sung lyrics were allowed to be performed by white actors. This rule still applies: Gershwin has stated in the terms of his will that only black people were allowed stage the opera.Porgy & Bess has become popular only after Gershwin’s death. In 1959 a wonderful film was made; the soundtrack won a Grammy Award. The work is not very often performed possibly because of the difficulty of finding a whole cast of black opera singers. However various pieces from the opera are still regularly performed in numerous arrangements.

Les éléments essentiels de l'interprétation de différents styles musicaux (baroque, classique, dodecaphonique, blues, swing, musiques du monde). Grace aux parties d'accompagnement de piano rassemblées dans un recueil séparé, il est également possible d'interpréter ces pièces en public. / Saxophone / niveau : Elémentaire / Partition