This great play-along pack lets instrumentalists play solo along with backing tracks so they can sound like a pro. It features all 12 tracks from Lizzo\'s breakout album, including: Better in Color · Crybaby · Cuz I Love You · Exactly How I Feel · Heaven Help Me · Jerome · Juice · Like a Girl · Lingerie · Soulmate · Tempo · Truth Hurts. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Saxophone Play-Along Volume 10-The Saxophone Play-Along® series will help you play your favourite songs quickly and easily. Just follow the notation listen to the included audio to hear how the Saxophone should sound and then play-along using the separate backing tracks. The melody and lyrics are also included in the book to help you follow along. The online audio is available for streaming or download using the unique code printed inside the book. Saxophone Play-Along Volume 10: John Coltrane features 8 Coltrane classics including: Blue Train (Blue Trane) Body and Soul Central Park West Cousin Mary Giant Steps Like Sonny (SimpleLike) My Favorite Things and Naima (Niema).

This is the second volume of progressive Saxophone pieces by Pierre Max Dubois featuring studies 25 - 48. The melodies are written in a wide range of styles offering the intermediate player the opportunity to master a comprehensive set of techniques and skills. Unlike other studies the emphasis here is upon musicality and melodic interest rather than the simple repetition of motor skills and each piece is perfectly suited to solo recital or festival performance.

Hören, lesen & spielen ist die individuelle Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Die bewährte Methode ist nach den gegenwärtigen Regeln und Ansprüchen der Musikerziehung zusammengestellt. Sie enthält viele Spiele, Puzzles, Hörübungen, Lieder und Originalkompositionen. Zu jedem Band von Hören, lesen & spielen gibt es Spielliteratur, die den Unterricht perfekt ergänzt. Diese Spielbücher mit Soli, Duos und Trios können auch unabhängig von der Schule eingesetzt werden. Zu Band 1 gibt es ein Duobuch sowie ein Triobuch, so dass sich die jungen Musiker schon früh imZusammenspiel üben können. Die Stücke von anerkannten Komponisten und Arrangeuren bringen jede Menge Abwechslung in den Unterricht und eignen sich auch gut für erste Vorspielabende. / Niveau : Facile / Méthode / Saxophone

Afro, Latin & andere Grooves. Par DE BOER PETER / LUTZ SIMON. Keep on Swinging ist der Nachfolger von The Swinging Beginning. Mit der Begleit- CD wird dieses Buch mit seinen neuen Songs in den Stilen Afro, Latin und Groove jedem Musiker viele swingende Stunden bereiten. / Niveau : Intermédiaire / Recueil / Saxophone

Par DE HAAN / ANDRE WAIGNEIN. Hören, lesen & spielen ist die individuelle Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Die bewährte Methode ist nach den gegenwärtigen Regeln und Ansprüchen der Musikerziehung zusammengestellt. Sie enthält viele Spiele, Puzzles, Hörübungen, Lieder und Originalkompositionen. Zu jedem Band von Hören, lesen & spielen gibt es Spielliteratur, die den Unterricht perfekt ergänzt. Diese Spielbücher mit Soli, Duos und Trios können auch unabhängig von der Schule eingesetzt werden. Zu Band 1 gibt es ein Duobuch sowie ein Triobuch, so dass sich die jungen Musiker schon früh imZusammenspiel üben können. Die Stücke von anerkannten Komponisten und Arrangeuren bringen jede Menge Abwechslung in den Unterricht und eignen sich auch gut für erste Vorspielabende. / Niveau : Facile / Méthode / Saxophone

This is the most in-depth approach to playing the saxophone ever published. In this two-volume boxed set master saxophonist John Harle reveals his ground-breaking techniques for fluent and natural playing ? transforming the musical and learning experience of students and professionals alike. Practical clear and universally relevant The Saxophone discloses John Harle?s secrets to playing with individuality fluent technique and a powerful musical presence by: introducing revolutionary new concepts such as the Reed Fan the Power Lines and the Cathedral of Resonance exploring every aspect of playing and performing frombreathing resonant tone production and fluent articulation through to techniques for building ease and flow in performance featuring unique anatomical diagrams stunning visualisations and colour-coded musical examples throughout offering expert advice on all aspects of performance: dealing with fear nerves and adrenalin developing a strong psychological approach and setting goalposts for success including practice wheels that help develop a structured and relaxed practice routine. The title was a finalist at the 2018 Music Teacher Awards For Excellence Best Music Education Product.

Saxophone teaching material-Part of the Trinity Performer's Series Mosaics for Saxophone Book 2 offers forty-two newly composed pieces by Mike Mower and James Rae. This attractive stand-alone repertoire book addresses specific areas of technique and will feature in the forthcoming Trinity Guildhall Woodwind Syllabus 2012-2014.

This is the most in-depth approach to playing the saxophone ever published. In this two-volume boxed set, master saxophonist John Harle reveals his ground-breaking techniques for fluent and natural playing ? transforming the musical and learning experience of students and professionals alike. Practical, clear and universally relevant, The Saxophone discloses John Harle?s secrets to playing with individuality, fluent technique and a powerful musical presence by: - introducing revolutionary new concepts such as the Reed Fan, the Power Lines and the Cathedral of Resonance - exploring every aspect of playing and performing, from breathing, resonant tone production and fluent articulation through to techniques for building ease and flow in performance - featuring unique anatomical diagrams, stunning visualisations and colour-coded musical examples throughout - offering expert advice on all aspects of performance: dealing with fear, nerves and adrenalin, developing a strong psychological approach and setting goalposts for success - including practice wheels that help develop a structured and relaxed practice routine.

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Dylan joins the band at school to play saxophone. But all Dylan wants to do is play jazz. His teachers demand he play the easy songs first. Dylan listens to a virtuoso saxophone player performing on the street and wishes to play like him. The man warns Dylan that if he doesn't cooperate with his teachers and play the songs they ask him to play his saxophone will shrink until it vanishes. One day his saxophone shrinks to such a tiny size that Dylan can't play. Dylan discovers the secret to making his saxophone grow back to its full size and is rewarded by being able to play his favorite music – jazz! (Recommended for ages 4-8).

An introduction to blues saxophone styles techniques and improvisation-The latest addition to this popular series is designed for the intermediate saxophonist looking for an introduction to the blues. Experienced saxophone teacher and performer Nick Beston presents straightforward explanations of different playing styles and techniques and covers topics such as basic blues harmony chords riffs and effects like glissando and 'growling'. Original compositions support each chapter and 'sax advice' sections offer guidance on the finer points of saxophone playing. High-quality demos and backing tracks on the accompanying CD encourage the reader to apply these techniques to their own improvisations.

This book is perfect for those looking for something to bridge the gap between grades. Pam Wedgwood's inimitable style is guaranteed to breathe new life into your saxophone playing - the varied pieces in this bright collection range from toe-tapping jazzy numbers to more classical styles all designed to ease you gently on towards the next grade. This book is especially useful to students who have passed Grade 2 and would like a break before plunging into the syllabus for Grade 3. So lighten up and move on with Up-Grade!. ABRSM Alto and Baritone Saxophone examination grade 3.