Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Saxophone vous pourrez découvrir l'oeuvre ayant pour titre Learn As You Play Saxophone qui a été éditée par la maison d'édition Boosey

Par DEVILLE PAUL. Commonly referred to as 'The Saxophone Bible,' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces, it offers exercises and advice for every stage of learning, making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille's guide covers everything students need to learn to develop mastery of the saxophone. He explains the components of the instrument itself, how to make your own reeds, tuning, tone production, fingering, breath control, and playing low and high ranges. Numerous exercises provide reinforcement in playing scales, intervals, slurred and detached notes, arpeggios, cadenzas, and other musical passages. In addition to several operatic melodies and duets for two saxophones, a dozen solos include works by Schubert, Brahms, Donizetti, and other composers. No saxophonist's musical library is complete without this comprehensive guide, now available in a sturdy and inexpensive edition. Commonly referred to as 'The Saxophone Bible,' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces, it offers exercises and advice for every stage of learning, making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille' s guide covers everything students need to learn to develop mastery of the Saxophone. He explains the components of the instrument itself, how to make your own reeds, tuning, tone production, fingering, breath control, and playing low and high ranges. Numerous exercises providereinforcement in playing scales, intervals, slurred and detached notes, arpeggios, cadenzas, and other musical passages. In addition to several operatic melodies and duets for two Saxophones, a dozen solos include works by Schubert, Brahms, Donizetti, and other composers. No saxophonist's musical library is complete without this comprehensive guide, now available in a sturdy and inexpensive edition. Reprint of the Carl Fisher, New York edition. / Méthode / Méthode / Saxophone

Many books in music education simply present the facts, but Modern Saxophone Techniques actually teaches the developing player how to learn. Listening, exploring, writing original music, and trial and error are some of the methods threaded throughout.The concepts presented in this book will keep players learning, maturing, and mastering the Saxophone in modern times, and for many years to come. On the included online video, author and virtuoso saxophonist Frank Catalano offers quick tips on many of the topics covered in the book. 'In the Band? allows saxophonists to play along on six tunes and studies.Topics include: developing good rhythm, air stream and embouchure, fingering charts, tonguing techniques, modern harmony tips and more. / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Par RAE JAMES. This is the second book of Progressive Jazz Studies and it includes over 40 original studies for the developing jazz saxophonist. In the first section the book shows players how to take a tune and jazz it up , they learn to craft a simple, rhythmic jazz solo from any well-known tune. Section two teaches about various jazz tonalities helping to develop confidence with whole-tune, diminished and blues scales, modes and the II-V-I chord sequence. James Rae's brilliant method gives you the confidence to play jazz with real style! This book can be used for either B flat or E flat saxophones. / Niveau : Assez Facile / Jazz / Etude / Saxophone

Par DE HAAN / ANDRE WAIGNEIN. A series of carefully crafted trios for use with or without the Look, Listen and Learn method book. Playing in trios develops ensemble playing and listening skills and these books provide fresh and original material for young musicians. Book two is suitable for use alongside Volume 2 of the Method book. / Niveau : Facile à Intermédiaire / Méthode / Saxophone

Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Brass, Team Recorder and Team Percussion offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores. / Niveau : Facile / Méthode / Saxophone Ténor

This second volume of easy duets offer a vast array of practice and performance material. The duets have been carefully composed and arranged to tie in with the Look Listen and Learn method books, although they can equally well be used separately. Titles in Book 2 includes: Party Animal, Cool Man, It’s Swingtime, The Chef of Kiev and many more. / Niveau : Facile à Intermédiaire / Méthode / Saxophone

Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Brass, Team Recorder and Team Percussion offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds ofpop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores. / Pédagogie / Recueil / Saxophone

This second volume of easy duets offer a vast array of practice and performance material. The duets have been carefully composed and arranged to tie in with the Look Listen and Learn method books, although they can equally well be used separately. Titles in Book 2 includes: Party Animal, Cool Man, It’s Swingtime, The Chef of Kiev and many more. / Niveau : Facile à Intermédiaire / Méthode / Saxophone

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. With step by step instruction and a progression of specially written pieces, the fundamental elements of good saxophone technique-breath control, tone-production, embouchure, tonguing and fingerings-are introduced alongside the rhythmic subtleties of jazz (for example, 'swung' and syncopated rhythms). Improvisation is encouraged from an early stage, given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With additional information on practical matters such as choosing reeds and earing for the instrument, as well as supplementary suggestions for listening and reading, 'The Jazz Method for Saxophone' is ideally suited both to students working alone and those learning with a teacher. / Méthode / Recueil / Saxophone

Par HARRIS PAUL. More Graded Studies for Saxophone Book 2 brings together saxophone study repertoire spanning the entire spectrum of technique and providing a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, these comprehensive collections apply the Simultaneous Learning approach to instrumental technique. Book Two takes the student from intermediate to advanced level (approx. grades 6-8). The studies are arranged in order of increasing difficulty, according to a carefully planned technical progression and each study comes with a list of Simultaneous Learning musical ingredients for players to explore in preparation for the music./ Etude / Saxophone

This method is divided into 2 sections: the first section consists of 12 exercises which stress various rhythmic patterns. These patterns are then developed through a melodic song approach so that the player learns them in an interesting manner. The second section consists of 10 tunes which utilize all of the material presented in the exercises. Langue : en anglais

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. / Méthode / Méthode / Saxophone