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Nat Ayer
Saxophone
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Sonate (RUEFF JANINE)
Saxophone
Leduc, Alphonse
pour Alto Saxophone seul. Par RUEFF JANINE. Composed by Jeanine Rueff, Sonata fo...
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pour Alto Saxophone seul. Par RUEFF JANINE. Composed by Jeanine Rueff, Sonata for Alto Saxophone solo is a piece for advanced players lasting 12 and a half minutes. Written in 9 pages, this piece, quite challenging (tempo, key ranges), would be perfect for musicians of advanced level and above, while requiring some serious work to obtain the correct result. Wonderfully composed, very technical yet very lyrical, this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones that were often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet./ Répertoire / Saxophone en Mib
17.40 EUR - Sold by LMI-partitions
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Sax And Swing (SINATRA FRANK)
Saxophone
[Sheet music + CD]
Hal Leonard
Par SINATRA FRANK. Australian saxophone wizard Brian Hayes brings you this colle...
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Par SINATRA FRANK. Australian saxophone wizard Brian Hayes brings you this collection of classic swing standards. A great set that you won\'t want to miss! Includes a printed music score with parts for both B-flat tenor and E-flat alto saxes, and access to online audio containing a complete performance with soloist (on tenor sax), then a second version with accompaniment only. Performed by Brian Hayes, tenor sax Accompaniment: The MMO Orchestra The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys,and pan left or right./ Recueil / Divers
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Ponzol Peter - Saxophone Workshop - Pocket Guide
Saxophone
Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...
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Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
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WEISS and NETTI - THE TECHNIQUES OF SAXOPHONE PLAYING - OCCASION
Saxophone
Barenreiter
Détails du produit d'occasion : Petite trace de café dans un des coins. Le pro...
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Détails du produit d'occasion : Petite trace de café dans un des coins. Le produit n'est pas abimé, les partitions sont lisibles.1 seul produit disponibleDescriptif valable uniquement pour le modèle vendu neuf.In the last few years several publications have been devoted to advanced playing techniques for wind instruments in contemporary music. Despite this, players have continued to request a more comprehensive resource with a better systematic approach, using practical examples from the repertoire.Following the enormous success of books on oboe and flute techniques, which have quickly become standard reference works, two renowned authors have written a further volume in the series, now for saxophone. The book is intended for both performers and composers and therefore it was natural that two experts came together to work on it ? the saxophonist Marcus Weiss and the composer Giorgio Netti . The most important playing, fingering and technical possibilities in sound for soprano, alto, tenor and baritone saxophone are systematically explained. These techniques are illustrated with the help of appropriate examples and practice instructions, and at the same time any special notational features are explained. Links to sound clips on the internet specially compiled for this book enable players to compare their own results with Marcus Weiss?s recording.The book is an essential, practical performing tool for interpreters, teachers and composers.- Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone- Clear explanation of special tonal effects and practice tips to try out- With internet links to all important sound excerpts- Tried and tested on all common makes of soprano, alto, tenor and baritone saxophones- Text in two languages (Ger/Eng) / Saxophone / Barenreiter
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Solos For The Tenor Saxophone Player
Saxophone
Hal Leonard
/ Saxophone
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Team Woodwind (DUCKETT RICHARD / LOANE C)
Saxophone
[Sheet music + CD]
Faber Music Limited
Par DUCKETT RICHARD / LOANE C.. La série de l'équipe est utilisable avec les d...
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Par DUCKETT RICHARD / LOANE C.. La série de l'équipe est utilisable avec les deux individus ou un tuteur de groupe encourager les étudiants à essayer ensemble jouant depuis le début. Equipe de bois est un cours flexible et adaptable idéal pour les joueurs d'instruments à vent de débutant et peuvent être adaptés en fonction des besoins spécifiques de chaque étudiant. Chaque pièce est soigneusement classé pour assurer une progression logique à un rythme raisonnable et étudiants sont introduits à une grande variété de styles musicaux tout au long de l'ouvrage. Accompagnements piano imaginatives ont été fournies pour ajouter la variété en performance./ Recueil / Saxophone Alto
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100 Pop Solos
Saxophone
[Sheet music]
-
Easy
Amsco Wise Publications
Partitions pour saxophone de 100 chansons pop. Arrangements pour sax Eb et Bb pa...
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Partitions pour saxophone de 100 chansons pop. Arrangements pour sax Eb et Bb par Jack Long avec symboles d\'accords. / Saxophone / Partition
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